Karin Slaughter is one of the world's most popular and acclaimed storytellers. Published in 120 countries with more than 35 million copies sold across the globe, her nineteen novels include the Grant County and Will Trent books, as well as the Edgar-nominated Cop Town and the instant New 
York Times bestselling novels Pretty Girls, The Good Daughter, and Pieces of Her. 
 
Slaughter is the founder of the Save the Libraries project-a nonprofit organisation established to support libraries and library programming. 
 
For more information visit KarinSlaughter.com 
AuthorKarinSlaughter 
@SlaughterKarin

Karin Slaughter

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Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

In forms as various as the melodramas of old Scottish ballads and the hard-boiled poems of twentieth-century noir, here are assembled the most colourful villains and victims ever to be immortalized in verse, from Cain and Abel and Bluebeard to Jack the Ripper, Lizzie Borden and Mafia hit-men. Browning, Hardy, Auden, Mark Doty, Thom Gunn, Simon Armitage and Stevie Smith are only a few of the wide range of poets, old and new, whose comic, chilling and occasionally profound poetic musings on murder are gathered in this uniquely - and irresistibly - heart-racing volume.

Killer Verse

Poems of Murder and Mayhem

Elves, changelings, leprechauns, pixies, brownies and sprites; England's Queen Mab, France's Melusine, Scandinavian nixies and Scottish selkies: these magical creatures are sometimes mischievous, sometimes dangerous, always enchanting. This collection brings together a diverse array of literary fairies: here are Spenser's Faerie Queene, Shakespeare's Titania, Keats's Belle Dame Sans Merci, of course, but also Rimbaud's 'Fairy', Goethe's 'Erl-King', Denise Levertov's 'Elves', Sylvia Plath's 'Lorelei', Christopher Okigbo's 'Watermaid', Neil Gaiman's 'The Fairy Reel' and Patience Agbabi's changeling boy ('The Double').

Fairy Poems

Edna St Vincent Millay

One of America's best-loved poets, Edna St. Vincent Millay (1892-1950) burst onto the literary scene at a very young age and won the Pulitzer Prize for Poetry in 1923. Her passionate lyrics and superbly crafted sonnets have thrilled generations of readers long after the notoriously bohemian lifestyle she led in Greenwich Village in the 1920s ceased to shock them. Millay's refreshing frankness and cynicism and her ardent appetite for life still burn brightly on the page more than half a century after her death.

Poems: Edna St Vincent Millay

Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. 
 Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'. 
 
There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. 
It may not always be sweet, but there is certainly No Place Like Home.

No Place Like Home

Poems

Ever since Pushkin, Russian poets have been famous for their ability to combine private and public experience in lyric poetry of a comprehensiveness and intensity unmatched elsewhere. Ranging in extremes from the melting tenderness of unrequited love to the bitter comedy of political chaos, this collection of poems covering two centuries includes work by Lermontov, Tyutchev, Fet, Annensky,Mayakovsky, Bely, Mandelstam, Akhmatova, Tsvetaeva, Pasternak, Brodsky and others less celebrated but no less extraordinary. 
The text is divided into six sections. Russian poets constantly reflect on their art, so the first section is appropriately entitled 'The Muse'. Their other great topic is Russia herself, explored in parts two and three. Part four presents the inner world, parts five and six traditional themes of love and mortality. 
Poetry has often been a matter of life and death in Russia, where Mandelstam was not the only poet to perish in the Gulag. The comfortable private domain familiar to many English and American writers barely exists in a country where political realities are exigent - one reason for the fierce intensity found in so many of these poems.

Russian Poets

In time for this year's Halloween revels comes a horrible array of spectres and sorcerers, ghosts and demons, hags and apparitions. From Homer and Horace via Pope and Poe to Graves and Hardy, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil summons Aeneas's wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt in poems that call out to be read aloud, whether around the campfire or the Ouija board. Ballads, odes, spells, chants, dialogues, incantations - here is a veritable witch's brew of poems from the spirit world. 
 
More than 670,000 copies sold worldwide of our 25 Pocket Poet anthologies.

Bewitched And Haunted

Poets from around the world give eloquent voice to the trials, hopes, rewards and losses of migration. 
Each year, millions join the ranks of intrepid migrants who have reshaped societies throughout history. Most recently, Middle Eastern and African people have risked their lives to reach safety in Europe, while central Americans have fled north seeking asylum. But whether they are refugees from war or violence, political exiles or immigrants in search of education, opportunity and freedom, these travellers share the challenge of adapting to being strangers in a strange land. 
Border Lines brings together more than a hundred poets representing more than sixty nations - Imtiaz Dharker, Ruth Padel, Bernadine Evaristo, Derek Walcott, Mahmoud Darwish, 'Dreadlock Alien', Dunya Mikhail and Hédi Kaddour, to name but a few. Their poems tell moving stories of displacement and new beginnings in the UK, France and Germany, Canada and the United States and challenge us to reexamine our own society from a new perspective.

Border Lines

Poems of Migration

Emily Dickinson

The same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.

Letters of Emily Dickinson

Eating and drinking and the rituals that go with them are at least as important as loving in most people’s lives, yet for every hundred anthologies of poems about love, hardly one is devoted to the pleasures of the table. Poems of Food and Drink abundantly fills the gap. All kinds of foods and beverages are laid out in these pages, along with picnics and banquets, intimate suppers and quiet dinners, noisy parties and public celebrations – in poems by Horace, Catullus, Hafiz, Rumi, Rilke, Moore, Nabokov, Updike, Mandelstam, Stevens, and many others. From Sylvia Plath’s ecstatic vision of juice-laden berries in ‘Blackberrying’ to D. H. Lawrence’s lush celebration of ‘Figs’, from the civilized comfort of Noël Coward’s ‘Something on a Tray’ to the salacious provocation of Swift’s ‘Oysters’, from Li Po on ‘Drinking Alone’ to Baudelaire on ‘The Soul of the Wine’, and from Emily Dickinson’s ‘Forbidden Fruit’ to Elizabeth Bishop’s ‘A Miracle for Breakfast’, Poems of Food and Drink serves up a tantalizing and variegated literary feast.

Poems Of Food And Drink

Edgar Allan Poe

Probably the most important single figure in nineteenth century American literature, Edgar Allan Poe (1809-49) exerted an enormous influence over later writers, especially French Symbolist poets, including Baudelaire and Mallarme, and through them he affected the entire field of modern literature from THE WASTE LAND to LOLITA. Probably best known for his macabre short stories, including THE FALL OF THE HOUSE OF USHER, and THE PIT AND THE PENDULUM, Poe's influence was spread primarily through his poems and essays which are here reprinted. The current volume includes all his extant poems and extensive selections from his essays on poetry.

Poe Poems and Prose

Many kinds of equine characters grace these pages, from magnificent war horses to cowboys' trusty steeds, from broken-down nags to playful colts, from wild horses to dream horses. We encounter the famous Trojan horse in Virgil's Aeneid, only to see it from a quite different perspective in Matthea Harvey's whimsical 'Inside the Good Idea'. Longfellow shows us Paul Revere defying an empire from the back of a horse, while Shakespeare's Richard III vainly offers his kingdom for one. Robert Burns's 'Auld Farmer' dotes affectionately on his ageing mare, while Paul Muldoon's 'Glaucus' is devoured by his fierce young fillies. Robert Frost's little horse stopping by the woods is gently puzzled by human behaviour, while Ted Hughes is dazzled by a stunning vision of horses at dawn, 'grey silent fragments/Of a grey silent world'. 
 
Mythical and metaphorical horses cavort alongside vividly real ones in these poems, whether they be humble servants, noble companions, beloved friends or emblems of the wild beauty of the world beyond our grasp.

Poems about Horses

Fishing has inspired a wealth of poetry-Tang Dynasty meditations; Japanese haiku; medieval rhymes; classic verses by Homer and Shakespeare; poems by Donne, Goethe, Tennyson, and Yeats. Modern masterpieces abound as well, by the likes of Federico García Lorca, Elizabeth Bishop, Ted Hughes, Robert Lowell, Raymond Carver, Margaret Atwood, Audre Lorde, Richard Hugo, and Derek Walcott. In the hands of the poets collected here, fishing with a hook and line yields reflections both sparklingly light and awe-inspiringly deep. Filled with humour, nostalgia, adventure, celebrations of the beauties of nature, and metaphors for the art of living, The Art of Angling is sure to lure anglers and lovers of poetry alike.

The Art of Angling

Poems About Fishing

Edwin Arlington Robinson

A best seller in his lifetime though neglected in recent years, Edwin Arlington Robinson (1869-1935) is due to be restored to his rightful place in literary history as one of the first of the great American Modernist poets. His poetry was revolutionary, though because it was written in metre and rhyme it looked deceptively conventional. He cast aside the stiff archaism and prettiness favoured by his contemporaries, employing instead everyday language with dramatic power, wit and sensitivity. His lyric poems illuminate the most unlikely subjects - ordinary people, especially the downtrodden, the bereft and the mistunderstood. In the process he created the gallery of character portraits for which he is most fondly remembered, among them Eben Flood, Aunt Imogen, Isaac and Archibald, Miniver Cheevy and Richard Cory.Scott Donaldson, editor of this volume, is the author of a forthcoming biography of Robinson, to be published in February 2007.

Edwin Arlington Robinson Poems

A delightful anthology that celebrates in verse the silent poetry of dance and the dancer. 
Chinese dagger dances and Hindu festival dances, belly dancers and whirling dervishes, high-school proms and wedding waltzes, tango, tarantella, mambo, flamenco, reels and jigs, disco and ballet - dances of all kinds move through the poems gathered here, as do some of the world's most famous dancers, from Nijinsky and Pavlova to Gene Kelly and Fred Astaire; from Isadora Duncan, George Balanchine and Martha Graham to Baryshnikov and Bojangles. In the work of more than 150 poets - including Shakespeare, Milton, Hafez, Rumi, Li Po, Rilke, Rimbaud, Lorca, Akhmatova, Whitman, Dickinson, Cummings, Eliot and Merrill - we feel and see the grace, the drama, the expressive power, and the sheer joy to be found in dance, around the world and through the ages.

The Dance

To write a poem is to become part of a great conversation with one's literary predecessors, but the poems in this anthology are a special breed, their authors deliberately addressing a particular poem or poet of the past or present. They may be replies, reproofs, updatings, acts of sabotage or adulation; they may argue with, elaborate upon, poke fun at, or pay tribute to their originals. From Raleigh's famous answer to Marlowe's 'Passionate Shepherd', to Anthony Hecht's 'The Dover Bitch', from Ogden Nash sending up Byron to Mona Van Duyn giving us Leda's perspective on the swan or Annie Finch's 'Coy Mistress' arguing her case with Marvell, these remarkable poems are not only engaging in themselves, but also capable of casting surprising new light on the poems which inspired them. Thisconversation of the greats includes Philip Larkin replying to Sir Philip Sidney, Ezra Pound to Edmund Waller, Randell Jarrell to W.H. Auden, Denise Levertov to Wordsworth, Galway Kinnell to Rilke, David Lehmann to Pound, C.K. Williams to Coleridge - and many more.

Conversation Pieces

There are many anthologies of love poems but friendship has proved a more elusive theme. Yet it is no less important. Like the Everyman Love Poems and Erotic Poems, to which it is a companion, the present selection draws on the literature of many periods and languages to illuminate aspects of friendship, ranging from social acquaintance through personal devotion to estrangement and antipathy. The tone ranges from comic to elegiac and there is certainly something here for everyone. The volume is divided thmatically into sections: What are Friends?; The Pleasure of Friendship; Good Neibours; Social Life; Dumb Chums; Portraits; Poets Together; Strangers; Absent Friends and Looking Back

Poems Of Friendship

John Milton

John Milton (1608-74) was celebrated in his time as a public servant of the Cromwellian regime and as the author of brilliant polemical pamphlets about education religion and freedom of speech, but his posthumous reputation rests principally on his work as a poet, noteably in PARADISE LOST. This poem, written after the poet was driven out of public life by the Restoration, and begun when he was already blind, is a worthy successor to the epics of Homer and Virgil. In majestic blank verse it describes Lucifer's fall from heaven, the creation of mankind, Eve's temptation, and the expulsion of Adam and Eve from paradise. After the Bible, this is perhaps the greatest masterpiece of Christian literature. The present volume contains extensive selections from PARADISE LOST, chosen to illustrate its author's genius for high drama, vivid description and savage irony. In addition, there are substantial extracts from COMUS and SAMSON AGONISTES, and many of Milton's sonnets and shorter poems, including the famous LYCIDAS.

Milton Poems

Rainer Maria Rilke

Though as yet little known in English-speaking countries, Rainer Maria Rilke (1875-1926) is the finest German poet of this century and one of the greatest lyrical writers in the history of Western literature. A major figure in the modernist movement, with some affinities to Yeats, Rilke had a profound influence on other 20th century poets such as Pasternak and Akhmatova. He is a master of vivid and breathtakingly original imagery in which difficult ideas are made directly apprehensible to the reader and new worlds of experience are opened up. This selection includes poems from all stages of his career, beginning with the delicate works of his early years, through the extraordinary poems he wrote in French (which he used like a first language) and concluding with his mature masterpieces: the SONNETS TO ORPHEUS and the DUINO ELEGIES. Also included are Rilke's prose LETTERS TO A YOUNG POET in which he counsels a younger colleague and expounds his own literary ideal. This is by far the most comprehensive selection from this poet in English and forms an ideal introduction to this work.

Rilke Poems

William Wordsworth

In the long history of English literature William Wordsworth (1770-1850) is the writer who achieved the most dramatic transformations of the poetic scene almost singlehanded. A leading figure among the Romantic generation which included Coleridge and Scott, he created out of his personal communion with nature a new poetic which had a profound moral and spiritual influence on the entire nineteenth century. The present selection includes all his famous lyrics and substantial extracts from narrative poems including The Prelude.

Wordsworth Poems

Arthur Rimbaud

Burnt-out at twenty-three, Rimbaud has become a model for the poet as wayward genius. Nevertheless, he wrote a substantial amount of lyric and dramatic verse in his few years of activity. This volume contains all his mature output, together with several short prose works, including A SEASON IN HELL, and relevant passages from the poet's letters.

Arthur Rimbaud Selected Poems

From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

Poems of Healing

Robert Browning

Elizabeth Browning Barrett

Celebrated in their time and still popular over a century after their deaths, Robert Browning and Elizabeth Barrett had a unique relationship which is reflected in their work. Both were distinguished as poets before they met, and they learnt from one another without ever sacrificing their individuality. If Elizabeth recognized that Robert’s talent was the greater of the two, Robert understood that his wife’s voice was unique. All the great themes they shared are represented in this collection of their shorter poems – love, marriage, poetry, religion, England and Italy, the natural world – and the poems are accompanied by a selection from the marvellous letters they wrote to one another, especially in the years of their courtship. Among the items included are extracts from Aurora Leigh and Pauline, and the whole of Sonnets from the Portuguese, together with many lyrics and narrative poems by both poets.

Robert And Elizabeth Barrett Browning Poems

George Herbert

Herbert experimented brilliantly with a remarkable variety of forms, from hymns and sonnets to "pattern poems," the shape of which reveal their subjects. Such technical agility never seems ostentatious, however, for precision of language and expression of genuine feeling were the primary concerns of this poet who admonished his readers to "dare to be true." An Anglican priest who took his calling with deep seriousness, he brought to his work a religious reverence richly allied with a playful wit and with literary and musical gifts of the highest order. His best-loved poems, from "The Collar" and "Jordan" to "The Altar" and "Easter Wings," achieve a perfection of form and feeling, a rare luminosity, and a timeless metaphysical grandeur.

Herbert Poems

The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan and Korea includes the work of Zen practioners and monks as well as scholars, artists, travellers and recluses, and covers fifteen centuries of Oriental literature with poets ranging from Xie Lingyun (5th century) through Wang Wei and Hanshan (8th century) and Yang Wan-li (12th century) to Shinkei (15th) Basho (17th) and Ryokan (19th).

Zen Poems

Hanshan

The best of Hanshan's treasured poems—among the earliest of Zen Buddhist poetry, beloved by the Beat Generation—here newly translated by Peter Harris and organised thematically in a beautiful Pocket Poet hardcover. Long ranking among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were written at least twelve centuries ago on trees, rocks, and walls by a semi-mythical Buddhist monk living in the mountains of south-eastern China.

Hanshan: Cold Mountain Poems

A remarkably diverse treasury of literary celebrations, Books and Libraries is sure to take pride of place on the shelves of the book-obsessed. 
Books have long captured the imagination of readers everywhere, commanding their love, earning their veneration. For Emily Dickinson they are frigates that 'take us Lands away'; for Wordsworth they are 'a substantial world, both pure and good'; Alberto Rios calls them 'the deli offerings of civilization itself'. This affection extends to the hallowed gathering places of the written word: libraries where one can best hear "a choir of authors murmuring inside their books," as Billy Collins has it; bookshops, especially second-hand ones, 'too small for the worlds they hold, where words that sing you to sleep, stories that stalk your dreams, open like windows in a wall' (Gillian Clarke). 
 The poets collected here include Catullus, Horace, T'ao Ch'ien, Dante, Petrarch, Boccaccio, Ronsard, Lope de Vega, Shakespeare, Marvell, Blake, Pope and Keats; more recent luminaries include Brecht, Cavafy, Gabriela Mistral, Dylan Thomas, Iku Takenaka, Pablo Neruda, Wislawa Szymborska, Anne Stevenson, Maya Angelou, Derek Walcott, John Burnside and Ian McMillan.

Books and Libraries

Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping, scuttling, flitting, stinging things with which we share our planet. 
 
Many cultures have centuries-old traditions of insect poetry. In China,where noblewomen of the Tang dynasty kept crickets in gold cages-countless songs were written in praise of these 'insect musicians'. The haiku masters of Japan were similarly inspired, though spread their net wider to include less prepossessing bugs such as houseflies, fleas and mosquitoes. In the West, poems about insects date back to the ancient Greeks, and insects feature frequently in European literature from the 16th century onwards. 
 
The poets collected here range from Donne, Marvell, Keats and Wordsworth; Emily Dickinson, Gerard Manley Hopkins and Christina Rossetti, to Elizabeth Bishop, Mary Oliver, Ted Hughes, Paul Muldoon and Alice Oswald. In translation there is verse by - amongst others - Meleager and Tu Fu, Ivan Turgenev, Victor Hugo, Paul Valéry, Pablo Neruda, Antonio Machado and Xi Chuan. 
 
Bees, butterflies and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybirds and glowworms--the miniature creatures that adorn these pages are as varied as the poetic talents that celebrate them.

Buzz Words

Poems About Insects

William Blake

Blake's explosive lyrical genius is here represented by the full text of 'Songs of Innocence' and 'Songs of Experience', plus a wide range of marvellous short poems unpublished in his lifetime. In addition there is a selection from the Prophetic Books in which the poet develops his own story of creation - alternately crazy and magnificent and from his dramatic and didactic poems and prose writings which reveal Blake as a major poet of the Romantic movement.

Blake Poems

Poets of all times, places and sensibilities have been moved to write about war. They have commemorated the Battles of Thermopylae, Agincourt and Shilph, and London in an air raid. They have announced the Charge of the Light Brigade; witnessed Break of Day in the Trenches; handed down through oral tradition, the Blackfoot Indian Song for a Fallen Warrior; sent a Newsreel from Vietnam. From Horace and Virgl to Steveie Smith, from the anonymous bards of ancient China to Adam Mickiewicz and Primo Levi, these poets have encompassed the entire spectrum of feeling - pride, compassion, courage anger fear excitement, anguish, even laughter. Here. in this anthology, are more than one hundred of their most memorable poems.

War Poems

Rumi

Rumi: Unseen Poems – the second volume of Rumi in the Everyman Pocket Poet series – is a treasury of poems which have never been translated before, researched and translated by Rumi biographer Brad Gooch and the Iranian writer Maryam Mortaz. 
The thirteenth-century Persian poet Rumi was trained in Sufism, a mystic tradition within Islam. He founded the Mevlevi Order, often known as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. His poetry combines the sacred and the sensual, expressing both rapturous divine love, and aching human love for his companion and teacher, Shams of Tabriz. It has long been popular in the West, never more so than in the last twenty-five years, when a new wave of free translations introduced him to an ever-widening audience. 
However, some of these recent translations have been more in the nature of interpretations by writers who are not Persian speakers. Cultural and Islamic references central to an understanding of Rumi's poetry have been toned down or omitted. And so vast was Rumi's output that earlier scholarly translators were obliged to be selective, leaving a rich vein of verse still unmined. From this Gooch and Mortaz have made a selection of ghazals (short lyric poems) and rubaiyat (quatrains), aiming in their own translations to achieve fidelity to the originals while preserving all Rumi's lyric exuberance. 
This book makes a perfect companion to the first Everyman volume of Rumi, which presents the very best of the twentieth-century translations.

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