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The Idiot

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Dostoyevsky's great novel of suffering and sickness, innocence and greed, now in Penguin Clothbound Classics 
 
Returning to St Petersburg from a Swiss sanatorium, the gentle and naïve epileptic Prince Myshkin - the titular 'idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. Inspired by an image of Christ's suffering, Dostoyevsky sought to portray in Prince Myshkin the purity of a 'truly beautiful soul' and explore the perils that innocence and goodness face in a corrupt world. 
 
David McDuff's translation brilliantly captures the novel's idiosyncratic and dream-like language and the nervous, elliptic flow of the narrative. This edition also contains an introduction by William Mills Todd III, which is a fascinating examination of the pressures on Dostoyevsky as he wrote the story of his Christ-like hero. 
 
If you enjoyed The Idiot, you might like Anton Chekhov's Ward No. 6 and Other Stories, also available in Penguin Classics. 
 
'McDuff's language is rich and alive' 
The New York Times Book Review 
 
'[The Idiot's] ... narrative is so compelling' 
Rowan Williams

Fyodor Mikhailovich Dostoyevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk (1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.

Inspired by an image of Christ's suffering, Dostoyevsky set out to create a protagonist with 'a truly beautiful soul' and to trace the fate of such an individual as he comes into contact with the brutal reality of contemporary society. The novel begins when the innocent epileptic Prince Myshkin - the 'idiot' - arrives in St Petersburg and finds himself drawn into a web of violent and passionate relationships that leads to blackmail, betrayal and eventually murder. 
 
This is a stunning new Clothbound Classics edition of Dostoyevsky's great novel, designed by the award-winning Coralie Bickford-Smith and translated by David McDuff. These delectable and collectible Penguin editions are bound in colourful, tactile cloth with foil stamped into the design.

The Dream of a Ridiculous Man

90 classic titles celebrating 90 years of Penguin Books 
 
I am a ridiculous man. They call me mad now. That would be a promotion in rank 
 
A delusional man whose strange dream changes his life; a self-justifying husband who causes his wife’s suicide; a witness to a young girl’s ruin; a writer who stretches out on a gravestone and listens to the gossip of the dead … the narrators of these four confessional tales show how little we understand ourselves.

I am a ridiculous man. They call me mad now. That would be a promotion in rank 
 
A delusional man whose strange dream changes his life; a self-justifying husband who causes his wife’s suicide; a witness to a young girl’s ruin; a writer who stretches out on a gravestone and listens to the gossip of the dead … the narrators of these four confessional tales show how little we understand ourselves.

The Brothers Karamazov

A deep, complex examination of the crucial philosophical questions of human existence, from one of the world's most renowned novelists 
 
'The mystery of human existence lies not in staying alive, but in finding something to live for' 
 
The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone's faith in humanity is tested.

There is one other book, that can teach you everything you need to know about life ... it's The Brothers Karamazov

The grandest, richest and strangest of Dostoevsky's four "big" novels

'The mystery of human existence lies not in staying alive, but in finding something to live for' 
 
The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone's faith in humanity is tested.

White Nights

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. 
 
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. 
 
Regarded as one of world literature's foremost novelists, Fyodor Dostoevsky's short stories are also some of the best ever written. 'White Nights' tells of love and loss on the streets of St. Petersburg, 'A Nasty Business' presents the hilarious tale of a general dropping in on the wedding of a subordinate, while 'The Meek One' is an existentialist tale of marriage and tragedy.

Regarded as one of world literature's foremost novelists, Fyodor Dostoevsky's short stories are also some of the best ever written. 'White Nights' tells of love and loss on the streets of St. Petersburg, 'A Nasty Business' presents the hilarious tale of a general dropping in on the wedding of a subordinate, while 'The Meek One' is an existentialist tale of marriage and tragedy.

Translated by Richard Pevear & Larissa Volokhonsky

Notes From Underground

'Notes from Underground establishing Dostoevsky's reputation as the most innovative and challenging writer of fiction in his generation in Russia' Rowan Williams, Guardian

You read every shimmering, tormented word, mesmerised. This is Dostoevsky in distillation, a prelude not just to his leading works, but to the entire 20th century... How is it possible to have a character who evokes aspects of Hitler and Pooter, who is hilarious yet disturbing, and both villain and victim? Because Dostoevsky was a genius, and the narrator of Notes From Underground his most protean character, with whom you never quite know how you stand

Dostoevsky's is a genuinely disembodied voice, speaking for all sufferers and victims

Fyodor Dostoevsky was born in Moscow on 11th November 1821. He had six siblings and his mother died in 1837 and his father in 1839. He graduated from the St Petersburg Academy of Military Engineering in 1846 but decided to change careers and become a writer. His first book, Poor Folk, did very well but on 23rd April 1849 he was arrested for subversion and sentenced to death. After a mock-execution his sentence was commuted to hard labour in Siberia where he developed epilepsy.He was released in 1854. His 1860 book, The House of the Dead was based on these experiences. In 1857 he married Maria Dmitrievna Isaeva. After his release he adopted more conservative and traditional values and rejected his previous socialist position. In the following years he spent a lot of time abroad, struggled with an addiction to gambling and fell deeply in debt. His wife died in 1864 and he married Anna Grigoryeva Snitkina. In the following years he published his most enduring and successful books, including Crime and Punishment (1865). He died on 9th February 1881.

FROM THE AWARD-WINNING TRANSLATORS RICHARD PEVEAR AND LARISSA VOLOKHONSKY 
 
Dostoevsky's genius is on display in this powerful existential novel. 
 
The apology and confession of a minor mid-19th-century Russian official, Notes from Underground, is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical, account of man's breakaway from society and descent 'underground'.

A Novel in Three Parts (Translated by Richard Pevear & Larissa Volokhonsky)

Demons

The Great Russian novelist's disturbing and compelling study of terrorism, through five young men saturated in ideology and bent on destruction

Volokhonsky's and Pevear's translation brings to the surface all of Dostoevsky's subtle linguistic and nationalist humour, and the copious notes are indispensable for making one's way through the thicket of 19th-century Russian politics

As close to Dostoevsky's Russian as is possible in English

Required reading for anyone who wants to understand the mind of the terrorist

Marvellous...fluid and well-paced translation

Fyodor Dostoevsky was born in Moscow on 11th November 1821. He had six siblings and his mother died in 1837 and his father in 1839. He graduated from the St Petersburg Academy of Military Engineering in 1846 but decided to change careers and become a writer. His first book, Poor Folk, did very well but on 23rd April 1849 he was arrested for subversion and sentenced to death. After a mock-execution his sentence was commuted to hard labour in Siberia where he developed epilepsy.He was released in 1854. His 1860 book, The House of the Dead was based on these experiences. In 1857 he married Maria Dmitrievna Isaeva. After his release he adopted more conservative and traditional values and rejected his previous socialist position. In the following years he spent a lot of time abroad, struggled with an addiction to gambling and fell deeply in debt. His wife died in 1864 and he married Anna Grigoryeva Snitkina. In the following years he published his most enduring and successful books, including Crime and Punishment (1865). He died on 9th February 1881.

'The most innovative and challenging writer of fiction in his generation in Russia' Guardian 
 
Based on a real-life crime which horrified Russia in 1869, Dostoevsky intended his novel to castigate the fanaticism of his country's new political reformers, particularly those known as Nihilists. Blackly funny, grotesque and shocking, Demons is a disturbing portrait of five young men saturated in ideology and bent on destruction, and a compelling study of terrorism. 
 
'Marvellous...a fluid and well-paced translation' Observer

Crime and Punishment

The old woman was merely a sickness... it wasn't a human being I killed, it was a principle!

Dostoevsky makes Martin Amis seem as if he was writing 130 years ago and that Dostoevsky is writing now. Read all of Dostoevsky. These books are for now and they matter, because it's up to us to call a halt to our TV producers, politicians, gutless artists, poets and writers: these "teenagers of all ages" who are propelling us towards a consumerist hell of disposability over quality

Donne, Herbert, Shakespeare, Jane Austen, George Eliot, Dostoevsky, Henry James - these are the great psychologists - far greater than Freud or Klein or Jung

The best translation of Crime and Punishment currently available... An especially faithful re-creation...with a coiled-spring kinetic energy... Don't miss it

Crime and Punishment...is about a big subject - the meaning of life - yet it is gritty, gripping and it's depiction of city life gives it a modern, timeless feel

This fresh, new translation...provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevsky's tale achingly alive... It succeeds beautifully

Fyodor Dostoevsky was born in Moscow on 11th November 1821. He had six siblings and his mother died in 1837 and his father in 1839. He graduated from the St Petersburg Academy of Military Engineering in 1846 but decided to change careers and become a writer. His first book, Poor Folk, did very well but on 23rd April 1849 he was arrested for subversion and sentenced to death. After a mock-execution his sentence was commuted to hard labour in Siberia where he developed epilepsy.He was released in 1854. His 1860 book, The House of the Dead was based on these experiences. In 1857 he married Maria Dmitrievna Isaeva. After his release he adopted more conservative and traditional values and rejected his previous socialist position. In the following years he spent a lot of time abroad, struggled with an addiction to gambling and fell deeply in debt. His wife died in 1864 and he married Anna Grigoryeva Snitkina. In the following years he published his most enduring and successful books, includingCrime and Punishment (1865). He died on 9th February 1881.

TRANSLATED BY RICHARD PEVEAR &amp; LARISSA VOLOKHONSKY 
 
 'The old woman was merely a sickness . . .it wasn't a human being I killed, it was a principle!' 
 
A troubled young man commits the perfect crime - the murder of a vile pawnbroker whom no one will miss. Raskolnikov is desperate for money, but convinces himself that his motive for the murder is to benefit mankind. So begins one of the greatest novels ever written, a journey into the criminal mind, a police thriller, and a philosophical meditation on morality and redemption.

'In this new translation one finally gets the musical whole of Dostoevsky's original' New York Times Book Review

No reader who knows The Brothers Karamazov should ignore this magnificent translation. And no reader who doesn't should wait any longer to acquaint himself with one of the peaks of modern fiction

It returns us to a work we thought we knew - made new again

In this new translation one finally gets the musical whole of Dostoevsky's original

A philosophical and spiritual drama which contains all of life's vices and virtues

Fyodor Dostoevsky was born in Moscow on 11th November 1821. He had six siblings and his mother died in 1837 and his father in 1839. He graduated from the St Petersburg Academy of Military Engineering in 1846 but decided to change careers and become a writer. His first book, Poor Folk, did very well but on 23rd April 1849 he was arrested for subversion and sentenced to death. After a mock-execution his sentence was commuted to hard labour in Siberia where he developed epilepsy.He was released in 1854.His 1860 book, The House of the Dead was based on these experiences. In 1857 he married Maria Dmitrievna Isaeva. After his release he adopted more conservative and traditional values and rejected his previous socialist position. In the following years he spent a lot of time abroad, struggled with an addiction to gambling and fell deeply in debt. His wife died in 1864 and he married Anna Grigoryeva Snitkina. In the following years he published his most enduring and successful books, including Crime and Punishment (1865). He died on 9th February 1881.

FROM THE AWARD-WINNING TRANSLATORS RICHARD PEVEAR AND LARISSA VOLOKHONSKY 
 
Dostoevsky's beautiful writing style and universal themes make this epic 19th century novel unmissable. 
 
 The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving Karamazov and his three sons - the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the social and spiritual strivings in what was both a golden age and a tragic turning point in Russian history.

A BBC Radio full-cast adaptation

The Russian Gambler

Ed Stoppard stars as obsessive pianist Alexei in this modern-day take on Dostoevsky's classic The Gambler 
 
When brilliant but penniless pianist Alexei is hired to tutor the 10-year-old daughter of Russian oligarch Mikhail, he is drawn into a world of chance, obsession and violence. Hopelessly infatuated with Mikhail's beautiful stepdaughter Polina, he vows to do anything to win her love: and so begins his involvement in a dangerous, high-stakes game... 
 
Seduced by the lure of the roulette wheel, and embroiled in the complications and machinations of Polina and her family, Alexei's life takes a dark turn. The unexpected arrival of Mikhail's mother Anastasia from Russia offers hope of rescue from financial ruin: but an obsession with risk-taking threatens to destroy everything... 
 
This lively reimagining, set in contemporary London, was written by Dolya Gavanski, who also plays Polina. Ed Stoppard (Home Fires) stars as Alexei, with Eleanor Bron (A Little Princess) as Anastasia and Matthew Marsh (Love, Lies and Records) as Mikhail. 
 
Production credits 
Adapted by Dolya Gavanski, from Fyodor Dostoevsky's The Gambler 
Directed and produced by John Dryden 
Original music composed by Sacha Puttnam 
All music performed by Sacha Puttnam 
Casting: Toby Whale 
Script Editor: Mike Walker 
Sound Design: Steve Bond 
A Goldhawk Production for BBC Radio 4 
 
Cast 
Alexei - Ed Stoppard 
Mikhail - Matthew Marsh 
Polina - Dolya Gavanski 
Vika - Isabella Blake Thomas 
Astley - Graham Seed 
Francois - Orlando Seale 
Katie - Lucy May Barker 
Inokenti - George Lasha 
Masha - Irina Karatcheva 
Mullighan - Jay Taylor 
Office Worker - Alana Ramsey 
Blake - Timothy Walker 
Anastasia - Eleanor Bron 
First broadcast BBC Radio 4, 17-24 November 2013 
 
© 2021 BBC Studios Distribution Ltd 
(p) 2021 BBC Studios Distribution Ltd

Ed Stoppard stars as obsessive pianist Alexei in this modern-day take on Dostoevsky's classic The Gambler 
 
When brilliant but penniless pianist Alexei is hired to tutor the 10-year-old daughter of Russian oligarch Mikhail, he is drawn into a world of chance, obsession and violence. Hopelessly infatuated with Mikhail's beautiful stepdaughter Polina, he vows to do anything to win her love: and so begins his involvement in a dangerous, high-stakes game... 
 
Seduced by the lure of the roulette wheel, and embroiled in the complications and machinations of Polina and her family, Alexei's life takes a dark turn. The unexpected arrival of Mikhail's mother Anastasia from Russia offers hope of rescue from financial ruin: but an obsession with risk-taking threatens to destroy everything... 
 
This lively reimagining, set in contemporary London, was written by Dolya Gavanski, who also plays Polina. Ed Stoppard (Home Fires) stars as Alexei, with Eleanor Bron (A Little Princess) as Anastasia and Matthew Marsh (Love, Lies and Records) as Mikhail. 
 
Production credits 
Adapted by Dolya Gavanski, from Fyodor Dostoevsky's The Gambler 
Directed and produced by John Dryden 
Original music composed by Sacha Puttnam 
All music performed by Sacha Puttnam 
Casting: Toby Whale 
Script Editor: Mike Walker 
Sound Design: Steve Bond 
A Goldhawk Production for BBC Radio 4 
 
Cast 
Alexei - Ed Stoppard 
Mikhail - Matthew Marsh 
Polina - Dolya Gavanski 
Vika - Isabella Blake Thomas 
Astley - Graham Seed 
Francois - Orlando Seale 
Katie - Lucy May Barker 
Inokenti - George Lasha 
Masha - Irina Karatcheva 
Mullighan - Jay Taylor 
Office Worker - Alana Ramsey 
Blake - Timothy Walker 
Anastasia - Eleanor Bron 
First broadcast BBC Radio 4, 17-24 November 2013 
 
© 2021 BBC Studios Distribution Ltd 
(p) 2021 BBC Studios Distribution Ltd

Including Crime and Punishment, The Idiot, Devils & The Brothers Karamazov

The Fyodor Dostoevsky BBC Radio Drama Collection

BBC radio productions of Dostoevsky's masterpieces, plus selected shorter fiction and bonus programmes exploring his life and work 
 
One of the most important and influential Russian writers of the 19th Century, Fyodor Dostoevsky is admired worldwide for his great realist novels, exploring questions of morality, philosophy and the nature of existence. This compilation contains the BBC radio productions of his four most famous novels - as well as three lesser-known works and two bonus documentaries - collected together for the first time. 
 
Crime and Punishment - When he tests out a horrific theory, young Raskolnikov finds himself pursued by the cunning investigator Porfiry Petrovich. This thrilling tale of guilt and redemption stars Barnaby Kay and Jim Norton. 
 
The Idiot - Arriving back in Russia after years spent abroad treating his epilepsy, Prince Mishkin learns the story of the woman who will dominate his life - the spoilt but captivating Nastasya... Dostoevsky's most personal novel stars Paul Rhys, Roger Allam and Lia Williams. 
 
Devils - Idealism curdles into murderous anarchy in this fresh, contemporary 3-part adaptation of Dostoevsky's terrifying masterpiece, starring Gary Lilburn, Jane Whittenshaw, Joseph Arkley and Jonathan Forbes. 
 
The Brothers Karamazov- The Karamazov family reunite for a meeting with their father to discuss Dmitry's inheritance. But the unpredictable Fyodor seems unwilling to play the game.... Stars Roy Marsden, Paul Hilton and Nicholas Boulton. 
 
The Friend of the Family - Russia, 1859, and the Manor of Stephanchikovo is thrown into chaos when a former sergeant sets himself up as an arbiter of morals and taste. David Suchet and Clive Merrison star in this farcical comedy. 
 
Bobok - Loitering in the cemetery after a funeral, a drunken writer overhears the conversations of the recently deceased corpses... This blackly comic short story is performed by Boris Isarov. 
 
Dream of a Ridiculous Man - A study in music and words of Dostoevsky's vision of an idyllic, prelapsarian world. Read by Ronald Pickup. 
 
Dostoevsky and Dangerous Ideas - John Gray reflects on the lessons Dostoevsky's novels teach us about the perils of misguided idealism. 
 
Dr Rowan Williams on Dostoevsky - The onetime Archbishop of Canterbury joins Susan Hitch to consider conflicting ideas about spiritual regeneration and existentialism, as embodied in Dostoevsky's characters. 
 
First published 1859 (The Friend of the Family), 1866 (Crime and Punishment), 1869 (The Idiot), 1872 (Demons), 1873 ('Bobok'), 1877 ('The Dream of a Ridiculous Man'), 1880 (The Brothers Karamazov)

BBC radio productions of Dostoevsky's masterpieces, plus selected shorter fiction and bonus programmes exploring his life and work 
 
One of the most important and influential Russian writers of the 19th Century, Fyodor Dostoevsky is admired worldwide for his great realist novels, exploring questions of morality, philosophy and the nature of existence. This compilation contains the BBC radio productions of his four most famous novels - as well as three lesser-known works and two bonus documentaries - collected together for the first time. 
 
Crime and Punishment - When he tests out a horrific theory, young Raskolnikov finds himself pursued by the cunning investigator Porfiry Petrovich. This thrilling tale of guilt and redemption stars Barnaby Kay and Jim Norton. 
 
The Idiot - Arriving back in Russia after years spent abroad treating his epilepsy, Prince Mishkin learns the story of the woman who will dominate his life - the spoilt but captivating Nastasya... Dostoevsky's most personal novel stars Paul Rhys, Roger Allam and Lia Williams. 
 
Devils - Idealism curdles into murderous anarchy in this fresh, contemporary 3-part adaptation of Dostoevsky's terrifying masterpiece, starring Gary Lilburn, Jane Whittenshaw, Joseph Arkley and Jonathan Forbes. 
 
The Brothers Karamazov- The Karamazov family reunite for a meeting with their father to discuss Dmitry's inheritance. But the unpredictable Fyodor seems unwilling to play the game.... Stars Roy Marsden, Paul Hilton and Nicholas Boulton. 
 
The Friend of the Family - Russia, 1859, and the Manor of Stephanchikovo is thrown into chaos when a former sergeant sets himself up as an arbiter of morals and taste. David Suchet and Clive Merrison star in this farcical comedy. 
 
Bobok- Loitering in the cemetery after a funeral, a drunken writer overhears the conversations of the recently deceased corpses... This blackly comic short story is performed by Boris Isarov. 
 
Dream of a Ridiculous Man - A study in music and words of Dostoevsky's vision of an idyllic, prelapsarian world. Read by Ronald Pickup. 
 
Dostoevsky and Dangerous Ideas - John Gray reflects on the lessons Dostoevsky's novels teach us about the perils of misguided idealism. 
 
Dr Rowan Williams on Dostoevsky - The onetime Archbishop of Canterbury joins Susan Hitch to consider conflicting ideas about spiritual regeneration and existentialism, as embodied in Dostoevsky's characters. 
 
First published 1859 (The Friend of the Family), 1866 (Crime and Punishment), 1869 (The Idiot), 1872 (Demons), 1873 ('Bobok'), 1877 ('The Dream of a Ridiculous Man'), 1880 (The Brothers Karamazov)

Notes from a Dead House

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. 
To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, colourful, tactile cloth with foil stamped into the design. 
 
Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat-and-mouse with Porfiry, a suspicious detective, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

Crime and Punishment (Vintage Classic Russians Series)

The Vintage Classics Russians series - sumptuous editions of  the greatest books to come out of Russia during the most tumultuous period in its history

The best translation of Crime and Punishment currently available... An especially faithful re-creation...with a coiled-spring kinetic energy... Don't miss it' Washington Post 
 
 Consumed by the idea of his own special destiny, immured in poverty and deprivation, Rashkolnikov is drawn to commit a terrible crime. In the aftermath, Rashkolnikov is dogged by madness, guilt and a calculating detective, and a feverish cat-and-mouse game unfolds. The only hope for redemption, if Rashkolnikov can but recognise it, lies in the virtuous and faithful Sonya. 
 
 TRANSLATED BY RICHARD PEVEAR AND LARISSA VOLOKHONSKY 
 
 VINTAGE CLASSICS RUSSIAN SERIES - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

'The best translation of Crime and Punishment currently available... An especially faithful re-creation...with a coiled-spring kinetic energy... Don't miss it' Washington Post 
 
Consumed by the idea of his own special destiny, immured in poverty and deprivation, Rashkolnikov is drawn to commit a terrible crime. In the aftermath, Rashkolnikov is dogged by madness, guilt and a calculating detective, and a feverish cat-and-mouse game unfolds. The only hope for redemption, if Rashkolnikov can but recognise it, lies in the virtuous and faithful Sonya. 
 
 TRANSLATED BY RICHARD PEVEAR AND LARISSA VOLOKHONSKY 
 
 The Vintage Classics Russians series - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

'My God! A whole minute of bliss! Is that really so little for the whole of a man's life?' 
 
A poignant tale of love and loneliness from Russia's foremost writer. 
 
One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

The Meek One

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' 
 
In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. 
 
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. 
 
Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk(1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons(1871-2) and The Brothers Karamazov (1879-80). He died in 1881.

The Double (Film Tie-in)

An official tie-in edition to accompany Richard Ayoade's brilliant new film based on Dostoyevsky's deliciously dark and slyly funny novel. The Double stars Oscar nominee Jesse Eisenberg (The Social Network) and Mia Wasikowska (Jane Eyre) with support from Chris O'Dowd, Sally Hawkins, Paddy Considine, Tim Key and Chris Morris. 
 
 A lonely government clerk - shy, awkward, blundering - finds himself pursued by a mysterious stranger. Somehow he looks familiar. In fact, he realizes, he looks exactly like him. He even has the same name. But, unlike him, he is charming and confident. 
 
 Soon the stranger starts insinuating himself into his life. He works at his office, stays at his apartment, ingratiates himself with his colleagues. No one seems surprised. 
 
 Who is he? What does he want? Is he a double, or something darker altogether? 
 
 Moscow-born Fyodor Dostoyevsky (1821-1881) served time in a convict prison in Siberia for his political alliances, and in his later years his passion for gambling led him deeply into debt. His many brilliant novels include Crime and Punishment, The Idiot and The Brothers Karamazov. 
 
 Ronald Wilks has translated numerous Russian volumes for Penguin Classics, including works by Chekhov, Sologub, Tolstoy and Gogol. 
 
 If you enjoy this novel, you may want to read more by Dostoyevsky - his major novels and stories are all available in Penguin Classics, including Notes from Underground, Crime and Punishment, The Gambler and Other Stories, The Idiot, Demons, Netochka Nezvanova, The Brothers Karamazov, Poor Folk and Other Stories, The House of the Dead and The Village of Stepanchikovo.

Penguin Classics

'A truly great translation . . . This English version really is better' - A. N. Wilson, The Spectator 
 
TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014 
 
This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. 
 
Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. 
 
Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

A truly great translation ... Sometimes new translations of old favourites are surplus to our requirements. Sometimes, though, a new translation really makes us see a favourite masterpiece afresh. And this English version of Crime and Punishment really is better ... Crime and Punishment, as well as being an horrific story and a compelling drama, is also extremely funny. Ready brings out this quality well ... That knife-edge between sentimentality and farce has been so skilfully and delicately captured here ... Ready's version is colloquial, compellingly modern and - in so far as my amateurish knowledge of the language goes - much closer to the Russian. ... The central scene in the book is a masterpiece of translation

I was delighted to discover Oliver Ready's new translation of Crime and Punishment ... It is brimful of a young man's rage and energy and bullshit. I adored it

This vivid, stylish and rich rendition by Oliver Ready compels the attention of the reader in a way that none of the others I've read comes close to matching. Using a clear and forceful mid-20th-century idiom, Ready gives us an entirely new kind of access to Dostoyevsky's singular, self-reflexive and at times unnervingly comic text. This is the Russian writer's story of moral revolt, guilt and possible regeneration turned into a new work of art ... [It] will give a jolt to the nervous system to anyone interested in the enigmatic Russian author

Oliver Ready's translation of Crime and Punishment . . . is a five-star hit, which will make you see the original with new eyes

Times Literary Supplement, 'Books of the Year'

At last we have a translation that brings out the wild humour and vitality of the original

I was bowled over, by the novel itself and the utterly brilliant translation, which grabs you by the lapels and doesn't let go. In the course of my work, I go through mountains of nonfiction to try to understand the world. This summer, I was reminded of the power of a novel to uncover something much deeper about the human spirit 
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A tour de force built from prose that is not only impeccable in its own right but also perfectly suited to the story, its characters, its epoch and themes. We should treasure this new translation and, indeed, this new book

A dazzlingly agile and robust new translation . . . Ready, who has a practiced ear for Russian dialect and a natural grace with English, is exceptionally deft at navigating [the novel's] challenges ... His ability to reproduce the whole heady brew of Dostoyevsky's novel in a consistent but nimble modern English ought to be applauded

What a great book this is and nothing like the dated, heavy Russian literature I thought I might have to wade through. It's a page turner - a dark, comic thriller with an anti-hero akin to Macbeth and characters so perfectly rendered as to leap from the page. The style is really modern and constantly delves into the mad thoughts of the protagonist - if you can call him that - Raskolnikov. Try it, especially Oliver Ready's high-tempo version

Oliver Ready's version is outstanding in finding le mot juste for all of Dostoevsky's graphic verbs and odd objects (few Russian writers have a lexical range to equal Dostoevsky's)

Ready's translation is nothing less than a wonder. He mirrors the tonal shifts in Dostoyevsky's original more nimbly than any English-language translator has before, and he catches the dark humour that runs through the book mostly below its surface, and best of all, he captures the essential, unchanging absurdity of Raskolnikov perfectly ... Ready's version crackles with grubby, demented vitality

Ready's lively translation succeeds in admirably capturing the psychological intensity of Dostoyevsky's style. . . . [It] replicates natural speech patterns in a way that Pevear and Volokhonsky's rather stilted translation does not. . . . [Ready's] English prose is rhythmic and, at times, poetic. . . . It is [the novel's] sense of frenzy that Ready so brilliantly captures in his new translation, which will ensure that another generation of readers remains enraptured by Crime and Punishment

Ready's vivid, new version ... is more than a Titanic idea of a great translation. It is the real thing ... Crisp and compelling, building on staccato rhythmic structures to heighten the novel's dramatic tension, then elegantly sidling into Dostoyevsky's abrupt denouement, his translation brings new life to a 150-year-old classic, rendering the familiar in fresh light

A gorgeous translation ... Inside one finds an excellent apparatus: a chronology, a terrific contextualizing introduction, a handy compendium of suggestions for further reading, and cogent notes on the translation. . . . But the best part is Ready's supple translation of the novel itself. Ready manages to cleave as closely as any prior translator to both spirit and letter, while rendering them into an English that is a relief to read

What a pleasure it is to see Oliver Ready's new translation bring renewed power to one of the world's greatest works of fiction ... Ready's work is of substantial and superb quality ... [His] version portrays more viscerally and vividly the contradictory nature of Raskolnikov's consciousness. ... Ready evokes the crux of Crime and Punishment with more power than the previous translators have ... with an enviably raw economy of prose

Ready's new translation of Crime and Punishment is thoughtful and elegant [and] shows us once again why this novel is one of the most intriguing psychological studies ever written. His translation also manages to revive the disturbing humour of the original ... In some places, Ready's version echoes Pevear and Volokhonsky's prize-winning Nineties version, but he often renders Dostoyevsky's text more lucidly while retaining its deliberately uncomfortable feel. . . . Ready's colloquial, economical use of language gives the text a new power

A clever modern translation of this classic of Russian horror that gave me nightmares as a student. We journey through suffering, repentance and expiation of sin

'Will I really - I mean, really - actually take an axe, start bashing her on the head, smash her skull to pieces? . . . Will I really slip in sticky, warm blood, force the lock, steal, tremble, hide, all soaked in blood . . .axe in hand? . . . Lord, will I really?' 
 
This new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before.

The Gambler and Other Stories

The Gambler and Other Stories is Fyodor Dostoyevsky's collection of one novella and six short stories reflecting his own life - indeed, 'The Gambler', a story of a young tutor in the employment of a formerly wealthy Russian General, was written under a strict deadline so he could pay off his roulette debts. This volume includes 'Bobok', the tale of a frustrated writer visiting a cemetery and enjoying the gossip of the dead; 'The Dream of a Ridiculous Man', the story of one man's plan to commit suicide and the troubling dream that follows, as well as 'A Christmas Party and a Wedding', 'A Nasty Story' and 'The Meek One'.

The Grand Inquisitor

Vividly imagining the second coming and capture of Christ during the time of the Spanish Inquisition, this parable recounted in The Brothers Karamazov is a profound, nuanced exploration of faith, suffering, human nature and free will. Included here too are Dostoyevsky's powerful and disturbing writings about his time in exile at a Siberian prison camp. 
 
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Notes from Underground and the Double

'That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work' Malcolm Bradbury 
 
Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' and his gradual withdrawal from society. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousness. 
 
Translated by Ronald Wilks with an Introduction by Robert Louis Jackson

'Notes from Underground' (1864) is a study of a single character, 'the real man of the Russian majority', and a revelation of Dostoyevsky's own deepest beliefs. One of his best critics has said of the first part that it forms his 'most utterly naked pages. Never afterwards was he so fully and openly to reveal the inmost recesses, unmeant for display, of his heart.' 'The Double' (1846) is the nightmarish story of Mr Golyadkin, a man who is haunted or possessed by his own double. Is 'Mr Golyadkinjunior' really a double or simply a fearful side of his own nature? This uncertainty is what gives urgency and horror to a tale which may be read as a classic study of human breakdown.

Fyodor Dostoyevsky

This stunning clothbound set, designed by the award-winning Coralie Bickford-Smith, brings together Dostoyevsky's three greatest novels in modern translations from Penguin Classics. In The Brothers Karamazov, a murder changes the lives of four brothers for ever; in Crime and Punishment a student commits an appalling act of random violence; and in The Idiot, a gentle and naive aristocrat finds himself drawn into a web of blackmail and betrayal.

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