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6 Japanese classics to read in Spring

The Rainbow

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‘In this masterpiece Kawabata, his brush dipped in silver, renders all the excruciating anguish and beauty of post-war Japan’ Edmund White 
 
With the Second World War only a few years in the past, and Japan still reeling from its effects, two sisters - born to the same father but different mothers - struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time. While Momoko, their father's first child - haunted by the loss of her kamikaze boyfriend and their final, disturbing days together - seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan's greatest writers. 
 
Translated by Haydn Trowell

This elegant classic by a Nobel laureate portrays a more passionate side of post-war Kyoto … From maple leave against a wide blue sky to black camellias standing in a bamboo vase, Kawabata’s prose gives pride of place to fleeting moments of natural beauty … at once a well-told story and a loving portrait of a family in transition

This fine novel is full of surprises.. [Kawabata] was a minimalist, whose work embraces minimalism’s hopeful assumption that, in the right hands, a string of minute details—a phrase, an unspoken gesture, a linking of gazes—may unlock a multitude of meanings. Look closely, listen carefully, is the first tacit message of Kawabata’s novels. The second is, Let my story burrow inward. There is more here than meets the eye and ear

In this masterpiece Kawabata, his brush dipped in silver, renders all the excruciating anguish and beauty of post-war Japan

It is impossible to understand the soul of Japan without reading Yasunari Kawabata. Snow Country is his greatest hit, a beautiful novel that both reflected and shaped Japanese culture, but The Rainbow - translated into English for the first time - is Kawabata's missing classic. The Rainbow is where modern Japan begins - a nation born again in the shadow of the nuclear mushroom cloud, and in its bitter-sweet tale of two sisters is also the story of a nation struggling to find a way to live in the rubble and ruins. As always with Japan's greatest novelist, his themes - the bonds of family, wounds that will never heal , love that endures and loser boyfriends - are painfully universal. A book for anyone who loves Japan, or great story-telling, or both. Dazzling, brilliant, unmissable.

Kawabata's novels are among the most affecting and original works of our time

Kawabata is a poet of the gentlest shades, of the evanescent, the imperceptible

With the Second World War only a few years in the past, and Japan still reeling from its effects, two half sisters - born to the same father but different mothers - struggle to make sense of the new world in which they are coming of age. Asako, the younger, has become obsessed with locating a third sibling, while also experiencing love for the first time, while Momoko, their father's first child - haunted by the loss of her kamikaze boyfriend and their final, disturbing days together - seeks comfort in a series of unhealthy romances. And both sisters find themselves unable to outrun the legacies of their late mothers. A thoughtful, probing novel about the enduring traumas of war, the unbreakable bonds of family and the inescapability of the past, The Rainbow is a searing, melancholy work from one of Japan's greatest writers.

Snow Country

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. 
 
Tired of the bustling city, a man takes the train through the snow to Japan's mountains, to meet with a geisha he believes he loves. Beautiful and innocent, she is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion. Snow Country, Yasunari Kawabata's masterpiece, is a delicate, subtle meditation on love and its limits. 
 
'A work of beauty and strangeness, one of the most distinguished and moving of Japanese novels' New York Herald Tribune

Yasunari Kawabata was born in Osaka, Japan, in 1899 and before the Second World War had established himself as his country's leading novelist. Among his major works are Snow Country, A Thousand Cranes and The Master of Go. Awarded the Nobel Prize in Literature in 1968, he died in 1972.

Tired of the bustling city, a man takes the train through the snow to Japan's mountains, to meet with a geisha he believes he loves. Beautiful and innocent, she is tightly bound by the rules of a rural geisha, and lives a life of servitude and seclusion. Snow Country, Yasunari Kawabata's masterpiece, is a delicate, subtle meditation on love and its limits.

Dandelions

The exquisite last novel from Nobel Prize-winning author Yasunari Kawabata 
 
Ineko has lost the ability to see things. At first it was a ping-pong ball, then it was her fiancé. The doctors call it 'body blindness', and she is placed in a psychiatric clinic to recover. As Ineko's mother and fiancé walk along the riverbank after visiting time, they wonder: is her condition a form of madness - or an expression of love? Exploring the distance between us, and what we say without words, Kawabata's transcendent final novel is the last word from a master of Japanese literature. 
 
'Lusciously peculiar' Paris Review

Yasunari Kawabata's lusciously peculiar novel Dandelions was unfinished when he took his life in 1972. It's a story of love and loss and mania, told in sparse, arresting prose

There are few other writers who could invoke such a lasting memory of a single image with so few words.

A literary habitat like no other?quietly devastating fiction. Behind a lyrical and understated surface, chaotic passions pulse

In a dreamlike Japanese town on the banks of the Ikuta River, Ineko loses the ability to see certain things. It begins with a ping-pong ball and progresses to her fiancé, whom she cannot see at all. The doctors call it somagnosia, and Ineko's mother and her fiancé place her in a psychiatric clinic to recover. As they walk home along the riverbank, they consider: is her condition really a form of madness? Is Ineko's selective blindness an expression of her love? Are the trees around them weeping? 
 
Delicate, strange and spare, this novella carries the art of the novel into tantalizing and mysterious new realms.

Beauty and Sadness

Yasunari Kawabata was born near Osaka in 1899 and was orphaned at the age of two. His first stories were published while he was still in high school and he decided to become a writer. He graduated from Tokyo Imperial University in 1924 and a year later made his first impact on Japanese letters with Izu Dancer. He soon became a leading figure the lyrical school that offered the chief challenge to the proletarian literature of the late 1920s. His writings combine the two forms of the novel and the haiku poems, which within restrictions of a rigid metre achieves a startling beauty by its juxtaposition of opposite and incongruous terms. Snow Country (1956) and Thousand Cranes (1959) brought him international recognition. Kawabata died by his own hand, on April 16 1972. 
 
Beauty and Sadness is translated from the Japanese by Howard Hibbett, a professor emeritus of Japanese literature at Harvard University.

The successful writer Oki has reached middle age and is filled with regrets. He returns to Kyoto to find Otoko, a young woman with whom he had a terrible affair many years before, and discovers that she is now a painter, living with a younger woman as her lover. Otoko has continued to love Oki and has never forgotten him, but his return unsettles not only her but also her young lover. This is a work of strange beauty, with a tender touch of nostalgia and a heartbreaking sensitivity to those things lost forever.

The Sound of the Mountain

A rich, complicated novel. . . . Of all modern Japanese fiction, Kawabata's is the closest to poetry

Yasunari Kawabata was born near Osaka in 1899 and was orphaned at the age of two. His first stories were published while he was still in high school and he decided to become a writer. He graduated from Tokyo Imperial University in 1924 and a year later made his first impact on Japanese letters with Izu Dancer. He soon became a leading figure the lyrical school that offered the chief challenge to the proletarian literature of the late 1920s. His writings combine the two forms of the novel and the haiku poems, which within restrictions of a rigid metre achieves a startling beauty by its juxtaposition of opposite and incongruous terms. Snow Country (1956) and Thousand Cranes (1959) brought him international recognition. Kawabata died by his own hand, on April 16 1972. 
 
The Sound of the Mountain is translated from the Japanese by Edward G. Seidensticker (1921-2007), who was a prominent scholar of Japanese literature.

Ogata Shingo is growing old, and his memory is failing him. At night he hears only the sound of death in the distant rumble from the mountain. The relationships which have previously defined his life - with his son, his wife, and his attractive daughter-in-law - are dissolving, and Shingo is caught between love and destruction. Lyrical and precise, The Sound of the Mountain explores in immaculately crafted prose the changing roles of love and the truth we face in ageing.

The Master of Go

A haunting, elegiac work from Yasunari Kawabata, winner of the Nobel Prize for Literature, with an introduction by Liza Dalby, bestselling author of Geisha.

This novel is one of modern literature's greatest, most poignant elegies

Kawabata's narrative spirals through the book's events in ruminative glides and turns... There is a kind of low-key daring, an austere, autumnal nobility, in Kawabata's tale

An archetypal saga... there are storms and landscapes as cool, as luminous, as any in Japanese paintings and woodcuts

Yasunari Kawabata, winner of the 1968 Nobel Prize for Literature, was one of Japan's most distinguished novelists. Born in Osaka in 1899, he published his first stories while he was still in high school. Among his major novels published across the world are Snow Country (1956), Thousand Cranes (1959), The Sound of the Mountain (1972), and Beauty and Sadness (1975). Kawabata was found dead, by his own hand, in 1972.

Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, it is an essential expression of the Japanese sensibility. And in his fictional chronicle of a match played between a revered and invincible Master and a younger, more progressive challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century. 
 
The competition between the Master of Go and his opponent, Otaké, is waged over several months and layered in ceremony. But beneath the game's decorum lie tensions that consume not only the players themselves but their families and friends - tensions that turn this particular contest into a duel that can only end in one man's death. Luminous in its detail, both suspenseful and serene, The Master of Go is an elegy for an entire society, written with the poetic economy and psychological acumen that brought Kawabata the Nobel Prize for Literature.

Yasunari Kawabata

Edward G. Seidensticker

Kikuji has been invited to a tea ceremony by a mistress of his dead father, only to find that the mistress’ rival and successor is also present. He falls for her, with devastating consequences. By 1949 Yasunari Kawabata, the first Japanese author to win the Nobel Prize for Literature, felt that the tradition of the tea ceremony had been degraded. In this delicate novella he uses the ceremony as a powerful vehicle for loneliness, yearning and loss of history.

Yasunari Kawabata

Books by Yasunari Kawabata

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6 Japanese classics to read in Spring

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