The Restored Text

Naked Lunch

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A stunning clothbound edition of William S. Burroughs's cult classic, designed by the acclaimed Coralie-Bickford Smith. 
 
Nightmarish and fiercely funny, William Burroughs' virtuoso, taboo-breaking masterpiece Naked Lunch follows Bill Lee through Interzone: a surreal, orgiastic wasteland of drugs, depravity, political plots, paranoia, sadistic medical experiments and endless, gnawing addiction. One of the most shocking novels ever written, Naked Lunch is a cultural landmark, now in a restored edition incorporating Burroughs' notes on the text, alternate drafts and outtakes from the original. 
 
'A masterpiece. A cry from hell, a brutal, terrifying, and savagely funny book that swings between uncontrolled hallucination and fierce, exact satire' Newsweek 
 
 'Naked Lunch is a banquet you will never forget' J. G. Ballard

William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books include Naked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.

The Place of Dead Roads

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This surreal fable, set in America's Old West, features a cast of notorious characters: The Crying Gun, who breaks into tears at the sight of his opponent; The Priest, who goes into gunfights giving his adversaries the last rites; and The Nihilistic Kid himself, Kim Carson, a homosexual gunslinger who, with a succession of beautiful sidekicks, sets out to challenge the morality of small-town America and fight for intergalactic freedom. 
 
Fantastical and humorous, The Place of Dead Roads continues William Burroughs' exploration of society's controlling forces - the State, the Church, women, literature, drugs - with a style that is utterly unique in twentieth-century literature.

The Ticket That Exploded

An outrageous hybrid of pulp science fiction, obscene experimental poetry, and manifesto for revolution, The Ticket That Exploded is a last chance antidote to the virus of lies spread by the ad men and con men of the Nova Mob, a call to arms against those driving our planet toward the point of destruction. Like the other two volumes of Burroughs' Cut-Up Trilogy, The Soft Machine and Nova Express, it is today as fresh in its form and as urgent in its message as it has ever been. 
 
Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how the book's cultural reach has expanded with the viral logic of Burroughs' multi-media creative methods.

William S Burroughs (Author) William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books include Naked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997. Oliver Harris (External Editor) Oliver Harris is professor of American literature at Keele University and the editor of The Letters of William S. Burroughs, 1945-1959 (1993), Junky: the Definitive Text of "Junk" (2003), The Yage Letters Redux (2006), and Everything Lost: The Latin American Notebook of William S. Burroughs (2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the book William Burroughs and the Secret of Fascination (2003). He is currently co-editing Naked Lunch@50: Anniversary Essays (2009) and working on a new twenty-fifth anniversary edition of Queer (forthcoming in 2010).

Inspector Lee and the Nova Police have been forced to engage the Nova Mob in one final battle for the planet. This is Burroughs's nightmare vision of scientists and combat troops, of Johnny Yen's chicken-hypnotizing and green Venusian-boy-girls, of ad men and conmen whose destructive language has spread like an incurable disease; a virus and parasite that takes over every human body. 
 
One of Burroughs's most approachable works, The Ticket That Exploded is the climax of his innovative 'cut-up' Nova trilogy - following The Soft Machine and Nova Express - and is an enthralling and frightening image of the future.

The Soft Machine

A terrifying, surreal space-age odyssey, The Soft Machine initiated Burroughs' Cut-Up Trilogy that includes Nova Express and The Ticket That Exploded. The book draws the reader into an unmappable textual space, where nothing is true and everything is permitted, to make a total assault on the colonising powers of planet earth that have turned us all into machines. 
 
Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition clarifies for the first time the extraordinary history of The Soft Machine's writing and rewriting, demolishing the myths of Burroughs' chance-based writing methods and demonstrating for a new generation the significance of his greatest experiment.

Nova Express

The most ferociously political and prophetic book of the Cut-Up Trilogy, Nova Express fires the reader into a textual outer space to show us our burning planet and to reveal the operations of the Nova Mob in all their ugliness. As with The Soft Machine and The Ticket That Exploded, William Burroughs deploys his cut-up methods to make a visionary demand that we take back the world that has been stolen from us. 
 
Edited and introduced by renowned Burroughs scholar Oliver Harris, this new edition reveals how Nova Express was cut from an extraordinary wealth of typescripts to create startling new forms of poetic possibility. 
 
The third book of Burroughs' linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.

The diabolical Nova Criminals now include the nightmarish characters of Sammy the Butcher, Iron Claws, Izzy the Push and the Brown Artist, and are poised to wreak untold destruction on the world with their new-found control. Only Inspector Lee of the Nova Police has any chance of stopping them, by dismantling the word and image machine before it's too late. 
 
The third book of Burroughs's linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.

The Inspiration for Kill Your Darlings

And the Hippos Were Boiled in Their Tanks

In 1944, Jack Kerouac and William S. Burroughs were charged as accessories to murder. One of their friends, Lucien Carr, had stabbed another, David Kammerrer. Carr had come to each of them and confessed; Kerouac helped him get rid of the weapon - neither told the police. For this failing they were arrested. Months later, the two writers - unpublished at the time - collaborated on And the Hippos Were Boiled in Their Tanks, a fictionalized account of the summer of the killing.

Letters 1959-1974

Rub Out the Words

These letters cover the activities of Burroughs, Allen Ginsberg, and Jack Kerouac in the years that gave birth to the Beat Generation. Written mostly to Ginsberg or Kerouac, the letters provide a rare glimpse into Burroughs's psyche, revealing his struggle with drug addiction, his confusion over his sexual identity, and his search for a form fluid enough to mirror his mind and art.

The Letters of William S. Burroughs 1959-1974

This major collection of William Burroughs' letters gives an unprecedented insight into one of America's most incisive and influential writers, at a time when his work was at its most experimental and his life entered a new era of creativity. 
 
William Burroughs' life was often as extreme as his prose. This second volume of his letters documents the time after the notorious publication of Naked Lunch in 1959, as he drifted away from Kerouac, Ginsberg and the Beats and on towards new horizons in Europe and North Africa, moving from place to place in search of inspiration, or to avoid the law over his drug addiction and openly gay lifestyle. We see Brion Gysin gradually replace Ginsberg as Burroughs' most trusted confidant, as they explore ideas on mind control and language, and there is correspondence with Paul Bowles, Ian Sommerville, Timothy Leary and Norman Mailer, among many others. These letters show the creative surge that led to works such as the Nova Trilogy; Burroughs' brief fascination with Scientology; his desperation to kick his drug habit; his continuing dedication to the cut-up method, but also a gradual return to more narrative forms of writing as, in 1974, he prepared to return to New York. 
 
Darkly funny, sharply perceptive and often shocking, these letters also reveal an open and curious side to Burroughs, in contrast to the familiar view of his isolated, itinerant life at this time. Rub Out the Words adds a new richness to our view of one of the most innovative artists of the twentieth century.

The most important writer in the English language since the Second World War

Burroughs is the greatest satirical writer since Jonathan Swift

Junky

Reads today as fresh and unvarnished as it ever has

'Junk is not, like alcohol or weed, a means to increased enjoyment of life. Junk is not a kick. It is a way of life' 
 
William Burroughs, legendary drug addict, founder member of the Beats and author of Naked Lunch, relates with unflinching realism the addict's life: from initial heroin bliss to an unabated hunger for the needle, and the horrors of cold turkey and back again.

Queer

25th Anniversary Edition

Queer is a stunner. A neglected work that became legendary in its very absence.

William S Burroughs (Author) William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books include Naked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997. Oliver Harris (Introducer) Oliver Harris is professor of American literature at Keele University and the editor of The Letters of William S. Burroughs, 1945-1959 (1993), Junky: the Definitive Text of "Junk" (2003), The Yage Letters Redux (2006), and Everything Lost: The Latin American Notebook of William S. Burroughs (2008). He has published articles on film noir, the epistolary, and Beat Generation writing and the book William Burroughs and the Secret of Fascination (2003). He is currently co-editing Naked Lunch@50: Anniversary Essays (2009) and working on a new twenty-fifth anniversary edition of Queer (forthcoming in 2010).

Originally written in 1952 but not published till 1985, Queer is an enigma - both an unflinching autobiographical self-portrait and a coruscatingly political novel, Burroughs' only realist love story and a montage of comic-grotesque fantasies that paved the way for his masterpiece, Naked Lunch. Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

Cities of the Red Night

An opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world's population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease and adventure.

The Western Lands

A fascinating mix of autobiographical episodes and extraordinary Egyptian theology, Burroughs's final novel is poignant and melancholic. Blending war films and pornography, and referencing Kafka and Mailer, The Western Lands confirms his status as one of America's greatest writers. The final novel of the trilogy containing Cities of the Red Night and The Place of Dead Roads, this is a profound meditation on morality, loneliness, life and death.

Interzone

Interzone portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity - its ugliness and ignorance - invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.

Letters 1945-59

Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters gradually deepen in substance and style. Burroughs's letters show the development of both the man and the writer, vividly documenting his (often turbulent) personal and cultural history. The collection provides a key to opening up and contextualizing Burroughs's fiction, but more than that it shows how letter-writing was itself integral to his life and creative process.

A Book of Dreams

My Education

My Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.

The Cat Inside

Both heartwarming and meditative, The Cat Inside explores not only the personal relationship between Burroughs and cats, but the deeper relationship of cats with mankind, which Burroughs traces back to the Egyptians. This book of moving and witty discourse is for both Burroughs fans and cat lovers alike.

In alternating chapters that reveal a nascent period in their development as two of the twentieth century's most influential writers, Beat Generation icons William S. Burroughs and Jack Kerouac's And the Hippos Were Boiled in Their Tanks is an electrifying true-life mystery, including afterword by James Grauerholtz in Penguin Modern Classics. 
 
This is a hardboiled crime novel, and a true story. In 1944, Jack Kerouac and William Burroughs, then still unknown writers, were both arrested following a murder: one of their friends had stabbed another and then come to them for advice - neither had told the police. Later they wrote this fictionalised account of that summer - of a group of friends in wartime New York, moving through each other's apartments, drinking, necking, talking and taking drugs and haphazardly drifting towards a bloody crime. Unpublished for years, And the Hippos were Boiled in their Tanks is a remarkable insight into the lives and literary development of two great writers. 
 
If you enjoyed And the Hippos were Boiled in their Tanks, you might like Kerouac's On the Road, also available in Penguin Modern Classics. 
 
'The novel that kicked it all off' 
Independent 
 
'An insight into Kerouac before he went on the road and Burroughs before his drug use spiralled out of control, this is a major literary event' 
GQ

Redux

The Yage Letters

A collection of letters by Burroughs detailing his experiments with the 'Yage' drug, and Ginsberg's responses as he follows in Burroughs' footsteps

William Burroughs closed his classic debut novel, Junky, by saying he had determined to search out a drug he called 'Yage' which he believed transmitted telepathic powers, a drug that could be 'the final fix'. In The Yage Letters - a mix of travel writing, satire, psychedelia and epistolary novel - he journeys through South America, writing to his friend Allen Ginsberg about his experiments with the strange drug, using it to travel through time and space, to derange his senses - the perfect drug for the author of the wild decentred books that followed. Years later, Ginsberg writes back as he follows in Burroughs' footsteps, and the drug worse and more profound than he had imagined.

Interviews with William S. Burroughs

The Job

A collection of interviews with William S. Burroughs, exploring his thoughts on topics as diverse as the police, writing, drug use and death

William Burroughs&rsquo; work was dedicated to an assault upon language, traditional values and all agents of control. Produced at a time when he was at his most extreme and messianic, The Job lays out his abrasive, incisive, paranoiac, maddened and maddening worldview in interviews interspersed with stories and other writing. On the Beat movement, the importance of the cut-up technique, the press, Scientology, capital punishment, drugs, good and evil, the destruction of nations, Deadly Orgone Radiation and whether violence just in words is violence enough &ndash; Burroughs&rsquo; insights show why he was one of the most influential writers and one of the sharpest, most startling and strangest minds of his generation.

Exterminator!

An experimental, mosaiclike novel by Burroughs, exploring science-fantasy wars, racism and pyschiatric horrors

A man, dispirited by ageing, endeavours to steal a younger man&rsquo;s face; a doctor yearns for a virus that might eliminate his discomfort by turning everyone else into doubles of himself; a Colonel lays out the precepts of the life of DE (Do Easy); conspirators posthumously succeed in blowing up a train full of nerve gas; a mandrill known as the Purple Better One runs for the presidency with brutal results; and the world drifts towards apocalypses of violence, climate and plague. The hallucinatory landscape of William Burroughs&rsquo; compellingly bizarre, fragmented novel is constantly shifting, something sinister always just beneath the surface.

William S. Burroughs

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