Ray Russell
Praise for Haunted Castles
Russell links postpulp literature and the Grand Guignol tradition with the modern sensibilities of America in the 1960s . . . [He is] a fascinating combination of the liberal and the heretic.
Guillermo del Toro
A sleek, compelling tale of diabolical possession that prefigures Ira Levin's Rosemary's Baby
The Washington Post
[A] sincere and subtle tale of ultimate evil that feels less dated than many of the works it inspired.
The Seattle Times
Russell links postpulp literature and the Grand Guignol tradition with the modern sensibilities of America in the 1960s . . . [He is] a fascinating combination of the liberal and the heretic.
Guillermo del Toro
A sleek, compelling tale of diabolical possession that prefigures Ira Levin's Rosemary's Baby
The Washington Post
[A] sincere and subtle tale of ultimate evil that feels less dated than many of the works it inspired.
The Seattle Times
Russell links postpulp literature and the Grand Guignol tradition with the modern sensibilities of America in the 1960s . . . [He is] a fascinating combination of the liberal and the heretic.
Guillermo del Toro
A sleek, compelling tale of diabolical possession that prefigures Ira Levin's Rosemary's Baby
The Washington Post
[A] sincere and subtle tale of ultimate evil that feels less dated than many of the works it inspired.
The Seattle Times