Sudden Death

A funny and mind-bending novel about the clash of empires and ideas in the sixteenth century, told over the course of one dazzling tennis match

A complex historical pageant of astonishing richness

Engaging, audacious, and flat-out fun... Sudden Death marks the arrival of a major player on the capital-L courts of literature

Intellectually formidable… Enrigue is a cerebral and sanguine Spanish-Language postmodernist… It takes literary bravery to be this candid as a writer

Dazzlingly clever and thrillingly original

Exhilarating, funny, and surprisingly sexy... Enrigue turns historical figures into real, flesh-and-blood people and really gets you thinking about art and history: what qualifies as either — and why

Brilliant... Enrigue has crafted a tennis allegory for the modern age: a heady, raucous meditation on chaos, power, language and the ways in which history is created and preserved... Enrigue blends historical elements with fantasy to conjure a light, knowing and very funny history in which the present is always lurking beneath the surface... Enrigue's prose is endlessly inventive, full of aphorisms, wry anecdotes and swaggering declarations.

Ingenius and clever... Engagingly original... There are traces of Pynchon's zany allure... Sudden Death is rich and lively with warmth which counters the bleakness of history.

Glorious... [Enrigue's] approach has both great entertainment value and intellectual appeal, especially as a corrective to a Eurocentric view of history... A splendid introduction to Mr. Enrigue’s varied body of work

A rare example of an artful, comedic, deeply literary novel with the potential to become a fixture on bookshelves everywhere

Ambitious… Champion storytelling… What makes the novel so enthralling is the intimate humanity of its characters… Throughout this mercurial novel, playing fast and loose with facts lets richer truths about the world emerge.

By turns intellectual and earthy, Enrigue’s fictionalized account of Renaissance Europe and 16th century Mexico is the best kind of history lesson: erudite without being stuffy, an entertaining work that incorporates the Counter-Reformation, the Spanish conquest of the Aztec empire, art history and even a grammar lesson on Spanish diminutives into one mesmerizing narrative.

An absolute pleasure to read. It is an intriguing story and the interspersed historical aspects were fascinating and kept me interested throughout. The story is beautifully written but the manner in which the author described the tennis match was outstanding.

This is one of those books that defies pigeonholing as a novel one of those that break the mould.

An outstanding translation by Natasha Wimmer. It is a suitably strange, light-footed but historically weighty construction that centers around a fake tennis match... It is a brilliant synthesis of art, history, religion, power politics, and—yes—tennis, a complex study of our world via the world that gave birth to modernity. It is much like an American postmodern book, except it is very different from, say, a Pynchon or a DeLillo since it is carried along by Álvaro's very Mexican wit and sensibility, as well as his own intuitive logic.

Sudden Death is very, very funny and it is unfailingly brilliant and I have no idea how to describe it - another one of its rare virtues. I might say it is about tennis, or history, or art, or absurdity, but more accurate would be to say, simply, that it’s essential reading

Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness

Lauren Groff, New York Times-bestselling author of Fates and Furies

Exuberantly intellectual… Enrigue transmutes the familiar, and shifts our awareness. Sudden Death is an original, transformative work

Beautifully rendered from the Spanish by 2666 translator Natasha Wimmer, Sudden Death is one of the most engaging, audacious, and flat-out fun works of fiction I've read in a while

Sudden Death is a unique object – tropical and transatlantic; hypermodern and antiquarian—a specialized literary instrument designed to resist the deadly certainties of universal history. But don’t let that confuse you. Sure, his method may be all playfulness and multiplicity, but Álvaro Enrigue is the most disabused novelist I know

A story of history plunging forward and the world at a defining moment. Rackets are raised; the court looms large. Finally a tale that truly defies the bounds of the novel

The speculative weight of this novel is brilliant, intriguing. No less brilliant is its unreliable narration

[Enrigue] belongs to many literary traditions at once and shows a great mastery of them all. . . . His novel belongs to Max Planck’s quantum universe rather than the relativistic universe of Albert Einstein: a world of coexisting fields in constant interaction and whose particles are created or destroyed in the same act

One of the best novels I’ve read all year… You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.

Sudden Death is fun and audacious and erudite.

Sudden Death is a complex historical pageant of astonishing richness that portrays the imperial ambitions of Spain and the power struggle of the Italian states, the cultural clashes between the Catholic church and the people of the new world, the conflict between the creative arts and the dogmas of the time. It is also a history of tennis.

Álvaro Enrigue was born in Mexico and lives in New York City. He is a literature professor at Hofstra University. Sudden Death - his first novel to be translated into English - was awarded the prestigious Herralde Prize in Spain, the Elena Poniatowska International Novel Award in Mexico, and the Barcelona Prize for Fiction.

'Glorious' New York Times 
 
'Endlessly inventive', Guardian, Best Books of 2016 
 
'Wildly funny' Lauren Groff, author of Fates and Furies 
 
As Caravaggio, the libertine of Italy’s art world, and the loutish Spanish poet Quevedo aim to settle scores over the course of one brutal tennis match, the old European order edges closer to eruption. 
 
Across the ocean, in early sixteenth-century Mexico, the Aztec Empire is under the fatal grip of Hernán Cortés and his Mayan lover. While they scheme and conquer, fight and fuck, their domestic comedy will change the course of history, throwing the world – and Rome’s tennis match – into a mind-bending reverie of assassinations, executions, papal dramas, carnal liaisons and artistic revolution. 
 
Translated by Natasha Wimmer, the prize-winning translator of Roberto Bolaño's The Savage Detectives and 2666.

Now I Surrender

A visionary author returns with his most ambitious novel yet, a darkly funny and action packed retelling of the Apache warrior Geronimo and his peoples' decades long struggle for freedom.

A visionary author returns with his most ambitious novel yet, about the Apache warrior Geronimo and the fiercely fought end of an era of almost unimaginable freedom. 
 
In the contested borderlands between Mexico and the United States, a Mexican woman flees into the desert after a devastating raid on her dead husband’s ranch. 
 
A federale of the new Mexican Republic, sent in pursuit of cattle rustlers, discovers he’s on the trail of a more dramatic abduction. 
 
Decades later, with political ambitions on the line, the American and Mexican militaries try to manoeuvre the most legendary of Apache warriors into surrender. 
 
In our own day, a writer and his family travel through the region in search of the traces of history. 
 
Now I Surrender and That Is All is Álvaro Enrigue’s most ambitious and impassioned novel yet: orchestrated with a stunningly imagined cast of characters, both historical and purely fictional, their storylines playing out in multiple eras. Part epic, part spaghetti Western, it weaves past and present, and myth and history, into a searing elegy for a way of life that was an incarnation of true liberty—and an homage to the spark in us that still thrills to its memory.

Álvaro Enrigue

Natasha Wimmer

Parts of the novel play like an Aztec West Wing, taking us deep into the political manoeuvrings of the royal court but blending its particularities with 21st-century psychology. It’s a rich approach that achieves a hallucinatory vividness

Riotously entertaining… Natasha Wimmer brilliantly brings the author’s playfulness and idiomatic humour to life for an English-language readership. The result is a triumph of solemnity-busting erudition and mischievous invention that will delight and titillate

A mischievous fantasy… Enrigue plunges exuberantly into the revisionist speculation that rehabilitates Indiginous awareness and agency

A lively, arresting read – if 2024 brings more novels as original as this one, it will be a good year

An eclectic work of exceptional originality

Enrigue’s genius lies in his ability to bring readers close to its tangled knot of priests, mercenaries, warriors and princesses while adding a pinch of biting humor

Enrigue’s work is marked by an all-consuming attention to historical detail.... He is a preternaturally entertaining and erudite writer who builds alternate worlds from the minutiae. He also seems like he’s having a pretty good time

Incantatory... Enrigue conjures both court intrigue and city life with grace

[S]ublime absurdities... abound in this delirious historical fantasia, which can be said to be many things: funny, ghastly, eye-opening, marvelous and frequently confounding

[S]hort, strange, spiky and sublime... Enrigue, who is clearly a major talent, has delivered a humane comedy of manners that is largely about paranoia (is today the day my head will be lopped off?) and the quotidian bummers of life, even if you are powerful beyond belief

An alternate history of Mexican conquest, with a Tarantino-ready twist.... Deliciously gonzo.... Rendered in earthy, demotic, wryly unhistorical English by translator Natasha Wimmer... Enrigue’s antic style is high-minded, richly detailed, vulgar and sophisticated all at once — reminiscent of the films of Peter Greenaway or Derek Jarman

A riotous reimagining of the world-changing encounter, in 1520, between Hernán Cortés, the cocksure Spanish conquistador, and Moctezuma, melancholy emperor of the Mexica

[An] immensely playful tale… anything can happen and frequently does

One of the most extraordinary books I read last year, and now out in paperback. Savour it!

'An Aztec West Wing' GUARDIAN 
'A triumph' FINANCIAL TIMES 
'Glorious' i-D 
 
A NEW YORK TIMES TOP TEN BOOK OF 2024 
A GUARDIAN TOP FIVE TRANSLATED FICTION OF 2024 
 
In 1519, Conquistador Hernán Cortés and his troops ride into the floating city of Tenoxtitlan – today’s Mexico City – in this hallucinatory, revelatory, colonial revenge story. 
 
Invited to a ceremonial meal with the steely princess Atotoxtli, sister and wife of the emperor Moctezuma, the Spanish nearly bungle their entrance into the city and its labyrinthine palace. Soon, one of Cortés’s captains, Jazmín Caldera, begins to question the ease with which they were welcomed, and wonders at the risks of getting out alive, much less conquering the empire. 
 
Moctezuma himself is at a political, spiritual and physical crossroads, relying on hallucinogens in a quest for any kind of answer from the gods. When Cortés and Moctezuma meet, two worlds, empires, languages, and possible futures collide. 
 
You Dreamed of Empires brings to life Tenoxtitlan at its height – and reimagines its destiny. 
It sets afire the moment of conquest and turns it into a moment of revolution, in a novel so electric and so unique that it feels like a dream. 
 
Translated by Natasha Wimmer 
 
'A mischievous fantasy' TLS 
 
A NEW YORK PUBLIC LIBRARY TOP TEN BEST BOOKS OF THE YEAR

Álvaro Enrigue

Praise for You Dreamed of Empires

Parts of the novel play like an Aztec West Wing, taking us deep into the political manoeuvrings of the royal court but blending its particularities with 21st-century psychology. It’s a rich approach that achieves ...

Riotously entertaining… Natasha Wimmer brilliantly brings the author’s playfulness and idiomatic humour to life for an English-language readership. The result is a triumph of solemnity-busting erudition and misch ...

A mischievous fantasy… Enrigue plunges exuberantly into the revisionist speculation that rehabilitates Indiginous awareness and agency

Parts of the novel play like an Aztec West Wing, taking us deep into the political manoeuvrings of the royal court but blending its particularities with 21st-century psychology. It’s a rich approach that achieves ...

Riotously entertaining… Natasha Wimmer brilliantly brings the author’s playfulness and idiomatic humour to life for an English-language readership. The result is a triumph of solemnity-busting erudition and misch ...

A mischievous fantasy… Enrigue plunges exuberantly into the revisionist speculation that rehabilitates Indiginous awareness and agency

Parts of the novel play like an Aztec West Wing, taking us deep into the political manoeuvrings of the royal court but blending its particularities with 21st-century psychology. It’s a rich approach that achieves ...

Riotously entertaining… Natasha Wimmer brilliantly brings the author’s playfulness and idiomatic humour to life for an English-language readership. The result is a triumph of solemnity-busting erudition and misch ...

A mischievous fantasy… Enrigue plunges exuberantly into the revisionist speculation that rehabilitates Indiginous awareness and agency

Books by Álvaro Enrigue

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