Karin Slaughter is one of the world's most popular and acclaimed storytellers. Published in 120 countries with more than 35 million copies sold across the globe, her nineteen novels include the Grant County and Will Trent books, as well as the Edgar-nominated Cop Town and the instant New 
York Times bestselling novels Pretty Girls, The Good Daughter, and Pieces of Her. 
 
Slaughter is the founder of the Save the Libraries project-a nonprofit organisation established to support libraries and library programming. 
 
For more information visit KarinSlaughter.com 
AuthorKarinSlaughter 
@SlaughterKarin

Karin Slaughter

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Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

In forms as various as the melodramas of old Scottish ballads and the hard-boiled poems of twentieth-century noir, here are assembled the most colourful villains and victims ever to be immortalized in verse, from Cain and Abel and Bluebeard to Jack the Ripper, Lizzie Borden and Mafia hit-men. Browning, Hardy, Auden, Mark Doty, Thom Gunn, Simon Armitage and Stevie Smith are only a few of the wide range of poets, old and new, whose comic, chilling and occasionally profound poetic musings on murder are gathered in this uniquely - and irresistibly - heart-racing volume.

Killer Verse

Poems of Murder and Mayhem

Alexander Pushkin

Pushkin was the first Russian writer of European stature, and he is among the very few artists - such as Homer and Shakespeare - to have shaped the consciousness and history of an entire nation and its language, thereby affecting the world at large. Eugene Onegin is not merely the greatest poem in the Russian language by its most influential poet: it is a global culture, social and political icon of the highest order. The historical power of this work - a novel in verse - is made all the more extraordinary by the simplicity of its subject. Eugene Onegin is a story of disappointed love. Tatyana falls for the handsome Eugene to whom she daringly makes advances. He cooly rejects her, then flirts with her sister, Olga. When challenged by Olga's fiance, Lensky kills him in a duel, seemingly indifferrent to the grief he causes. (Ironically, Puskhin himself was to be killed in similar circumstances in 1937, some seven years after he completed the work). Onegin leaves the district. When he returns four years later, Tatyana has married another man and it is her turn to reject his advances. But it turns out that Onegin's hauteur is affected: he has always loved her passionately. She loves him too and both reflect painfully on what might have been.

Pushkin Eugene Onegin And Other Poems

Anna Akhmatova

From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. 
 
Akhmatova's first collection, Evening, appeared in 1912. Rosary (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for Poem Without A Hero and Requiem, a sequencemourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.

Anna Akhmatova: Poems

Elves, changelings, leprechauns, pixies, brownies and sprites; England's Queen Mab, France's Melusine, Scandinavian nixies and Scottish selkies: these magical creatures are sometimes mischievous, sometimes dangerous, always enchanting. This collection brings together a diverse array of literary fairies: here are Spenser's Faerie Queene, Shakespeare's Titania, Keats's Belle Dame Sans Merci, of course, but also Rimbaud's 'Fairy', Goethe's 'Erl-King', Denise Levertov's 'Elves', Sylvia Plath's 'Lorelei', Christopher Okigbo's 'Watermaid', Neil Gaiman's 'The Fairy Reel' and Patience Agbabi's changeling boy ('The Double').

Fairy Poems

This selection of poems from across the ages brings to life a staggering array of 
zombies, ghosts, vampires, and devils. Our culture's current obsession with zombies 
and vampires is only the latest form of a fascination with crossing the boundary between 
the living and the dead that has haunted humans since we first began writing. The poetic 
evidence gathered here ranges from ancient Egyptian inscriptions and the 
Mesopotamian epic Gilgamesh to the Greek bard Homer, and from Shakespeare and 
Milton and Keats to Emily Dickinson and Edgar Allan Poe. Here too are terrifying 
apparitions from a host of more recent poets, from T. S. Eliot and Sylvia Plath to Rita 
Dove and Billy Collins, from Allen Ginsberg and H. P. Lovecraft to Mick Jagger and Shel 
Silverstein. The result is a delightfully entertaining volume of spine-tingling poems for 
fans of horror and poetry both

Poems of the Dead and Undead

Edna St Vincent Millay

One of America's best-loved poets, Edna St. Vincent Millay (1892-1950) burst onto the literary scene at a very young age and won the Pulitzer Prize for Poetry in 1923. Her passionate lyrics and superbly crafted sonnets have thrilled generations of readers long after the notoriously bohemian lifestyle she led in Greenwich Village in the 1920s ceased to shock them. Millay's refreshing frankness and cynicism and her ardent appetite for life still burn brightly on the page more than half a century after her death.

Poems: Edna St Vincent Millay

Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. 
 Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'. 
 
There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. 
It may not always be sweet, but there is certainly No Place Like Home.

No Place Like Home

Poems

Ever since Pushkin, Russian poets have been famous for their ability to combine private and public experience in lyric poetry of a comprehensiveness and intensity unmatched elsewhere. Ranging in extremes from the melting tenderness of unrequited love to the bitter comedy of political chaos, this collection of poems covering two centuries includes work by Lermontov, Tyutchev, Fet, Annensky,Mayakovsky, Bely, Mandelstam, Akhmatova, Tsvetaeva, Pasternak, Brodsky and others less celebrated but no less extraordinary. 
The text is divided into six sections. Russian poets constantly reflect on their art, so the first section is appropriately entitled 'The Muse'. Their other great topic is Russia herself, explored in parts two and three. Part four presents the inner world, parts five and six traditional themes of love and mortality. 
Poetry has often been a matter of life and death in Russia, where Mandelstam was not the only poet to perish in the Gulag. The comfortable private domain familiar to many English and American writers barely exists in a country where political realities are exigent - one reason for the fierce intensity found in so many of these poems.

Russian Poets

In time for this year's Halloween revels comes a horrible array of spectres and sorcerers, ghosts and demons, hags and apparitions. From Homer and Horace via Pope and Poe to Graves and Hardy, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil summons Aeneas's wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt in poems that call out to be read aloud, whether around the campfire or the Ouija board. Ballads, odes, spells, chants, dialogues, incantations - here is a veritable witch's brew of poems from the spirit world. 
 
More than 670,000 copies sold worldwide of our 25 Pocket Poet anthologies.

Bewitched And Haunted

Poets from around the world give eloquent voice to the trials, hopes, rewards and losses of migration. 
Each year, millions join the ranks of intrepid migrants who have reshaped societies throughout history. Most recently, Middle Eastern and African people have risked their lives to reach safety in Europe, while central Americans have fled north seeking asylum. But whether they are refugees from war or violence, political exiles or immigrants in search of education, opportunity and freedom, these travellers share the challenge of adapting to being strangers in a strange land. 
Border Lines brings together more than a hundred poets representing more than sixty nations - Imtiaz Dharker, Ruth Padel, Bernadine Evaristo, Derek Walcott, Mahmoud Darwish, 'Dreadlock Alien', Dunya Mikhail and Hédi Kaddour, to name but a few. Their poems tell moving stories of displacement and new beginnings in the UK, France and Germany, Canada and the United States and challenge us to reexamine our own society from a new perspective.

Border Lines

Poems of Migration

Emily Dickinson

The same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.

Letters of Emily Dickinson

James Merrill

James Merrill once called his poetic works 'chronicles of love and loss', and in twenty books written over four decades he used the details of his life - comic and haunting, exotic and domestic - to shape a compelling, sometimes intensely moving, personal portrait. Sophisticated, witty and ironic, his poetry also engages passionately with topical issues  - war, terrorism, political corruption, AIDS, climate change and the destruction of nature. An admirer of Wallace Stevens, Elizabeth Bishop and W. H. Auden, Merrill, like them, has left a legacy that will speak to readers for years to come.

James Merrill Poems

Eating and drinking and the rituals that go with them are at least as important as loving in most people’s lives, yet for every hundred anthologies of poems about love, hardly one is devoted to the pleasures of the table. Poems of Food and Drink abundantly fills the gap. All kinds of foods and beverages are laid out in these pages, along with picnics and banquets, intimate suppers and quiet dinners, noisy parties and public celebrations – in poems by Horace, Catullus, Hafiz, Rumi, Rilke, Moore, Nabokov, Updike, Mandelstam, Stevens, and many others. From Sylvia Plath’s ecstatic vision of juice-laden berries in ‘Blackberrying’ to D. H. Lawrence’s lush celebration of ‘Figs’, from the civilized comfort of Noël Coward’s ‘Something on a Tray’ to the salacious provocation of Swift’s ‘Oysters’, from Li Po on ‘Drinking Alone’ to Baudelaire on ‘The Soul of the Wine’, and from Emily Dickinson’s ‘Forbidden Fruit’ to Elizabeth Bishop’s ‘A Miracle for Breakfast’, Poems of Food and Drink serves up a tantalizing and variegated literary feast.

Poems Of Food And Drink

Rudyard Kipling

Rudyard Kipling (1865-1936) is perhaps the most controversial major English poetof the last two centuries, not least because of his apparent enthusiasm for the empire. A child of British India, he first became famous for tales of imperial life, notably Kim, the Jungle Book and Barrack Room Ballads. Kipling wrote verse in every classical form from the epigram to the ode, but his most distinctive gift was for the ballads and narrative poems in which he draws vivid characters in universal situations and articulates profound truths in plain language. Yet he was also a subtle and deeply affecting anatomist of the human heart, with a feeling for the natural world which rivals his younger contemporary, D. H. Lawrence. Shattered by World War I in which he lost his only son, his work darkens and deepens in later years, but never loses its extraordinary vitality.

Kipling

Poets have always drawn inspiration from the wild fancies of dream-life. We spend a third of our lives asleep, and throughout history our nocturnal visions have engaged the interpretive talents of our greatest writers. 
It includes poems about daydreams and nightmares, about falling asleep and about waking up, about insomnia, night thoughts, monsters of the dark, twilight, dawn, and the rebirth of morning. From Yeats's "Lullaby" to Rosetti's "Nuptial Sleep," from Salvatore Quasimodo's "Insomnia" to Thom Gunn's "Annihilation of Nothing," Poems of Sleep and Dreams evokes the whole haunting, magical spectrum of sleep and dream.

Sleep And Dreams

Edgar Allan Poe

Probably the most important single figure in nineteenth century American literature, Edgar Allan Poe (1809-49) exerted an enormous influence over later writers, especially French Symbolist poets, including Baudelaire and Mallarme, and through them he affected the entire field of modern literature from THE WASTE LAND to LOLITA. Probably best known for his macabre short stories, including THE FALL OF THE HOUSE OF USHER, and THE PIT AND THE PENDULUM, Poe's influence was spread primarily through his poems and essays which are here reprinted. The current volume includes all his extant poems and extensive selections from his essays on poetry.

Poe Poems and Prose

Many kinds of equine characters grace these pages, from magnificent war horses to cowboys' trusty steeds, from broken-down nags to playful colts, from wild horses to dream horses. We encounter the famous Trojan horse in Virgil's Aeneid, only to see it from a quite different perspective in Matthea Harvey's whimsical 'Inside the Good Idea'. Longfellow shows us Paul Revere defying an empire from the back of a horse, while Shakespeare's Richard III vainly offers his kingdom for one. Robert Burns's 'Auld Farmer' dotes affectionately on his ageing mare, while Paul Muldoon's 'Glaucus' is devoured by his fierce young fillies. Robert Frost's little horse stopping by the woods is gently puzzled by human behaviour, while Ted Hughes is dazzled by a stunning vision of horses at dawn, 'grey silent fragments/Of a grey silent world'. 
 
Mythical and metaphorical horses cavort alongside vividly real ones in these poems, whether they be humble servants, noble companions, beloved friends or emblems of the wild beauty of the world beyond our grasp.

Poems about Horses

It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.

Love Poems

Many cultures identify mourning as the very source of poetry and music, what Elizabeth Bishop calls the art of losing. That might well be the title of this collection. Not every poem is cornered with death, but all are about loss. The poems chosen traverse a surprisingly wide range of emotions from despair to joy, resignation to anger, all articulated in language of the greatest power and beauty . All the major verse forms of mourning are represented here: epitaph, requiem and lament. Three great elergies by Milton, Whitman and Rilke are surrounded by a wide variety of shorter poems. Naturally, the pathos of death predominates, but its comedy has not been neglected, whether in the savage poems of World War I or the gentle teasing of seventeenth-century satire. Poets include: Akhmatova, Auden, Bishop, Brodsky, Browning, Carew, Cory, Cowley, Dickinson, Donne, Dryden, Dyer, Fletcher, Graves, Gurney, Hardy, Harrison, Herrick, Hopkins, Horace, King, Leopardi, Lowell, MacCaig, Mandelstam, Milosz, Philips, Propertius, Roethke, Smith, Tennyson, Dylan Thomas, Edward Thomas and Wordsworth.

Poems Of Mourning

Willa Cather

One of the foremost American novelists of the early twentieth century, Willa Cather (1873-1947) was born in Virginia but grew up in Nebraska. Before she wrote the novels that would make her famous, she was known as a poet, the most popular of her poems reprinted many times in national magazines and anthologies. In such lyrical poems as ‘Prairie Dawn’, ‘The Hawthorn Tree,’ ‘Going Home’ and ‘Winter at Delphi’, Cather exhibits both a finely tuned sensitivity to the beauties of the physical world and a richly symbolic use of the landscapes of myth. The themes that were to animate her later masterpieces found their first expression in these haunting, elegiac ballads and sonnets. 
 
Cather’s O Pioneers! and My Antonia are already available in Everyman’s Library.

April Twilights and Other Poems

James Joyce

James Joyce is most celebrated for his remarkable novel Ulysses, and yet he was also an accomplished poet. Chamber Music, his debut collection, fused the styles of the Celtic Revival with his own brand of ironic exuberance. Pomes Penyeach, a collection written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man, explores intimate themes of adultery, jealousy, and betrayal that would reappear transformed in the later Ulysses. Joyce's occasional verse includes the well-known "Ecce Puer," written for his newborn grandson, and his satirical poems "The Holy Office" and "Gas from a Burner." These poems are brought together here with Joyce's play, Exiles--about an unconventional couple involved in a love triangle--in a beautiful, accessible hardcover edition for the general reader.

James Joyce: Poems

Fishing has inspired a wealth of poetry-Tang Dynasty meditations; Japanese haiku; medieval rhymes; classic verses by Homer and Shakespeare; poems by Donne, Goethe, Tennyson, and Yeats. Modern masterpieces abound as well, by the likes of Federico García Lorca, Elizabeth Bishop, Ted Hughes, Robert Lowell, Raymond Carver, Margaret Atwood, Audre Lorde, Richard Hugo, and Derek Walcott. In the hands of the poets collected here, fishing with a hook and line yields reflections both sparklingly light and awe-inspiringly deep. Filled with humour, nostalgia, adventure, celebrations of the beauties of nature, and metaphors for the art of living, The Art of Angling is sure to lure anglers and lovers of poetry alike.

The Art of Angling

Poems About Fishing

Once confined to a literary elite in Japan, haiku are now written all over the world by poets who find their combination of brevity, technical discipline and expressive content irresistible. This collection brings together hundreds of poems by Japanese writers from the fifteenth century to the twentieth, with modern examples from Europe and America. In addition, there is a selection of poems influenced by haiku, and a section devoted to haiku-like passages from traditional English poets. The book is dominated by four great masters – Basho, Buson, Issa and Shiki – who between them compress the gamut of human experience into the limits of seventeen syllables.

Japanese Haiku Poems

Don Marquis

A poet in a former life, Archy has been reincarnated as a cockroach who types by diving headfirst onto a typewriter (and is famously unable to operate the shift key to produce capital letters); his side-kick Mehitabel is an alley cat who claims to have once been Cleopatra. Archy's poems irresistibly evoke Jazz Age New York - as seen from the alley; funny, wise, tender and tough, they represent the very best of American humour. Including George Herriman's whimsical illustrations and a classic introduction by novelist E.B. White, this Pocket Poet selection will make a beautiful volume, perfectly sized for its tiny hero.

The Best of Archy and Mehitabel

Alexander Pope

As a young man Pope shot to fame with The Rape of the Lock, a light-hearted mock-heroic poem about a trivial society scandal, still his best remembered work. Wit and irony, dazzling technical mastery - he perfected the English heroic couplet - acute social observation and insight into human nature were to become the hallmarks of his verse. 
 
Pope is one of the most quoted of English poets - 'For Fools rush in where Angels fear to tread', 'A little learning is a dangerous thing', 'To err is human, to forgive, divine', all originate from his pen. While his poetry generally has suffered some neglect in recent decades, Professor Claude Rawson's selection persuasively demonstrates why it should be back in fashion. 
 
He aspired to make out of verse satire a serious and dignified form, and his culminating work, The Dunciad, achieves a tragic gravity which transcends its satirical mockeries. An elevated and ironic reflection on culture, it created a new genre which led eventually to the modern masterpiece of T. S. Eliot's The Waste Land. 
 
Pope was a precocious talent and anxious to advertise the fact, inserting such subtitles as “Done by the Author at 12 years old” into his early published poems. He adopted many poetic forms, and this anthology includes graceful and witty lyrics, verse letters to friends in the Horatian mode, a number of devotional poems, and a variety of important discursive poems on literary and political themes, including An Essay on Criticism, Windsor-Forest, and An Essay on Man. 
 
This edition uses the text of the Oxford Standard Authors edition by Herbert Davis of Pope’s Poetical Works, 1966. Complete poems rather than excerpts have been selected. The beautifully typeset text is enhanced by illustrations by William Kent from the first edition of The Dunciad.

Alexander Pope Poems

German Romantic poetry is both fluid and formed, and it is full of song: the poems themselves are often intrinsically lyrical, and many of them inspired some of the best-known musical compositions of the nineteenth century. In this collection, we see German Romantic poets confronting life's greatest moments and greatest challenges - love, loss, death - and producing beautiful, and sometimes witty, works in response. Admiration for nature, in for particular the dramatic forests which still cover large areas of Germany, is also prominent in their work. Characters from myth and folklore abound too, most famously Lorelei, an enchantress who is associated with the River Rhine, and who features in several poems in this volume. Gathered here are favourites such as Goethe's 'Erl King', Eichendorff's 'Night of Moon', Heine's 'In May, the magic month of May', along with works by some of the most famous women writers of the period, Sophie Mereau, Karoline von Günderrode and Annette von Droste-Hülshoff. The works have been recreated in English verse by a range of poets and scholars

German Romantic Poets

Carmela Ciuraru

From tenth-century Japan's Izumi Shikibu, colonial America's Anne Bradstreet, and Victorian England's Elizabeth Barrett Browning to Israel's Yehuda Amichai, Ireland's Paul Muldoon, and Russia's Anna Akhmatova, poets across the centuries and around the world have immortalized this elemental relationship. Among the more than seventy poets in this anthology, Audre Lorde recalls "How the days went / While you were blooming within me"; Jorie Graham muses on her mother's sewing box; Allen Ginsberg says goodbye in "Kaddish"; and Langston Hughes invokes a mother's empowering example: "Don't you fall now- / For I'se still goin', honey, / I'se still climbin', / And life for me ain't been no crystal stair." From Emily Brontë's "Upon Her Soothing Breast" and Seamus Heaney's "Mother of the Groom" to Sylvia Plath's "Morning Song" and Frank O'Hara's "Ave Maria," the more than one hundred poems collected here enshrine the miracle of motherhood and the richness of feeling and experience it inspires.

Motherhood

Constantine P Cavafy

In 2009 Knopf published a new translation of Cavafy's Complete Poems by the brilliant and award-winning writer and scholar Daniel Mendelsohn. Now Mendelsohn has made a selection of the poet's best-loved works for a Pocket Poets edition, including such favorites as "Waiting for the Barbarians," "Ithaca," and "The God Abandons Antony." Whether advising Odysseus as he returns home to Ithaca or portraying a doomed Marc Antony on the eve of his death, Cavafy's poems make the 
historic profoundly and movingly personal. A towering figure of twentieth-century poetry, Cavafy is a stellar addition to the Everyman Pocket Poets series.

Cavafy Poems

Edwin Arlington Robinson

A best seller in his lifetime though neglected in recent years, Edwin Arlington Robinson (1869-1935) is due to be restored to his rightful place in literary history as one of the first of the great American Modernist poets. His poetry was revolutionary, though because it was written in metre and rhyme it looked deceptively conventional. He cast aside the stiff archaism and prettiness favoured by his contemporaries, employing instead everyday language with dramatic power, wit and sensitivity. His lyric poems illuminate the most unlikely subjects - ordinary people, especially the downtrodden, the bereft and the mistunderstood. In the process he created the gallery of character portraits for which he is most fondly remembered, among them Eben Flood, Aunt Imogen, Isaac and Archibald, Miniver Cheevy and Richard Cory.Scott Donaldson, editor of this volume, is the author of a forthcoming biography of Robinson, to be published in February 2007.

Edwin Arlington Robinson Poems

A delightful anthology that celebrates in verse the silent poetry of dance and the dancer. 
Chinese dagger dances and Hindu festival dances, belly dancers and whirling dervishes, high-school proms and wedding waltzes, tango, tarantella, mambo, flamenco, reels and jigs, disco and ballet - dances of all kinds move through the poems gathered here, as do some of the world's most famous dancers, from Nijinsky and Pavlova to Gene Kelly and Fred Astaire; from Isadora Duncan, George Balanchine and Martha Graham to Baryshnikov and Bojangles. In the work of more than 150 poets - including Shakespeare, Milton, Hafez, Rumi, Li Po, Rilke, Rimbaud, Lorca, Akhmatova, Whitman, Dickinson, Cummings, Eliot and Merrill - we feel and see the grace, the drama, the expressive power, and the sheer joy to be found in dance, around the world and through the ages.

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