Everyman's Library CLASSICS

THE THREE MUSKETEERS has proved enduringly popular for more than a century and a half. Inspiration for many a movie and TV adaptation, this swashbuckling epic of chivalry, honour and derring-do, set in France during the 1620s, is satisfyingly peopled with romantic heroes, unattainable heroines, kings, queens, cavaliers and criminals, and contains in abundance adventure, espionage, conspiracy, murder, vengeance, love, scandal and suspense. Taking as its starting point the memoirs of the historical Comte d'Artagnan, Dumas's imagination transforms the bit-players of history into larger-than-life characters: d'Artagnan himself, the impetuous young man in pursuit of glory but ever ready to respond to an insult; the beguilingly evil seductress 'Milady' (entirely his own creation) and of course the Three Musketeers of the title, Athos, Porthos and Aramis, whose motto 'all for one, one for all' has come to epitomize devoted friendship. Interwoven amongst them are vivid fictionalized portraits of major historical figures, amongst them the powerful and devious Cardinal Richelieu, the weak and ineffectual Louis XIII and Anne of Austria, his unhappy Spanish queen. Throw in some stolen diamonds, masked balls, purloined letters, a crumbling medieval prison and a great deal of sword-fighting together with a gripping plot, tremendous narrative drive and a hint of discreet humour, and you have a book totally impossible to put down.

Though Stoker did not invent vampires - and in fact based his character's life-in-death on extensive research into European folklore - his novel elevated the nocturnal monster to iconic stature, spawning a genre of stories and movies which flourishes to this day. A century of imitation has done nothing to diminish its power. As the suave and chilling Count stalks his prey from a crumbling castle in the Carpathians to a lunatic asylum in Purfleet and the bedrooms of his swooning female victims, the drama builds to a fever pitch of sensuality and suspense.
Dracula is not only a classic of Gothic horror and a wellspring of modern mythology: it is also irresistible entertainment.

Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa.
Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

Tacitus was the greatest historian of the Roman empire. Born in about AD 55, he served as administrator and leading senator. This career gave him an intimate view of the empire at its highest levels, experience brought to bear on his writing.
His major works are the Annals and the Histories, both of which have come down to us incomplete. Between them, they cover a period of about 80 years, from the death of the first emperor, Augustus, to the death of Domitian in 96AD. In addition, Tacitus also composed two short historical books or essays, the Agricola (about his father-in-law, a distinguished provincial governor) and the Germania, an account of the tribes beyond the Rhine.
Tacitus is a brilliant narrator and master stylist who had ample material for his story in the dramatic, violent and often bloody events of the first century. His portraits - especially those of Tiberius, Nero, and Nero's immediate circle - are unforgettable, his scene-setting masterly, his psychological analysis as acute as any novelist. He is also a fierce critic of the decadence and corruption which marked struggles for the imperial succession. As Robin Lane Fox writes in his brilliant introduction, 'Above all Tacitus was supremely wary of the distortions and "spin" of official announcements. He had no illusions about the capacities of presidential, one-man rule.' Napoleon disliked him, not surprisingly.
Everyman reprints the classic translation by A.J. Church and W.J. Brodribb, with extensive notes considerably revised and updated by Dr Eleanor Cowan.

Brillat - Savarin's unique, exuberant collection of dishes, experiences, reflections, history and philosophy raised gastronomy to an art form. First published in France in 1825, this remarkable book reflected a new era in French cuisine: the advent of the restaurant, which gave the bourgeoisie the opportunity to select their dishes with precision and anticipation. Yet the author also gives his views on taste, diet and maintaining a healthy weight, on digestion, sleep, dreams and being a gourmand. Witty, shrewd and anecdotal, The Physiology of Taste not only contains some remarkable recipes, it an elegant argument for the pleasures of good food and a hearty appetite.

The story of Scrooge, a miser who becomes a different man when he is presented with visions of past, present and future by Marley's ghost. First published on 17th December 1843, it had, by Christmas Eve of that year, sold 6000 copies at a price of five shillings.

The Decameron (subtitle: Prencipe Galeotto) is a collection of 100 novellas by Italian author Giovanni Boccaccio, probably begun in 1350 and finished in 1353. It is a medieval allegorical work best known for its bawdy tales of love, appearing in all its possibilities from the erotic to the tragic. Some believe many parts of the tales are indebted to the influence of The Book of Good Love. Many notable writers such as Chaucer are said to have drawn inspiration from The Decameron

On the day of his wedding, Edmond Dantes, master mariner, is arrested in Marseille on trumped-up charges and spirited away to the cellars of the Chateau d'If, an impregnable sea fortress in which he is imprisoned indefinitely. Escaping from the chateau by a series of daring manoeuvres, he unearths a great treasure on the island of Monte Cristo, buried there by a former fellow prisoner who bequeaths to him the secret of its whereabouts. Thus armed with unimaginable wealth and embittered by his long imprisonment, he resolves to devote his life to tracking down and punishing those responsible.
This classic nineteenth-century translation has been revised and updated by Peter Washington, with an introduction by award-winning novelist Umberto Eco.

Collected here are Gogol's finest tales - stories which combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city dweller - allowing readers to experience anew the unmistakable genius of a writer who paved the way of Dostoevsky and Kakfa. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know. The wholly unique blend of satire and realism that Gogol crafted established his reputation as one of the most daring and inventive writers of his time.

Marco Polo set off on his travels from Venice as a young man in 1271, and returned home in 1295 after spending 24 years away, 17 of them in China. He isone of the few early adventurers whose name nearly everyone knows. His book was one of the best-loved works of the Middle Ages, and has remained popular ever since. At a time when China is again assuming global importance, his account of China under the Mongol emperor Khubilai Khan - the dazzlingly splendid capital in Beijing, the great southern metropolis of Hangzhou - is a classic reminder of the antiquity of Chinese power and civilization.
Marco Polo also portrays countries and cities all along the trade route from the Mediterranean to Mongolia. He reminds us that Iraq's present suffering is not unique by relating the story of the attack on Baghdad by Mongol forces in 1258. He conveys the daunting prospect of the deserts of central Asia and the distant charms of Yunnan. And he reminds us of the huge merchant ships dominating China's trade with foreign countries, ships that far outstripped their European counterparts. He even writes about Japan, the first European to do so.
His book was often thought of as a book of marvels, but one of its striking features to a contemporary reader is its clarity, realism and tolerance. As this new edition shows, he sometimes exaggerates, but his reputation for making things up is quite unfair, as Colin Thubron makes clear in his introduction.
The original manuscript of Marco Polo's book is lost, and in the many later versions names and other details have become so garbled that it has been said that his itineraries are impossible to follow. This new Everyman edition shows this need not be so. It explains clearly all the references in the book, and shows in detail with new maps the routes described from Venice to Beijing, from Beijing to Burma, and from Beijing to south-east China. It also provides an up-to-date history of the book and the controversies surrounding it.

Struggling manufacturer Robert Moore has introduced labour saving machinery to his Yorkshire mill, arousing a ferment of unemployment and discontent among his workers. Robert considers marriage to the wealthy and independent Shirley Keeldar to solve his financial woes, yet his heart lies with his cousin Caroline, who, bored and desperate, lives as a dependent in her uncle's home with no prospect of a career. Shirley, meanwhile, is in love with Robert's brother, an impoverished tutor - a match opposed by her family. As industrial unrest builds to a potentially fatal pitch, can the four be reconciled? Set during the Napoleonic wars at a time of national economic struggles, "Shirley" (1849) is an unsentimental, yet passionate depiction of conflict between classes, sexes and generations.

These brilliantly wrought, tragic novellas explore the repressed emotions and destructive passions of working-cass people far removed from the social milieu usually inhabited by Edith Wharton's characters.
Ethan Frome is one of Wharton's most famous works; it is a tightly constructed and almost unbearably heartbreaking story of forbidden love in a snowbound New England village. Summer, also set in rural New England, is often considered a companion to Ethan Frome - Wharton herself called it 'the hot Ethan' - in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late-nineteenth-century New York, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes.
All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of America's greatest writers.

The name of Giacomo Casanova, Chevalier de Seingalt (1725-1798), in now synonymous with amorous exploits, and there are plenty of these, vividly narrated, in him memoirs. But Casanova was not just an energetic lover. In his time he was diplomat, business man, trainee priest, traveller, prisoner, magician, confidence trickster, gambler, professional entertainer and chalatan. He financed business projects, organised lotteries, wrote opera libretti and dabbled in high politics. Above all he was an autobiographer of enduring brilliance and subtlety who left behind him what is probably the most remarkable confession ever written. Casanova was a Venetian who explored to the full all the possibilities 18th century Venice offered by way of love and profit before being imprisoned, escaping from gaol, and fleeing from the city to begin travels which took him across Europe. In Moscow and London, Berlin and Constantinople, he met the famous men and women of the time - Catherine the Great, Voltaire, Louis XV, Rousseau - and recorded his encounters for the memoirs he wrote in retirement at the end of his life. These memoirs are by turns subtle, touching, thrilling, wonderfully comic and quite irresistible. Although the present edition includes one third of Casanova's enormous (though unfinished) book, it contains all his major adventures and all is greatest affairs of the heart. 'Casanova is unsurpassed as the recreator of the daily talking interests of 18th century Europe. he ranges from slut to patrician, from closet to cabinet, waterfront to palace.' - V S PRITCHETT

John James Audubon (1785-1851) was for half a century America's dominant wildlife artist. His seminal Birds of America, a collection of 435 life-size prints, is still a standard work, and the name Audubon remains synonymous with birds and bird conservation the world over. Born in Haiti, the illegitimate son of a French sea-captain, he was raised in France and sailed to America at the age of 18 where he went into business and began his study of birds. In 1819 he was briefly jailed for bankruptcy; with no other prospects, he set off on his epic quest to depict America's avifauna, with nothing but his gun, artist's materials, and a young assistant. Floating down the Mississippi, he lived a rugged hand-to-mouth existence while his devoted wife, Lucy, earned money as a tutor to wealthy plantation families. In 1826 he sailed with his partly finished collection to England. Lionized as the 'American woodsman', he hit just the right Romantic note for the era, and was an overnight success, finding printers for his book first in Edinburgh, then London. It was a classic American tale of triumph over adversity.
Here are vivid 'bird biographies', his correspondence with Lucy, journal accounts of his dramatic river journeys and hunting trips with the Osage Indians, and a generous sampling of brief stories that have long been out of print, 'The Burning of the Forests' and 'Kentucky Barbecue on the Fourth of July' among them. The Audubon Reader is an unforgettable encounter with early America: with its wildlife and birds, with its people and its primordial wilderness.

Sometimes overshadowed by his friend and contemporary, Samuel Pepys, Evelyn is the other great English diarist. He was a scholar, a scientific amateur, a garden designer and architect, and a founder member of the Royal Society who published a magisterial book about trees, Sylva, and many pamphlets on assorted subjects.
His great interest as a diarist is that he was privy to all the great men and events of his very long life, from the execution of Charles I to the accession of Queen Anne, whereas Pepys writes of a relatively short period. A personal friend of Charles II, he observed at close quarters- and with some disapproval- that monarch's amorous life, and the diaries contain vivid portraits of Nell Gwynn, other royal mistresses and their children. The personalities of James II, the Dukes of Monmouth and Marlborough, and Judge Jeffreys, also figure largely.
But this is more than a social record. As a valued administrator, Evelyn was also involved with many serious projects, such as combating the Plague, and rebuilding London after the Great Fire - an enterprise which brought him close to Christopher Wren.
In all, a vivid portrait of the social, personal and political life of a society in ferment by one of its major players.

The first of Dickens's historical novels, Barnaby Rudge, written in 1841, is set at the time of the anti-Catholic riots of 1780, with the real Lord George Gordon, leader of the riots, appearing in the book. The characters are caught up in the resulting mob lawlessness which climaxes in the destruction of Newgate prison, an actual event brought to life in the novel.

The plot turns on the relationship between Catholic Emma and Protestant Edward, further complicated by the earlier murder of Reuben Haredale, supposedly by Barnaby though actually by his evil father; but the real focus of the book, as so often in Dickens, is London itself. This is a nightmarishly vivid picture ofa capital city's subterranean life. In A Tale of Two CitiesDickens was to recapture his vision of the mob in all its moods, but he never surpassed the sense of pulsating energy and dangerevoked in thecrowd scenes of Barnaby Rudge. Nor did he often rival the touching relationship between Barnaby and his pet raven, Grip, who embodies the mystical powerof innocence. Although Barnaby Rudge is one of Dickens's lesser known novels, the bond between boy and bird makes it one of his most touching.