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A A Gill

Andrew Swanston read law at Cambridge, but was inspired to write by his lifelong interest in early modern history. His Thomas Hill novels – The King’s Spy, The King’s Exile and The King’s Return – are set against the backdrops of the English Civil War, Cromwell’s Commonwealth and the early Restoration respectively. He is also the author of Waterloo: The Bravest Man and Beautiful Star and Other Stories. His first historical thriller set during the reign of Elizabeth I – Incendium (published in paperback as The Incendium Plot) – introduced readers to the academic, lawyer and intelligencer Dr Christopher Radcliff, whose adventures continue in Chaos. Andrew Swanston lives in Surrey.

A D Swanston

A E Langsford

A G Hopkins

A. J. BAIME is the New York Times best-selling author of The Arsenal of Democracy: FDR, Detroit, and an Epic Quest to Arm an America at War and Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans. Both books are in development for major motion pictures. Baime is a longtime regular contributor to the Wall Street Journal, and his articles have also appeared in the New York Times, Popular Science, and Men’s Journal. He lives in Granite Bay, California. Visit him at facebook.com/ajbaime and trumanbook.com.

A J Baime

A J Jacobs

A J P Taylor

Anthony James Pollard is a British medieval historian, specialising in the fifteenth century and in particular the Wars of the Roses. A leading authority in the field, he is profesor emeritus of Teesside University. His books include North-Eastern England during the Wars of the Roses, Richard III and the Princes in theTower, Imagining Robin Hood: the Late Medieval Stories in Historical Context and Warwick the kingmaker: Politics, Power and Fame.

A J Pollard

A J Rochester

A K Benjamin is a clinical neuropsychologist and the author of Let Me Not Be Mad: A Story of Unravelling Minds.

A K Benjamin

A. L. Berridge read English at Oxford, and taught for ten years before moving into television, where her production credits range from period drama and thrillers to long-running soaps. She has written two previous novels, Top Ten besteller Honour and the Sword and In the Name of the King. Into the Valley of Death is her third novel.

A L Berridge

Alison Gaylin's first job was as a reporter for a celebrity tabloid, which sparked a lifelong interest in writing about people committing despicable acts. More than a decade later, she wrote and published her Edgar-nominated first novel, HIDE YOUR EYES. 
 
She's since published nine more books, including the USA Today and international bestselling Brenna Spector suspense series, which has been nominated for the Edgar, Anthony and Thriller awards and won the Shamus award. 
 
She lives in upstate New York with her husband, daughter, cat and dog.

A L Gaylin

A Maxwell-Hyslop

A McArthur

A P Wavell

A.S. Webb is the Sunday Times bestselling author of Daughter of Chaos, the first instalment of The Dark Pantheon Trilogy. She is inspired by stories rooted in history and mythology, that push the boundaries of imagination and urge us to reflect on what it means to be human.

A S Webb

A. A. Dhand is the author of six previous novels, and has been shortlisted for the CWA Steel Dagger Award. His DI Harry Virdee novels are currently being adapted for TV by the BBC. He was raised in Bradford and spent his youth observing the city from behind the counter of a small convenience store. After qualifying as a pharmacist, he worked in London and travelled extensively before returning to Bradford to start his own business and begin writing. The history, diversity and darkness of the city have inspired all his novels. For more information about A. A. Dhand and his books, follow him on X @aadhand, and on Instagram @aa_dhand.

A. A. Dhand

A. A. Gill

A. A. Milne

A. Anatoli

A. B. Poranek grew up sharing her time between Ontario, Canada and rural Poland, and eventually completed a veterinary degree at the Warsaw University of Life Sciences. A lover of mythology and history, she enjoys exploring both in her writing. Her debut novel, Where the Dark Stands Still, an instant New York Times bestseller, is an ode to Poland's folktales, while A Treachery of Swans transports readers to a world inspired by 17th century France.

A. B. Poranek

A. Bradley

Professor A. C. Grayling is Principal of the New College of the Humanities at Northeastern University, London, and a Supernumerary Fellow of St Anne's College, Oxford. He has written and edited over thirty books on philosophy, history, science and current affairs. For several years he wrote columns for the Guardian newspaper and The Times and was the chairman of the 2014 Man Booker Prize.

A. C. Grayling

A.D. Miller is the author of Snowdrops, The Earl of Petticoat Lane and The Faithful Couple. Snowdrops was a bestseller and was shortlisted for many prizes including the Man Booker and the CWA Gold Dagger. It was translated into 25 languages. As Moscow Correspondent of The Economist A.D. Miller has travelled across the former Soviet Union and covered the Orange Revolution in Ukraine; he is now the magazine’s Culture Editor based in London. 
 
admillerbooks.com

A. D. Miller

A. E. Ellis

A. E. W. Mason

A. Humphreys

A. Igoni Barrett was born in Port Harcourt, Nigeria, in 1979 and lives in Lagos. He is a winner of the 2005 BBC World Service short story competition, the recipient of a Chinua Achebe Center Fellowship, a Norman Mailer Center Fellowship, and a Rockefeller Foundation Bellagio Center Residency. His short story collection, Love is Power, or Something Like That, was published in 2013. In 2014 he was named on the Africa39 list of sub-Saharan African writers under 40. Blackass is his first novel.

A. Igoni Barrett

The short life of A.J.A. Symons (1900-41) was described by his biographer as an intricate and largely harmless confidence trick. His many interests included the collection of musical boxes and rare books as well as the study and practice of forgery; they left him time to edit an anthology of Edwardian verse and compose studies of H.M. Stanley and other notable figures. He is remembered for The Quest for Corvo, one of the most remarkable biographies ever written, and for co-founding the Wine and Food Society.

A. J. A. Symons

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Amanda Gorman

'For there is always light 
If only we're brave enough to be it. 
If only we're brave enough to see it.' 
 
**Sunday Times and New York Times Bestseller** 
 
'I was profoundly moved... The power of your words blew me away' Michelle Obama, TIME 
 
'A moment of history in book form' Stylist 
 
'Deeply rousing and uplifting' Vogue 
 
On 20 January 2021, Amanda Gorman spoke a message of truth and hope to millions. 
 
Aged twenty-two, she delivered a poetry reading at the inauguration of US President Joe Biden. Her poem, 'The Hill We Climb', addressed the country and reached across the world: a call for a brave future. 
 
This special edition, which includes an enduring foreword by Oprah Winfrey, marks that poem and offers us courage, consolation and the inspiration to make change. 
 
'I was thrilled' Hillary Clinton 
 
'She spoke truth to power and embodied clear-eyed hope to a weary nation. She revealed us to ourselves' Lin-Manuel Miranda, TIME

The Hill We Climb

An Inaugural Poem

Kingsley Amis

Brought to you by Penguin. 
 
'Endlessly entertaining... Good, rollicking stuff, and a delight to read... Sir Kingsley Amis is surely one of the funniest men alive' Auberon Waugh, Sunday Telegraph 
 
Elegant, provocative and hugely entertaining, Kingsley Amis's memoirs are filled with anecdotes, experiences and portraits of famous friends, family, acquaintances (and a few eminent foes). From his childhood days to Oxford and army life, his travels abroad and his years as a successful novelist, Memoirs offers extraordinary insights into a unique literary life. 
 
© Kingsley Amis 1991 (P) Penguin Audio 2020

Memoirs

D. J. Enright

The distinguished poet, essayist and critic D. J. Enright died on the last day of December 2002. He had just put the finishing touches to Injury Time, a memoir and his third commonplace book in which the dying writer muses upon his own condition and that of the world he knows he is leaving. 
 
Comparing himself to the Chinese scholar Sima Qian, who chose an 'ignoble punishment' (in Dennis Enright's case, treatment for his cancer; in Qian's, castration) over respectable death in order to finish a book, he contemplates literature, manners, morals, people and, especially, the English language in all its glories and eccentricities - while recording his battle against cancer and his hospital experiences. 
 
Moving, and at times deeply poignant, imbued with its author's legendary humanity and wit, Injury Time is, nevertheless, funny, bracing and, above all, positive.

Injury Time

A Memoir

A. S. Byatt

In Passions of the Mind, A.S. Byatt writes as an artist and scholar taking the reader on a journey of discovery as she explores the ideas, images and attitudes to language underpinning some of her own fiction, and also the work of Great Victorians and a varied range of twentieth-century women writers. 
 
Fascinated by the coincidence of the symbolic and real which she finds in her favourite writers – Robert Browning, George Eliot and Wallace Stevens – A.S. Byatt also celebrates this quality in the sun and shadows of Van Gogh's painting.

Passions Of The Mind

Selected Writings

Portraits seem the opposite of fiction, fixed in time and space, not running with the curve of a story or a life. Yet since the birth of the novel, writers have been fascinated by portraits as icons, as motifs, as images of character and evocations of past time. A. S. Byatt delves into the complex relations between portraits and characters, and between portraits and novels as whole works of art. Her authors range from Henry James to Iris Murdoch, her artists from Holbein to Botticelli, Manet to the present day. She looks at the way writers use portraits to conjure up the past, as in Ford Madox Ford's The Fifth Queen and Virginia Woolf's Orlando. She explores their erotic use, the idea of painting as a sexual act, full of danger. And she examines the creation of fictional portrait painters by writers like Balzac and Zola, whose writing was closely linked, in different ways to the art of Cézanne. A portrait can defy the process of age but its very stillness can also seem like death. Art can be a murderer. And sometimes, as in Salman Rushdie's The Moor's Last Sigh, a portrait can itself become the victim of Gothic rage.

Portraits In Fiction

Virginia Woolf

A Passionate Apprentice comprises the first years of Virginia Woolf's Journal - from 1879 to 1909.  Beginning in early January, when Woolf was almost fifteen, the pages open at a time when she was slowly recovering from a period of madness following her mother's death in May 1895.  Between this January and the autumn of 1904, Woolf would suffer the deaths of her half-sister and of her father, and survive a summer of madness and suicidal depression. Behind the loss and confusion, however, and always near the surface of her writing is a constructive force at work - a powerful impulse towards health.  It was an urge, through writing, to bring order and continuity out of chaos.  Putting things into words and giving them deliberate expression had the effect of restoring reality to much that might otherwise have remained insubstantial.  This early chronicle represents the beginning of the future Virginia Woolf's apprenticeship as a novelist. These pages show that rare instance when a writer of great importance leaves behind not only the actual documents of an apprenticeship, but also a biographical record of that momentous period as well.  In Woolf's words, 'Here is a volume of fairly acute life (the first really lived year of my life).'

A Passionate Apprentice

The Early Journals 1897-1909

Thomas Dilworth

The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout 
 
‘I would like to have done anything as good as David Jones has done’ Dylan Thomas 
 
As a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets. 
 
Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.

David Jones

Engraver, Soldier, Painter, Poet

Norman Sherry

The years from 1939 to 1955 proved to be the most prolific of Graham Greene's life.  In The Life of Graham Greene, Volume II, Norman Sherry continues his engrossing account, delving deeply and emerging with a portrait of the author at the height of both his spying and literary careers. Greene produced some of his best novels during this time - The Heart of the Matter, The End of the Affair, The Quiet American - and saw the filming of The Fallen Idol and The Third Man.  The same period encompasses his passionate affair with the beautiful American Catherine Watson, who was married to a British peer, the disintegration of his marriage, his long relationship with Dorothy Glover, his activities as a secret agent and his forays into the conflicts in Kenya, Malaya, and French Indo-China.  As with The Life of Graham Greene Volume I:  1904-1939, Norman Sherry succeeds in unlocking the mystery of Greene's character and the alchemic nature of his creative genius.

The Life of Graham Greene Volume 2

1939-1955

The much-anticipated third and final volume of Norman Sherry's biography follows the tireless wanderings of Graham Greene, the writer's final forays into the fulminating trouble spots of the world which beckoned as sirens all his days. From the perils of Batista's Cuba, the privations of the Belgian Congo and the tumult of Haiti, Nicaragua and Panama, to his confrontation with the French mafia, his travels in Spain and, finally, his quiet death in Switzerland at the age of eighty-six. The rigour and attention to detail that gained praise for the first two volumes remains undiminished as Sherry retraces Greene's footsteps, criss-crossing the globe to visit the places that inspired Greene's novels and meeting the people who provided the models for some of literature's most memorable characters: the whiskey priest; the honorary consul; the zany aunt. Never losing sight of the very real religious, emotional and political struggles that made up Greene's complicated personality - his constantly questioned but never abandoned Catholicism, his two long-term affairs with married women, his determination to stand up for the victims of injustice - Sherry illuminates Greene's mind, methods and motivation with an unswervingly critical, yet always compassionate eye. With exclusive access to Greene's letters, journals and dream-diaries, Norman Sherry has written a monumental tribute to one of the greatest of English writers. The three volumes of The Life of Graham Greene will remain the standard work on Greene for decades to come.

The Life of Graham Greene Volume Three

1955 - 1991

A. O. Scott

Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and humour, Scott shows that while individual critics – himself included – can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities. 
 
Using his own film criticism as a starting point – everything from an infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille – Scott expands outwards, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovic and 'Ode on a Grecian Urn' Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. As he puts it: ‘The time for criticism is always now, because the imperative to think clearly, never goes away.’

Better Living Through Criticism: How to Think about Art, Pleasure, Beauty and Truth

Iris Murdoch

EDITED BY AVRIL HORNER AND ANNE ROWE 
 
‘Destroy this and all letters. And keep your mouth shut’ 
 
This collection of Iris Murdoch’s most interesting and revealing letters gives us a living portrait of one of the twentieth century’s greatest writers and thinkers. The letters show a great mind at work – we see the young Murdoch grappling with philosophical questions, as well as feeling her anguish when a novel obstinately refuses to come together. 
 
They uncover Murdoch’s famed personal life, the subject of much speculation, in all its intriguing complexity, and her penchant for living beyond the bounds of social acceptability. We also begin to see the 'real life material' that fed into her fiction, despite her claims that her fiction never drew on reality. Above all we see the accumulation of life – intimate, irreverent, fiercely engaged with the world – in this extraordinary collection of letters.

Living on Paper

Letters from Iris Murdoch 1934-1995

Marina Warner

Entrancing, multi-layered and as wittily subversive as fairy tales themselves, this beautifully illustrated work explores and illuminates the unfolding history of famous fairy tales and the contexts in which they flourished. It also lifts the curtain on the tellers themselves - from ancient sibyls and old crones to the more modern Angela Carter and, of course, Walt Disney. A brilliant compendium of folklore, fairytales and learning which reveals unexpected links and histories behind some of our oldest and most-loved tales.

From The Beast To The Blonde

On Fairy Tales and Their Tellers

John Fuller

Jealous curses and hate poems, love lyrics and erotic dances: John Fuller has always written light verse, and Song &amp; Dance is a boisterous and engaging collection, fizzing with intelligence and wit. There are tributes, and there are celebrations. Jokes abound in 'The Spellchecker's Guide to Poetry' and the wine is poured for 'Florio Drinking Song'. Befitting Fuller's musical ear, a host of rhythms beat time. Fans will fall on pleasingly intricate riddles and admire the high-wire gymnastics of unusual verse forms, including the inverted rhopalics of 'The Trans-sexual Circus'. 
 
But behind the fun is some sharp criticism of literary attitudinising, and a climactic injunction, to dance while we can, preferably with each other.

Song & Dance

Harry Ricketts

Strange Meetings provides a highly original account of the War Poets of 1914-1918, written through a series of actual encounters, or near-encounters, from Siegfried Sassoon's first, blushing meeting with Rupert Brooke over kidneys and bacon at Eddie Marsh's breakfasts before the war, through famous moments like Sassoon's encouragement of Owen when both are in hospital at the same time; on to the poignant meeting between Edward Thomas's widow and Ivor Gurney in 1932; and the last, strange lunch and 'longish talk' of Sassoon and David Jones in 1964, half a century after the great war began. 
 
Among the other poets and writers we encounter are Vera Brittain, Roland Leighton, Robert Graves, Isaac Rosenberg, Robert Nichols and Edmund Blunden. Ricketts's unusual approach allows him to follow their relationships, marking their responses to each other's work and showing how these affected their own poetry - one potent strand, for example, is the profound influence of Brooke, both as a model to follow and a burden to reject. The stories become intensely personal and vivid - we come to know each of the poets, their family and intellectual backgrounds and their very different personalities. And while the accounts of individual lives achieve the imaginative vividness of a novel, they also give us an entirely fresh sense of Georgian poetry, conveying all the excitement and frustration of poetic creation, and demonstrating how the whole notion of what poetry should be 'about' became fractured and changed for ever by the terrible experiences of the war.

Strange Meetings

The Poets of the Great War

Robert Fraser

The poet George Barker was convinced that his biography could never be written.  'I've stirred the facts around too much,' he told Robert Fraser. 'It simply can't be done.' Eliot wrote of his 'genius'.  Yeats thought him the most interesting poet of his generation.  Dylan Thomas envied his power over women.  War trapped him in Japan.  In America he conducted one of the most celebrated love affairs of the century.  He fathered fifteen children in several countries, three during one battle-torn summer.  By the 1950s he was the toast of Soho.  Barker was Catholic and bohemian, frank and elusive, tender and boisterous.  In Eliot's phrase, he was 'a most peculiar fellow.' Robert Fraser's biography offers both a portrait of a talented, tormented and irresistibly entertaining man, and a broad cultural landscape.  Around the central figure cluster painters like Francis Bacon, Lucian Freud, Johnny Minton and the 'Roberts' Colquhoun and MacBryde; writers such as Dylan Thomas, Walter de la Mare and Elizabeth Smart, whose By Grand Central Station I Sat Down and Wept hymns their liaison; the lugubrious humorist Jeffrey Bernard.  After closing time at the Colony Room, Minton declared, they had to sweep up the jokes.

The Chameleon Poet

A Life of George Barker

Raymond Williams

With typical critical flair, Raymond Williams examines the development of the dramatic form from Henrik Ibsen to Bertolt Brecht. Taking an expansive view of drama from around the world, he offers the reader profound insights into the role of theatre in society and into the workings of dramatic language. This is seminal reading for theatre-goers and literature students alike.

Drama From Ibsen To Brecht

In Modern Tragedy, Williams bridges the gap between literary and socio-economic study, tracing the notion of tragedy from its philosophical and dramatic origins with Aristotle. In addition, Williams discusses tragedy in Chaucher, Nietzche, Brecht, Sartre and other leading figures in the history of thought, as well as elements of tragic experience – both political and personal - in socialist revolutions of the 20th century.

Modern Tragedy

Raymond Williams begins his brilliantly perceptive study of the English novel in the 1840s, a period of rapid social change brought on by the Industrial Revolution, the struggle for democratic reform, and the growth of cities and towns. Unsettling, indeed critical, for individuals and communities alike, this process of change prompted the novelists of the time to explore new forms of writing. The genius of Dickens, the powerful originality of the Bront? sisters, the passionate vision of George Eliot – all gave new force and humanity to the English novel, whose roots in the evolving community Raymond Williams proceeds to trace through the work of Hardy, Gissing and Wells, and on to D.H. Lawrence.

The English Novel From Dickens To Lawrence

David Marr

From the time when he was a little boy, Patrick White wrote letters - brilliant, gossipy, funny, angry, heartfelt letters. When he died in 1990 at the age of 78, between 2, 500 and 3, 000 of them survived, scattered - and often treasured - all over the world. In the course of producing his much-admired biography of White, David Marr tracked down most of them. Now, with sensitivity and skill, he has assembled a rich selection from the letters to present a fascinating portrait of White in his unihibited words - as a writer, as a friend (or enemy), as a man deeply and painfully engaged with his world.

The Letters Of Patrick White

Patrick White

The appearance of this self-portrait by Patrick White is a literary event for which his readers and admirers have long hoped. He explains how on the very rare occasions when he re-reads a passage from one of his books, he recognizes very little of the self he knows. This ‘unknown’ is the man who interviewers and visiting students expect to find, but ‘unable to produce him’, he prefers to remain private – or as private as anyone who has been awarded the Nobel Prize for Literature can ever be. But in this book is the self Patrick White does recognize, the one he sees reflected in the glass. 
 
It is a remarkable book. In a shifting sequence we learn of youth in Australia; the ‘expensive prison’, his English boarding school; Cambridge with holiday trips to Germany; London in the Blitz; RAF wartime intelligence and compensations of life in Australia. There are journeys to cities and landscapes round the world which take on more reality than places one has actually visited. 
 
He tells us whom he has loved and hated and of his opinions – political and literary. He introduces us to a host of characters from Australian cousins to Stravinsky and Queen Elizabeth – and of course to Manoly Lascaris, who in 1942 ‘became the central mandala in my life’s hitherto messy design.’ He describes what he sees in the glass’s reflection with such power that it seems no artist can have attempted or executed a self-portrait so lifelike before.

Flaws In The Glass

A Self Portrait

Roberto Calasso

In books lauded as brilliant, exhilarating and profound, Roberto Calasso has revealed the unexpected intersections of ancient and modern through topics ranging from Greek and Indian mythology to what a legendary African kingdom can tell us about the French Revolution.  In this first translation of his most important essays, Calasso brings his powerful intellect and elegant prose style to bear on the essential thinkers of our time, providing a sweeping analysis of the current state of Western culture.'Forty-nine steps' refers to the Talmudic doctrine that there are forty-nine steps to meaning in every passage of the Torah.  Employing this interpretative approach, Calasso offers a 'secret history' of European literature and philosophy in the wake of Nietzsche, Marx and Freud.  Calasso analyses how figures ranging from Gustav Flaubert, Gottfried Benn, Karl Kraus and Martin Heidegger to Walter Benjamin, Franz Kafka, Bertolt Brecht and Theodor Adorno have contributed to, or been emblematic of, the current state of Western thought.  This book's theme, writ large, is the power of the fable - specifically, its persistence in art and literature despite its exclusion from orthodox philosophy. In its breadth and the nature of its concerns, The Forty-nine Steps is a philosophical and literary twin to the widely praised Marriage of Cadmus and Harmony.  Combining erudition with engaging prose and original insights, Calasso contributes a daring new interpretation of some of the most challenging writers of the past 150 years.

The Forty-Nine Steps

Zachary Leader

In this authorised biography, Zachary Leader argues that Kingsley Amis was not only the finest comic novelist of his generation, but a dominant figure in post-war British writing, as novelist, poet, critic and polemicist. 
 
Drawing not only on interviews with a range of Amis's friends, relatives, fellow writers, students and colleagues, many of them never before consulted, but also on hundreds of previously unpublished letters, Leader's biography will for the first time give a full picture of Amis's childhood, school days, life as a teacher, critic, political and cultural commentator, professional author, husband, father and lover. 
 
He explores Amis's fears and phobias, and the role that drink played in his life. And of course he pays due attention to Amis's work. As the editor of The Letters of Kingsley Amis, hailed in The Sunday Telegraph as 'one of the last major monuments to the epistolary art', Leader is more than qualified to be his authorised biographer. His book will surprise, entertain and illuminate.

The Life of Kingsley Amis

Wilfred Owen

The definitive single-volume edition of the work of the greatest poet of the First World War 
2018 marks the centenary of the end of the First World War. This is the definitive single-volume edition of Wilfred Owen’s poems, whose death in battle a few days before the Armistice was the most disastrous loss to English letters since Keats. Containing the texts of all the finished poems of Owen’s maturity and twelve important fragments and with extensive notes, it derives from Jon Stallworthy’s monumental edition of The Complete Poems and Fragments and is aimed at the student and general reader alike. 
 
 ‘Others have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers.’ Guardian

The Poems of Wilfred Owen

Frederick Brown

Gustave Flaubert, whose Madame Bovary outraged France's right-thinking bourgeoisie when it was first published in 1857, is brought to life in Frederick Brown's new biography in all his singularity and brilliance. Frederick Brown's portrayal is of an artist fraught with contradictions - his wit and bravado coexisting with great vulnerability. 
 
A sedentary man by nature, Flaubert undertook epic voyages through Egypt and the Middle East. He could be flamboyantly uncouth, but was fanatically devoted to a beautifully cadenced prose. While energized by his camaraderie with male friends, such as Turgenev, the Goncourt brothers, Zola and Maupassant, he depended for emotional nurturing upon maternal women, most notably George Sand. 
 
Nineteenth-century France literally put Flaubert on trial for portraying 'lewd behaviour' in Madame Bovary. But it also made him a celebrity and, indirectly, brought about his financial ruin, probably hastening his sudden death at the age of fifty-nine. Although writing was something like torture for him, it preoccupied his mind and dominated his life. He privately dreamed of popular success, which he achieved with Madame Bovary, but adamantly refused to sacrifice to it his ideal of artistic integrity. 
 
Of Flaubert's life, his inner world, his times and his legacy, Frederick Brown's magisterial biography is a revelation. It was shortlisted for the Whitbread Prize for biography and was a finalist for the National Book Critics Circle Award.

Flaubert

A Life

Ruth Padel

Home is where you start from, but where is a swallow's real home? And what does 'native' mean if the English oak is an immigrant from Spain? 
 
In a selection of richly varied poems and illuminating prose interludes from her collection The Mara Crossing, Ruth Padel weaves science, myth, wild nature and human history to conjure a world created and sustained by migration. 
 
'We're all from somewhere else,' she begins, tracing the millennia-old journeys of cells, trees, birds and beasts. Geese battle raging winds over Mount Everest, lemurs skim precipices in Madagascar and wildebeest, at the climax of their epic trek from Tanzania, brave a river filled with the largest, hungriest crocodiles in Africa. 
 
Human migration has shaped civilisation but today is one of the greatest challenges the world faces. In a series of incisive portraits, Padel turns to the struggles of human displacement - the Flight into Egypt, John James Audubon emigrating to America (feeding migrant birds en route), migrant workers in Mumbai and refugees labouring over a drastically changing planet - to show how the purpose of migration, for both humans and animals, is survival. 
 
Poignant, thought-provoking and utterly compelling, here is a magnificent tapestry of life on the move from the acclaimed author of Darwin: A Life in Poems.

Poems from The Mara Crossing

Home is where you start from, but where is a swallow's real home? And what does 'native' mean if the English oak is an immigrant from Spain? 
 
In ninety richly varied poems and illuminating prose interludes, Ruth Padel's original new book weaves science, myth, wild nature and human history to conjure a world created and sustained by migration. 
 
'We're all from somewhere else,' she begins, tracing the millennia-old journeys of cells, trees, birds and beasts. Geese battle raging winds over Mount Everest, lemurs skim precipices in Madagascar and wildebeest, at the climax of their epic trek from Tanzania, brave a river filled with the largest, hungriest crocodiles in Africa. 
 
Human migration has shaped civilisation but today is one of the greatest challenges the world faces. In a series of incisive portraits, Padel turns to the struggles of human displacement - the Flight into Egypt, John James Audubon emigrating to America (feeding migrant birds en route), migrant workers in Mumbai and refugees labouring over a drastically changing planet - to show how the purpose of migration, for both humans and animals, is survival. 
 
Poignant, thought-provoking and utterly compelling, here is a magnificent tapestry of life on the move from the acclaimed author of Darwin: A Life in Poems.

The Mara Crossing

Michael Symmons Roberts

Winner of the 2013 Forward Poetry Prize for Best Collection 
Winner of the 2013 Costa Poetry Award 
Shortlisted for the 2013 T. S. Eliot Poetry Prize 
Shortlisted for the 2015 Portico Prize 
 
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines. 
 
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul. 
 
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality. 
 
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

Drysalter

Mark Kurlansky

The winner of the Glenfiddich Best Food Book Award leads is on a dazzling culinary tour around the world and through history - from the fifth century BC to the present day. 
 
Presented by subject - including 'Food and Sex', 'Bread', 'Rants' and 'Dessert' - and illustrated with Kurlansky's own pen-and-ink drawings as well as classic photographs, this wonderful collection, like the very best meal, is varied, delicious and uniquely satisfying.

Choice Cuts

a miscellany of food writing

Helen Carr

The Verse Revolutionaries tells the story of the Imagists, a turbulent and colourful group of poets, who came together in London in the years before the First World War. As T. S. Eliot was to say, appropriately re-invoking the Imagist habit of turning anything they admired into French, the imagist movement was modern poetry's point de repère, the landmark venture that inaugurated Anglo-American literary modernism. A disparate, stormy group, who had dispersed before the twenties began, these 'verse revolutionaries' received both abuse and acclaim, but their poetry, fragmented, pared-down, elliptical yet direct, exerted a powerful influence on modernist writers, and contributed vitally to the transformation of American and British cultural life in those crucial years. 
 
Among those involved were the Americans Ezra Pound, H.D., William Carlos Williams, Amy Lowell and John Gould Fletcher, and the British T.E. Hulme, F.S. Flint, Richard Aldington and D.H. Lawrence. On the edges of the story are figures such as W.B. Yeats, Ford Madox Ford, Wyndham Lewis and T. S. Eliot. They came from very different class backgrounds, a heterogeneous mélange then only possible in a great metropolis like London. 
 
The Verse Revolutionaries traces the passionate interactions, love affairs and bitter quarrels of these aspiring poets from 1905 to 1917. Helen Carr unpicks the story of how they came together, what they gained from each other in the heady excitement of those early days, and what were the fissures that eventually broke up the movement and their friendships in the dark days of the Great War. Her compelling account challenges the conventional view of Imagism, and offers an acute analysis of the poetry, of the psychology of the individuals involved, and of the evolution and emergence of a transformative cultural movement.

The Verse Revolutionaries

Ezra Pound, H.D. and The Imagists

Hedley Twidle

Ten years ago, I was commissioned by a famous poet-editor to write a profile of Coetzee for a London review. At the time, the offer was a big break, and could have led to great things. I was fresh out of university and the editor was high-up at Faber and Faber, a talent scout for The New Yorker. But it never got written. 
 
Instead of providing a controlled and judicious survey of the oeuvre, I found myself obsessed by minor details on the outskirts of his work. The grim memoir Youth (2002) had just appeared and I wrote at length about the stockings full of clotting cheese that young “John” hangs up in his kitchen – proof of his extreme thriftiness, in life as in prose. The fish fingers that he fries in olive oil in a London garret, trying to emulate the Mediterranean diet of Ford Madox Ford: these finer points of domestic economy seemed laden with meaning. So this became my account of stalking the South African writer JM Coetzee on page and in the halls of academe.

Getting Past Coetzee

The year is 1Q84. This is the real world, there is no doubt about that. But in this world, there are two moons in the sky. Discover the 1Q84 Trilogy by Haruki Murakami.

1Q84

365 Days of Art

A BBC Christmas

A Black Book Thriller

A Box Full of Murders

A Cal Leandros Novel

A Christmas Mystery

The intelligent and capable police commissioner Guido Brunetti confronts crime in and around his home town of Venice.

A Commissario Brunetti Mystery

A DC Smith / Kings Lake Investigation Series

A Daisy Story

Chronicling the lives of over three hundred characters, unrivalled for its scope and humour, this is a unique evocation of life in twentieth-century England.

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