MAMista

Deep in Marxist Guerilla territory a hopeless war is being fought.

The Berlin Wall is demolished. Marx is dead. Try telling that to Ramon and his desperate men hiding in the jungle cradling their AK 47s, dusting off the slabs of Semtex and dreaming of world revolution.

MAMista takes us to the dusty, violent capital of Spanish Guiana in South America, and thence into the depths of the rain forest. There, four people become caught up in a struggle both political and personal, a struggle corrupted by ironies and deceits, and riddled with the accidents of war. They are four people who never should have found themselves bound together in a mission for revolution, which may be the sentence of death.

Never has Deighton portrayed so accurately the terror and the tedium of war, or the shifting alliances and betrayals between people who have nothing to lose but their lives.

Deighton's longest, most complex and passionate novel in years: an epic tale, set in a South American jungle, of good men and women crushed beneath the heel of Realpolitik.

Kirkus Review

About Len Deighton

Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly).

His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.
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