A. J. Liebling, born in Manhattan in 1904, joined the staff of the New Yorker in 1935 and contributed innumerable articles to the magazine throughout his lifetime, on subjects ranging from food to boxing and France to horse racing. As a war correspondent during the Second World War, he reported from France, England and Algeria, and participated in the Normandy landings. In later life he married the writer Jean Stafford, his third wife. He died in 1963.

A. J. Liebling

A. J. Rosen is an author of YA fantasy and is known as @agatharoza on Wattpad.

A. J. Rosen

A. K. Davidson

A. O. Scott has been a film critic at the New York Times since 2000. His writing has appeared in many other publications, including the New York Review of Books, Slate, the New Yorker and the Nation. A finalist for the Pulitzer Prize in criticism in 2010, Scott is currently Distinguished Professor of Film Criticism at Wesleyan University. He lives with his family in Brooklyn, New York. 
 
@aoscott

A. O. Scott

A.S. Byatt (1936-2023) was a novelist, short-story writer and critic of international renown. Her novels include Possession (winner of the Booker Prize 1990), the Frederica Quartet and The Children’s Book, which was shortlisted for the Booker Prize and won the James Tait Black Memorial Prize for Fiction. She was appointed CBE in 1990 and DBE in 1999, and was awarded the Erasmus Prize 2016 for her ‘inspiring contribution to life writing’ and the Pak Kyongni Prize 2017. In 2018 she received the Hans Christian Andersen Literature Award.

A. S. Byatt

A. T. Williams won the George Orwell Prize for Political Writing in 2013 for his book A Very British Killing: The Death of Baha Mousa. He lives in Warwickshire.

A. T. Williams

A. W. Chase

Dubbed ‘The new queen of spy fiction’ by the Guardian newspaper, and ‘the real thing’ by the Washington Post, A.C. 'Ava' Glass is the CWA Dagger-shortlisted author of Alias Emma (The Chase), The Traitor and The Trap. The Traitor was a 2023 Richard and Judy Bookclub pick. Alias Emma was a Barnes and Noble book of the month. A former crime reporter and communications consultant, for five years Ava worked closely with spies. Her time in that world fascinated her, and the people she met back then inspire every book she writes.

A.C. Glass

A.E. Housman

Arthur Edward Waite was the designer and co-creator of the now famous Rider Waite Tarot deck. 
 
An American-born British poet and scholarly mystic, his strong interest in all esoteric matters - divination, magic, Kabbalism, alchemy and Freemasony - led to him penning a number of books. These include the Key to the Tarot, The Book of Ceremonial Magic and A New Encyclopedia of Freemasony.

A.E. Waite

A.E. Warren is the author of the Tomorrow's Ancestors series, which consists of Subject Twenty-One, The Hidden Base, The Fourth Species and The Final Rising. 
 
After spending eight years working as a lawyer, she began to write in the evenings and early mornings as a form of escapism from life in a very small cubicle with lots of files. She self-published her first novels in her spare time, which were picked up by Del Rey UK which is the science fiction/fantasy imprint of Penguin Random House. 
 
 She is an avid reader, occasional gamer and fair-weather runner. She lives in the UK with her husband, daughter and hopefully, one day, a wise border terrier named Austen.

A.E. Warren

A.G.D. Maran

A.J. Ayer

A K Benedict writes crime and speculative fiction in a room filled with clowns, mannequins and Doctor Who figures. Her first novel, The Beauty of Murder, was nominated for an eDunnit award and is in development for a major 8-part TV series by Company Pictures. Her second, Jonathan Dark or The Evidence of Ghosts, came out in February 2016. She's written Torchwood audio dramas for Big Finish and her short stories have featured in anthologies including Great British Horror and Best British Short Stories. She lives in St Leonards-on-Sea with her dog, Dame Margaret Rutherford.

A.K.Benedict

A. L. Kennedy has twice been selected as one of Granta’s Best of Young British Novelists and has won a host of other awards – including the Costa Book of the Year for her novel Day. She lives in Essex.

A.L. Kennedy

A.M. Ellis is a speculative fiction author and lover of everything steeped in myth and mystery. Her stories often lean into diverse voices, not only in her identity as a Black woman, but in exploring neurodivergence and mental health. A proud introvert and nostalgic gamer, she lives in Maryland, USA, with her husband and three children. Angelica is also the author of Hunt A Killer, a PERFECT SCORE novel, under the pen name A.M. Ellis, which she wrote as an IP for Scholastic in the US.

A.M. Ellis

A.N. Wilson was born in 1950 and educated at Rugby and New College, Oxford. A Fellow of the Royal Society of Literature, he holds a prominent position in the world of literature and journalism. He is an award-winning biographer and a celebrated novelist, winning prizes for much of his work. He lives in North London.

A.N. Wilson

A.W. Priest

A.B.C. Merriman-Labor was a barrister, writer and munitions worker born in Freetown, Sierra Leone in 1877. His published works include A Series of Lectures on the Negro Race and The Story of the African Slave in a Nutshell. He also edited two editions of the Handbook of Sierra Leone. He arrived in the UK in 1904 to study law. In 1907, he organised a centenary commemoration of the abolition of the slave trade in Westminster Abbey. He later embarked on an 'entertainment-lecture' tour called Life and Scenes in Britain, travelling across thousands of miles of West, South West and Central Africa, which he expanded on to create Britons Through Negro Spectacles.

ABC Merriman-Labor

AJ Cronin

AJ Molloy

Aabria Iyengar is an American actress and author.

Aabria Iyengar

Aaliya Jaleel is a freelance illustrator, designer, and visual development artist, currently majoring in Animation at the University of Texas at Dallas. She is also the illustrator of Under My Hijab and Muslim Girls Rise. You can visit her online at www.aaliyamj.com.

Aaliya Jaleel

Aaron Allston

After more than fifteen years of experience as a clinical psychotherapist, Dr Aaron Balick has taken the amazing insights from psychology and psychotherapy out of the consultation room and made them accessible to the wider world. 
 
He has been an ‘agony uncle’ for many years for both CBBC and BBC Radio 1, as well as on television, including BBC Worldwide, BBC 3 and BBC Learning.

Aaron Balick

Aaron Carroll

Aaron Dignan is the founder of The Ready--a global organizational transformation and coaching practice--that helps companies large and small adopt new forms of self-organization and dynamic teaming. Clients include Johnson &amp; Johnson, Microsoft, Lloyds Bank, Citibank, Boeing, Mailchimp, Airbnb, Dropbox, and charity: water. 
 
He is also the founder of Murmur--a SaaS startup that helps teams scale culture through the magic of working agreements. The Murmur platform will allow every team on the planet to define and share their ways of working. 
 
Dignan is the author of Brave New Work (2019) and Game Frame (2011), co-host of the Brave New Work podcast, and a friend to misfit toys.

Aaron Dignan

Aaron Edwards is a senior lecturer in defence and international affairs at the Royal Military Academy, Sandhurst, specialising in terrorism and counter-insurgency. He is the author and editor of several books, including Defending the Realm: The Politics of Britain’s Small Wars Since 1945, and has lectured all over the world on aspects of national and international security. He is a Fellow of the Royal Historical Society.

Aaron Edwards

Aaron Robertson is a writer, an editor, and a translator of Italian literature. His translation of Igiaba Scego’s Beyond Babylon was short-listed for the 2020 PEN Translation Prize and the National Translation Award, and in 2021 he received a National Endowment for the Arts grant. His work has appeared in the New York Times, The Nation, Foreign Policy, n+1, The Point, and Literary Hub, among other publications. He lives in Brooklyn, New York.

Aaron Robertson

Aaron Shapiro

PublicationStatus

Brand

Format

AgeRange

Series

Imprint

CategoryLabel

Matthew Dooley

A story about mislaid umbrellas, questionable scientific theories and unlikely friendship - from the author of Flake, winner of the 2020 Bollinger Everyman Wodehouse Prize 
 
Where do all the lost things go? 
 
In Dobbiston, they'll likely end up in the care of Mr Daniels, the long-time custodian of the local lost property office. Somewhere deep in the bowels of the town council's shabby premises he has spent a lifetime quietly cataloguing the carelessness of his fellow Dobbiston residents. 
 
But when something unexpected interrupts his routine, Mr Daniels is forced to embrace a little bit of life's chaos. 
 
Told through Lost Property Office vignettes - a snooker cue love story, a granny’s tea cosy and a kid’s toy on an intergalactic adventure – local histories are elevated to the momentous and profound, drawn with playful nostalgia and Dooley’s deadpan wit. 
 
PRAISE FOR FLAKE 
 
'A joy... think of Joff Winterhart with a cone and a squirt of strawberry sauce' Herald Scotland 
 
'(A) wonderful, elegiac debut... full of irresistible puns' Observer 
 
'A cheerfully nostalgic trip into a north western english town of pub quizzes, crazy golf and crosswords' Guardian

Aristotle’s Cuttlefish

Alison Bechdel

'The funniest, most satirical cartoon she has ever written – as well as, perhaps, the most prescient' OBSERVER 
 
"Very funny and self-hating in a good way" ZADIE SMITH 
 
From her pygmy goat farm in Vermont, a cartoonist named Alison Bechdel wonders: Can she pull humanity out of its death spiral by writing a scathing memoir about her own greed and privilege? 
 
But how is she supposed to sit here writing a book when the world hangs on a thread? 
 
In this hilariously skewering comic novel, Alison is existentially irked by a climate-challenged world and a country on the brink of civil war. 
 
Her first graphic memoir about growing up with her taxidermist father has been adapted into a highly successful TV series, Death and Taxidermy. It’s a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group. 
 
As the TV show racks up Emmy after Emmy, Alison’s own envy spirals. Why couldn’t she be the writer for a wildly popular reality TV series which shows people how to free themselves from consumer capitalism and live a more ethical life?! 
 
In Spent, the celebrated, bestselling author of the modern classic Fun Home presents a laugh-out-loud and passionately political work of autofiction, and once again proves that “nobody does it better” (New York Times) than the real Alison Bechdel.

Spent

A Comic Novel

Ocean Vuong

THE INSTANT SUNDAY TIMES BESTSELLER 
 
Ocean Vuong returns with an achingly beautiful novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive 
 
One summer evening in the town of East Gladness, Connecticut, nineteen-year-old Hai stands on a bridge, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia. Over the course of the year, the unlikely pair develops a life-altering bond. 
 
The Emperor of Gladness shows the profound ways in which our lives are changed by the most unexpected of people. When Hai takes a job at a diner to support himself and Grazina, his fellow workers become the family he didn’t expect to find. United by desperation and circumstance, and existing on the fringes of society, together they bear witness to each other’s survival. 
 
‘Some of the most beautiful writing I’ve experienced in my lifetime’ OPRAH WINFREY 
 
'Perfectly tuned… May well be the first millennial Great American Novel’ ArtReview 
 
‘A fine-grained social panorama driven by the developing camaraderie of an ensemble cast bonded in precariousness and pain’ Observer 
 
‘His most vivid, ambitious work yet’ Dazed 
 
'A poetic, dramatic and vivid story. It has an epic sweep but it also handles intimacy and love with delicacy and deep originality' COLM TÓIBÍN 
 
‘This stunning book moved me so much, I fell in love with its characters and grieved their absence in my life when I turned the last page’ CAITRÍONA BALFE 
 
'Tender and moving' REBECCA SOLNIT 
 
'A masterwork' BRYAN WASHINGTON

The Emperor of Gladness

Linea Maja Ernst

A luscious summer novel about friends, lovers, and friends' lovers 
 
‘Clever, wry, and incredibly sexy’ SUSANNAH DICKEY 
 
Five friends from university; seven summer days in a cabin in rural Denmark. A chance to swim, sunbathe, flirt, read and mess around like in the old days. 
 
At least that’s what Sylvia had hoped. But when her friends arrive with real jobs, kids and partners, Sylvia is left wondering what happened to the radical ways of living they embraced at university. Worse, Esben and Karen announce their plan to get married at the end of the week, striking a blow to Sylvia’s simmering, decades-long crush on Esben – a crush that her monogamous girlfriend Charlie would definitely not approve of. 
 
Whilst the group swim, sunbathe, cook and flirt their way to midsummer night, desire and anxiety swirl in equal measure. As the wedding day approaches, will they achieve their arcadian dreams or will everything come tumbling down? 
 
'Delicious, and provocative' ESTHER FREUD 
 
‘Sensuous and vivid, simmering with sexual tension and with an undercurrent of deep longing... A book to devour' LAURA KAY 
 
'Trembles and flashes with hot emotion, confusion and pangs of longing. I loved its cast of characters' AMY KEY 
 
‘Linea Maja Ernst writes about sexual desire so well that it turns her readers on’ Weekendavisen

Waist Deep

Fiona Benson

The thrilling story of the healers, artists and prodigies once persecuted as witches – from the three-time T.S. Eliot Prize-shortlisted poet 
 
POETRY BOOK SOCIETY CHOICE 
 
In her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition – the fear and false knowledge – that was witchcraft. 
 
Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals – generally healers, artists, prodigies and almost always women – became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. 
 
In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic. 
 
‘Benson is one of the finest English poets writing today’ Blake Morrison 
 
‘No one writes the way Fiona Benson does. No one is as raging, as fearless’ Daisy Johnson 
 
A new collection of Benson’s wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted’ Guardian

Midden Witch

Edward St Aubyn

A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series. 
 
 * The Orwell Prize Finalist 2025 * 
 
 ‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’ 
It is summer. Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life. 
Over a year, their fates collide in outrageous and poignant ways, revealing their destinies in a new light. Parallel Lines is a novel about connection, family, love, and the cascading consequences of our choices. 
PRAISE FOR EDWARD ST AUBYN: 
‘Perhaps the most brilliant English novelist of his generation’ 
ALAN HOLLINGHURST 
‘I love Edward St Aubyn’DONNA TARTT 
‘Nothing can prepare you for the rich, acerbic comedy of St Aubyn’s world’ 
ZADIE SMITH

Parallel Lines

Seán Hewitt

On the cusp of adulthood, James dreams of another life far away from his small village. As he contends with the expectations of his family, his burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. 
 
Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, but underneath his bravado lie anxieties and hopes of his own. 
 
With the passing seasons, the two teenagers grow closer and the bond that emerges between them transforms their lives. James falls deeply for Luke, yet he is never sure of Luke’s true feelings. And as the end of summer nears, he has a choice to make – will he risk everything for the possibility of love?

Open, Heaven

Alex Dimitrov

'Ecstasy stands out for its brutal examination of the transience of Eros ... Campy and fun' Guardian 
 
In Ecstasy, Alex Dimitrov embraces a life on the edge in New York and the finely wrought poetry that can come out of it. 
 
He explores sex, drugs, parties, pleasure, and God in the 2020s, and looks back to a coming-of-age in the 1990s that still informs who his generation is and will be. His unabashed and drivingly musical poems are a call against repression, a rebuke of cultural norms and shame, and a celebration of human authenticity – even if to live under such philosophies is dangerous. 
 
In ‘Today I Love Being Alive’, we find the poet naked in his kitchen, eating a banana and obsessed with a new lover, declaring ‘I don't care about being remembered. / I care about . . . Strong men. Beautiful sentences. Italian leather’; in ‘Poppers’, he stands lightheaded in the bathroom at a bar, ‘thinking of what to do / with the rest of my life’, and issuing a warning to himself and us: ‘Poetry / is not a self-help book.’ 
 
Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to a fleeting encounter in the street. Ecstasy also engages with the poet’s Christian upbringing, interrogating faith as both an enemy and valve of catharsis, and a bedfellow of what this book celebrates and courts: profound human ecstasy. 
 
'A rollicking paean to pleasure, an ode to realness and resilience ... Raw and honest and deeply personal' New York Times 
 
'Dimitrov is that rarest of creatures, a true poet and a truly contemporary poet. Thank god he's here' Michael Cunningham, author of The Hours 
 
*A most anticipated queer book for Spring 2025 in Electric Literature*

Ecstasy

Anders Nilsen

From the revered graphic artist and writer Anders Nilsen, Tongues collects together in one volume for the first time Nilsen's cult comics and their retelling of the myth of Prometheus 
 
'Mindbendingly good. It’s up there with Maus, Fun Home, Persepolis, Jimmy Corrigan' 
MARK HADDON, author of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME 
 
In the remotest reaches of Central Asia where rival groups war over oil, a minor god is chained to a mountainside. Unfolding in a series of conversations with his unlikely friend the eagle, who visits every day to carry out a gruesome sentence of torture, Tongues I follows the titan’s pursuit of revenge on the god that imprisoned him. 
 
Entwined with their story are those of Astrid, a teenage East African orphan on an errand of murder, and a man with a teddy bear strapped to his back wandering aimlessly in the wilderness. 
 
Tongues I is a postmodern, apocalyptic reimagining of Prometheus' story, here a fallible god failing in his duty as the creator and protector of humanity. 
 
A visual meditation on our deep evolutionary past and our complicated prospects for the future, Tongues I is both a propulsive story of adventure and an examination of human nature in our present moment. 
 
'A genuinely mind-blowing achievement. [...] A dazzlingly innovative feat which surprises and delights on every page, across the epic whole and in every strange detail.' 
MAX PORTER, author of LANNY 
 
'One utterly gorgeous comic' 
VULTURE

Tongues I

David Szalay

'A revelatory novel' Sunday Times 
 
'Brilliance on every page' Samantha Harvey, author of Orbital 
 
A propulsive, hypnotic novel about a man who is unravelled by a series of events beyond his grasp. 
 
Fifteen-year-old István lives with his mother in a quiet apartment complex in Hungary. New to the town and shy, he is unfamiliar with the social rituals at school and soon becomes isolated, with his neighbour – a married woman close to his mother’s age – as his only companion. These encounters shift into a clandestine relationship that István himself can barely understand, and his life soon spirals out of control. 
 
As the years pass, he is carried gradually upwards on the twenty-first century’s tides of money and power, moving from the army to the company of London’s super-rich, with his own competing impulses for love, intimacy, status and wealth winning him unimaginable riches, until they threaten to undo him completely. 
 
Spare and penetrating, Flesh is the finest novel yet by a master of realism, asking profound questions about what drives a life: what makes it worth living, and what breaks it. 
 
Chosen as a ‘Best Book of 2025’ by the Guardian, Observer, Financial Times, Daily Telegraph and Daily Mail 
 
‘Flesh is a wonderful novel – so brilliant and wise on chance, love, sex, money' David Nicholls, author of One Day 
 
'It’s been a long time since I’ve been swallowed whole by a novel the way I was by this one ... So much searing insight into the way we live now' Observer 
 
'Compelling and elegant, merciless and poignant. David Szalay is an extraordinary writer' Tessa Hadley

Flesh

Kay Sohini

At once heartrending and enlivening, this phenomenal graphic memoir is not another ode to New York but a meditation on how easy it is to fall beautifully, ridiculously in love 
 
*AN OBSERVER GRAPHIC NOVEL OF THE MONTH* 
 
'This is such a rich book, both visually and narratively' - Isabel Greenberg, author of Young Hag 
 
'A ravishing new take on a storied city' - Katherine May, New York Times bestselling author of, Wintering and Enchantment 
 
On her first night in New York, Kay Sohini sits on the tarmac of JFK airport making an inventory of all she’s left behind in India. Kay realises two things: she's finally made it to the city that made her in celluloid and prose from across the Pacific – Kerouac, Friends, Plath – and that trauma she’s endured in her relationship has left gaping holes in her memory. 
 
In New York, at last, Kay has room to begin the work of piecing herself back together through art and food. But as her personal story becomes a window onto a mystifying metropolis both inhospitable and inspiring to the many who call it home, Kay embarks on an electric exploration of how to forge the self and a life of one’s own today. 
 
At once heartrending and enlivening, This Beautiful, Ridiculous City is not another ode to New York but a phenomenal meditation on how easy it is to fall beautifully, ridiculously in love with places – and indeed people – that do not always love us back but somehow still save us in weird, unexpected ways. 
 
'A stunning graphic memoir… a praise-song to her adopted home… with its glorious, candy-coloured drawings' - FINANCIAL TIMES

This Beautiful, Ridiculous City

A Graphic Memoir

Ottessa Moshfegh

Read the novel that catapulted Ottessa Moshfegh to literary stardom: a gorgeously sordid story of love and murder on the high seas 
 
'One of America's most exciting - and most provocative - young novelists' Financial Times 
 
'You’re in safe, if sticky hands... A wild ride' The Times 
 
Somewhere in the Indian Ocean, 1851: McGlue is down in the hold, still too drunk to be sure of his name, situation or orientation – but he has blood on his hands. He may have killed a man. That man may have been his best friend. As the ship makes its voyage home to Salem, Massachusetts, intolerable memory accompanies reluctant sobriety. 
 
A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.

McGlue

David Grossman

*Winner of the Heinrich Heine Prize for Literature* 
 
A hundred and fifty years of conflict. What does that do to a person’s soul, to the spirit of a nation? To both the occupied and the occupier? 
 
International Booker Prize-winning Israeli novelist David Grossman has spent decades campaigning for peace in Israel and Palestine. But after October 7th 2023, a day marking the biggest loss of Jewish life in this century, he retreated inwards to ask himself difficult and necessary questions about his beloved nation: 
 
How could this massacre have happened? 
How could the Netanyahu government, tangled in its web of scandals, fail to protect its citizens? 
And did October 7 and the war that followed take with it their last hope of a two-state solution? 
 
In eleven essays David Grossman traces the years leading up to that day and the ensuing war through a string of failures by a morally bankrupt party clinging to power. He documents the struggle being fought on both sides between those committed to conflict, and the many who simply want to live in peace. 
 
Ultimately, Grossman arrives at the most important question of all: Will there ever be a lasting peace in the region?

The Thinking Heart

On Israel and Palestine

Charles Burns

‘An instant classic from a master of the form’ 
PUBLISHERS WEEKLY 
 
'Unsettling and beautifully executed' 
GUARDIAN 
 
An arresting story of an artist's obsessions, from the beloved and award-winning author of Black Hole. 
 
As a child, Brian and his friend Jimmy would make home movies in their yards, coaxing their friends into starring as victims of grisly murders and smearing lipstick on them to simulate blood. Now an aspiring filmmaker, he, Jimmy and new girl in town Laurie – his reluctant muse – set off to a remote cabin in the woods. 
 
Armed with an old camera, they film a true sci-fi horror movie where humans are born of disembodied alien wombs, in homage to The Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams – both his damsel in distress and his saviour. 
 
Final Cut blurs the line between dreams and reality, imagination and perception in this astonishing look at what it truly means to express oneself through art. 
 
**A GUARDIAN, OBSERVER, THE NEW YORKER AND THE WASHINGTON POST BOOK OF THE YEAR** 
 
Charles Burns, Eisner Award-Winner, 2006

Final Cut

Miriam Gold

This is the story of the ordinary extraordinary life of Dr Elena Zadik. 
 
Lives were bent in the furnaces of the twentieth century, but Elena Zadik was unbroken. With a stethoscope, a jar of herring and a hearing aid occasionally switched on, she forged an extraordinary life. Elena ran through the twentieth century without looking back. 
 
A refugee twice before she was 17, she broke glass ceilings to become a doctor during World War 2. She was as brilliant a doctor as she was terrible a driver (she never took a test). Finding community, falling in love and starting a family in Sheffield while her parents were imprisoned and killed in Auschwitz, she swam against the odds with courage and tenacity. 
 
Miriam gathers the threads of her Granny’s story, reflecting on their unconventional relationship and how trauma travels down through the generations in this gorgeous brocade of illustration and collage. 
 
Granny was an unintentionally hilarious woman, often difficult, always opinionated and deeply resourceful. Her hands were always busy and form the heart of this timely, irresistible graphic story of the ordinary extraordinary resilience of women. 
 
A heartfelt and charming graphic memoir of love, family and fearless women.

Elena: A Hand Made Life

Howard Jacobson

A provocatively entertaining, savagely funny satire on Donald Trump by Britain’s greatest comic novelist. 
 
Pussy is the story of Prince Fracassus, heir presumptive to the Duchy of Origen, famed for its golden-gated skyscrapers and casinos, who passes his boyhood watching reality shows on TV, imagining himself to be the Roman Emperor Nero, and fantasizing about hookers. He is idle, boastful, thin-skinned and egotistic; has no manners, no curiosity, no knowledge, no ideas and no words in which to express them. Could he, in that case, be the very leader to make the country great again? 
 
'Deliciously laugh-aloud nasty about not just the making of this rough beast but what in the American character enabled it to go slouching into the White House' Mail on Sunday 
 
'Undigested rage, whip-smart wit devastating fluency and an aim as straight as an arrow… This is the story, savagely well told by our greatest comic novelist, of how we got in the state we’re in' Oldie

Pussy

Amelia Loulli

One in three women in Britain have an abortion. For such a common procedure, it has not been the subject of a dedicated book of poetry - not, at least, until now. 
 
*Winner of the Seamus Heaney First Collection Poetry Prize 2025* 
 
'Painful, brave and steadfastly honest' ANDREW MCMILLAN 
 
'Original, essential... An unforgettable collection' FIONA BENSON 
 
Amelia Loulli opens this fearless, frank, absorbing debut with the words 'I'm going to tell you what happened', and that is precisely what she does. With these careful, generous, insistent poems, we are led through the experience of abortion and surprised at every turn. There is vulnerability and despair, there is the shame and silence too, but there is also the constant, steady pulse of compassion, tenderness and wonder at the world. 
 
Slip is a daring book, not just in subject but in style: skilfully worked, integrating the rich terror of nursery rhymes and folk tales with the bland banalities and euphemisms of social interaction, of medical techniques. It is also, sadly, a necessary book - provocative and transformative poetry about women as mothers and survivors. A cry of fury and a cry of love.

Slip

Isabel Greenberg

Once there was magic in Britain. There were dragons and wizards and green knights and kings who pulled swords out of stones. But now, the doors to the Otherworld have closed. 
 
'Gamechanger... Will win legions of fans' KIRAN MILLWOOD HARGRAVE 
 
‘I couldn't put it down. Pure magic’ MARISSA MEYER 
 
'Timeless' KATE BEATON 
 
Young Hag has grown up believing her mother and grandmother are the last witches in the land. But when tragedy strikes, she turns her back on these tales. Where is their magic when they really need it? 
 
Then one day they find a changeling in the woods. Confronted with real magic at last, Young Hag has no choice but to believe. She sets off on the greatest quest of her life; but can Young Hag bring the magic back? Or will she become a footnote in the tale of famous kings and wizards? 
 
From the acclaimed creator of Glass Town and The One Hundred Nights of Hero comes a dazzlingly imaginative escape into the world of myth. Young Hag ingeniously reinvents the women in Arthurian legend, transforming the tales of old into a heart-warming coming-of-age story. 
 
**A GUARDIAN GRAPHIC NOVEL OF THE YEAR**

Young Hag

John Burnside

A remarkable collection exploring ageing, mortality and environmental destruction 
 
**WINNER OF THE DAVID COHEN PRIZE FOR LITERATURE 2023** 
 
'By far the best British poet alive' SPECTATOR 
 
'A master of language' HILARY MANTEL 
 
In this powerful, moving book, John Burnside takes his cue from Schiller, who recognised that, as one thing fades, so another flourishes: everywhere and always, in matters great and small, new life blossoms amongst the ruins. 
 
Here, in poems that explore ageing, mortality, environmental destruction and mental illness, Burnside not only mourns what is lost in passing, but also celebrates the new, and sometimes unexpected, forms that emerge from such losses. An elegy for a dead lover ends with a quiet recognition of everyday beauty – first sun streaming through the trees … a skylark in the near field, flush with song – as the speaker emerges from lockdown after a long illness. 
 
Throughout, the poet attends to the quality of grace – numinous, exquisite, fleeting as an angel’s wing – and the broken tryst between humankind and its spiritual and animal elements, even with itself: the gaunt deer on the roads/like refugees. He acknowledges the inevitability of the fading towards death, but still finds chimes of light in the darkness – insisting that, here and now, even in decline, the world, when given its due attention, is all Annunciation. 
 
*A BOOK OF THE YEAR IN THE TIMES LITERARY SUPPLEMENT*

Ruin, Blossom

Michael Ondaatje

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 
 
'My life always stops for a new book by him' JHUMPA LAHIRI 
 
'A generous, moving book' GUARDIAN 
 
Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world &ndash; describing himself as a 'mongrel', someone born out of diverse cultures. 
 
Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière&rsquo;s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: 
 
Reading the lines he loves 
he slips them into a pocket, 
wishes to die with his clothes 
full of torn-free stanzas 
and the telephone numbers 
of his children in far cities 
 
Poetry &ndash; where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

Carol Adlam

A stunning detective story from the winner of the World Illustration Award 
 
**OBSERVER GRAPHIC NOVEL OF THE MONTH Pick for March** 
 
'Could not be more rich or more beautiful if it tried' 
OBSERVER 
 
In this stunning reimagining of a nineteenth-century Russian crime thriller from the world of Dostoevsky, Carol Adlam presents Charlie Fox, stunt journalist, magician, liar and thief, who reluctantly returns to her hometown of Nowheregrad to investigate the murder of Elena Ruslanova, daughter of a fabulously wealthy glass manufacturer. 
 
In Nowheregrad Charlie finds herself caught up in a multi-layered story that is told through the richly varied visual devices of the time. With the unwitting assistance of her lover, Netochka, Charlie unravels the mystery of the Bobrov family, only to face the truth about herself. 
 
Exquisitely drawn and compellingly told, Adlam's complex, elegant narrative brings to life the lost legacies of early crime fiction and the first women journalists and detectives. 
 
**A GUARDIAN GRAPHIC NOVEL OF THE YEAR**

The Russian Detective

Charlotte Shevchenko Knight

**WINNER OF AN ERIC GREGORY AWARD** 
 
*SHORTLISTED FOR THE 2024 FORWARD PRIZE - FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION* 
 
This searingly powerful first collection about Ukrainian identity is a howl of anguish and an elegant counter-song against totalitarianism 
 
'A beautiful, necessary book' 
ILYA KAMINSKY, author of Deaf Republic 
 
'Every poem is a masterpiece' 
OLIA HERCULES, author of Mamushka 
 
With this searingly powerful first collection, Charlotte Shevchenko Knight gives the current war in Ukraine some much-needed human focus, while examining its brutal aggression within a wider and more accurate historical context. 
 
Central to this book is ‘a timeline of hunger’, a lyric sequence which examines the legacy of the Holodomor (‘death by hunger’ in Ukrainian) – Stalin’s man-made famine of the 1930s. This long poem opens in Kyiv in 2021 – ‘brief visitations / of appetite / I devour / beetroot / its juices / running / down my lips / blood / of the past’ – and closes in Donetsk in 1929: ‘we burst the balloon / skin of tomatoes / between our teeth / seeds running down chins / like confetti / & we already know / every meal / should be celebrated.’ Through the poet’s sensitive approach to the historical, moving from that genocide of the early 1930s, then on through the Second World War, the Chornobyl disaster, to modern-day invaded Ukraine, we understand that within their ‘bones Holodomor / lives on’. 
 
Both a howl of anguish and an eloquent counter-song against totalitarianism, this is a book about invasion, war, destruction and death, but also about the bonds of humanity, family and a history of oppression – about staying alive while always hungry.

Food for the Dead

Anne Carson

Wrong Norma is Anne Carson's first book of original material in eight years 
 
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR POETRY 
 
'Effortlessly readable and – a word critics don’t often use about her – fun' DAILY TELEGRAPH 
 
'I'm a big fan... She pinpoints the collision of oracle and anachronism' TEJU COLE 
 
As with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review. 
 
Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this: 
 
Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".

Wrong Norma

*SHORTLISTED FOR THE 2025 DYLAN THOMAS PRIZE * 
 
In this remarkable second collection, Seán Hewitt describes a journey haunted by love, loss and estrangement - from one of the Sunday Times 30 under 30 in Ireland 
 
'Points to a bright future for Irish poetry' SUNDAY TIMES 
 
'An exquisitely calm and insightful lyric poet' MAX PORTER 
 
'Amazing writing of breathtaking power' IRVINE WELSH 
 
As the mind wanders and becomes spectral, these poems forge their own unique path through the landscape. The road Hewitt takes us on is a sleepwalk into the nightwoods, a dream-state where nature is by turns regenerated and broken, and where the split self of the speaker is interrupted by a series of ghosts, memories and encounters. 
 
Following the reciprocal relationship between queer sexuality and the natural world that he explored in Tongues of Fire, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature. 
 
A threnody for what is lost, a dance of apocalypse and rebirth, Rapture’s Road draws us through what is hidden, secret, often forbidden, to a state of ecstasy. It leads into the humid night, through lethal love and grief, and glimpses, at the end of the journey, a place of tenderness and reawakening.

Rapture's Road

From the author of All Down Darkness Wide

Daniel Clowes

This is Monica, one ordinary woman&rsquo;s extraordinary journey through the history of comics &ndash; from the creator of Ghost World 
 
***AN OBSERVER BOOK OF THE YEAR 2023*** 
 
'Pitch-perfect... Could not put it down' OBSERVER 
 
'In Monica, Clowes reaches a new artistic peak' VANITY FAIR 
 
A dazzling, spectacular tapestry of interconnected narratives that together tell a life story, Monica is the new graphic novel from one of the most iconic storytellers of all time. This eponymous protagonist is a rag-to-riches character who, after being abandoned by her freewheelin' parents in childhood, succeeds in clawing her way to the top - only to lose it all in a stroke of bad luck. She lives out the rest of her days in search of her parents, encountering a cast of eccentric characters who help to piece together her story. 
 
This graphic novel extravaganza is an unforgettable ode to the many genres that have defined the comics form - from war, romance and horror to crime and the supernatural. Mysterious, uncategorisable and quintessentially Clowesian, here is a multi-layered masterpiece born of a lifetime of inspiration. Monica marks the creative apex of Daniel Clowes' distinguished career, one of the defining voices of the graphic novel boom over the past quarter-century.

Monica

Leontia Flynn

A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets 
 
'Everyone should be reading her' 
OBSERVER 
 
'One of the most accomplished poets of her generation' 
GUARDIAN 
 
These poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world. 
 
These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song. 
 
This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

Taking Liberties

Darrin Bell

***LONGLISTED FOR THE ANDREW CARNEGIE MEDAL*** 
***A GUARDIAN GRAPHIC NOVEL OF THE YEAR 2023*** 
 
Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said that police think little Black boys older and less innocent than they are. So began 'The Talk'... 
 
'The Ta-Nehisi Coates of comics' 
GARRY TRUDEAU, creator of Doonesbury 
 
'Darrin Bell has produced another American classic' 
GUARDIAN 
 
Through evocative illustrations and sharp humour, Darrin Bell examines how The Talk all Black parents must have with their children shaped his intimate and public moments from childhood to adulthood. While coming of age in Los Angeles - and finding a voice through cartooning - Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbours and police officers, and thus of his mortality. Drawing attention to the brutal murders of African Americans, and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. 
 
And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.

The Talk

From the Pulitzer Prize-winning graphic novelist

Discover the Sunday Times bestselling collection from the TikTok sensation and author of On Earth We're Briefly Gorgeous 
 
'One of the most important poets of his generation' 
ANDREW MCMILLAN, author of Physical 
 
'Powerful' 
DUA LIPA 
 
'Redefines our idea of what an elegy can do it, what it is for' 
ILYA KAMINSKY, author of Deaf Republic 
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Vivid, brave and propulsive, Vuong's poems contend with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. 
 
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.

Time is a Mother

From the author of On Earth We’re Briefly Gorgeous

Patrick McGuinness

In this intimate, confiding poetry collection, McGuinness shows how identity is layered, permeable, always in motion - how we are always actor and audience to ourselves 
 
'This is McGuinness's best collection by far, and stands out from the crowd' 
SUNDAY TIMES 
 
In Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall. 
 
The first section, 'Squeeze the Day' - a series of deeply moving poems about the author's mother, displaced between languages - investigates her illness and death; how being bilingual is like having a double, a second self; how each self haunts the other. 'The Noises Things Make When They Leave' elegises today's post-industrial landscapes, their people and professions: sidelined by literature, bypassed by globalisation. The final sequence, 'After the Flood', links the book's themes, seeking a way of seeing things for the first time and the last time simultaneously. Exploring the gaps between languages and between our selves in language, Patrick McGuinness dreams of a new tense in which the world's losses are redeemed: 
 
It's the anniversary of my mother's death, 
and it's my mother's birthday - 
the day she short-circuited the tenses, 
made the current flow both ways. 
 
A clear-sighted, intimate new poetry collection from the prizewinning author of Other People's Countries and Throw me to the Wolves.

Blood Feather

Sharon Olds

Arguably America's greatest living poet, Sharon Olds enters her eightieth year with a book for our times: a book of fear, fragility and love of life 
 
***NATIONAL BOOK AWARD FINALIST*** 
***AN OBSERVER BOOK OF THE YEAR 2023*** 
 
'Sharon Olds is a force of nature... She proves triumphantly evergreen' 
OBSERVER 
 
'At the time of have-not, I look at myself in this mirror,' writes Olds in this self-scouring, exhilarating collection, which opens with a section of quarantine poems, followed by her 'Amherst Balladz', honouring Emily Dickinson - 'she was our Girl - our Woman - / Man enough - for me' - and leads to celebrations of lost friends and lovers: her childhood, young womanhood, and old age all mixed up together. She examines her white privilege, sees her mother 'flushed and exalted at punishment time', celebrates the human body, even in ageing, and looks with wonder at the natural world and how we've spoiled it. 
 
Renowned for her poetry of searing honesty, sexual frankness and brave originality, Sharon Olds' new book emerges 'at the eleventh hour of the end of the world', from the time of plague, this time of loss, where she can look at the world and her life and tell us plainly 'love is the love of who we are, it is a form of knowing.'

Balladz

A Private Thriller

A series of children's modern classic novels by renowned 20th century children's writers. All the titles in this series have the A Puffin Book logo, contemporary-style covers, and child-friendly endnotes.

A Puffin Book

A Ripley Novel

A Slice of the Moon

A Victorian Mystery

A Walk in...

A Women’s Murder Club Thriller

A chef Paul Delamare Mystery

Aberrations

Across the Universe

Actiphons

Adelia Aguilar

Adrian Mole

Adventures in Time

Aftermath

Against War

Age of X

Agent 21

Agent Z

Detective Aidan Waits is a troubled junior detective haunted by his past. Facing an uncertain future, and disconnected from his history, DC Waits and his partner, Detective Inspector Peter 'Sutty' Sutcliffe work on Manchester's streets to uncover the city's worst criminals among the grime of the underworld.

Filters

Category

Age

Publication Date

Format

Series

Imprint

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter