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Penguin Modern Classics

1275 books in this series
Book cover of Childhood, Youth, Dependency by Tove Ditlevsen

Childhood, Youth, Dependency

Growing up in a working-class neighbourhood in Copenhagen, Tove feels that her childhood is made for a completely different girl. As 'long, mysterious words begin to crawl across my soul', she comes to understand that she has a vocation that will define her life. Her path seems assured, but she has no idea of the struggles ahead - love affairs, wanted and unwanted pregnancies, artistic failure and destructive addiction. As the years go by, the central tension of Tove's life comes into painful focus: the terrible lure of dependency, in all its forms, and the possibility of living freely and fearlessly - as an artist on her own terms.
Book cover of The Faces by Tove Ditlevsen

The Faces

Copenhagen, 1968. Lise, a children's book writer and married mother of three, is becoming increasingly haunted by disembodied faces and taunting voices. Convinced that her housekeeper and husband are plotting against her, she descends into a terrifying world of sickness, pills and institutionalization. But is sanity in fact a kind of sickness? And might mental illness itself lead to enlightenment?

Brief, intense and haunting, Ditlevsen's novel recreates the experience of madness from the inside, with all the vividness of lived experience.
Book cover of The Child, the Family, and the Outside World by D. W. Winnicott

The Child, the Family, and the Outside World

D. W. Winnicott was one of the most influential figures in child psychiatry. In this landmark work, re-issued on the fiftieth anniversary of his death, he lays out his ground-breaking theories of child development, and how children become independent from their parents.

Along the way Winnicott touches on a wide range of questions, from why babies cry and why toddlers are aggressive to how to teach children about sex. Above all, Winnicott encourages parents to ignore external pressures and guilt, and to trust their own instincts. His accessible and non-judgemental approach remains as radical today as it was in the 1960s.
Book cover of All for Love by Ved Mehta

All for Love

Book 10 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

In lucid, sparse prose Mehta documents the twists and turns of a romantic history peppered with disappointment and anguish - that is until, in his search for self-understanding, he meets a surprising guide who shows the way toward new insights about himself and those he has loved.
Book cover of Dark Harbor by Ved Mehta

Dark Harbor

Book 11 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

This chapter of Mehta's remarkable memoirs details the many dilemmas he encounters during the building of a new home on a strange, irresistible island: from ever-climbing costs to a frequent infestations of potato bugs in the basement. Underlying the travails of construction lies a richly allegorical tale about Mehta's own struggles as a writer and as a man in love.
Book cover of A Death in the Family by James Agee

A Death in the Family

Published in 1957, two years after its author's death at the age of forty-five, A Death in the Family remains a near-perfect work of art, an autobiographical novel that contains one of the most evocative depictions of loss and grief ever written. As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident - a tragedy that destroys not only a life, but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.
Book cover of The Red Letters by Ved Mehta

The Red Letters

The last volume of Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

During the clamour of a New York dinner party, Mehta is startled to find his father crying on his mother's shoulders. This episode begins a painful and revealing voyage into his father's personal history. In stark prose, Mehta unravels a passionate, clandestine affair that bore quiet yet extraordinary consequences for himself and his family. Red Letters also serves as a brilliant exploration and a recreation of British India: its sights and sounds, its injustices and its secrecy.
Book cover of Remembering Mr. Shawn's New Yorker by Ved Mehta

Remembering Mr. Shawn's New Yorker

Book 9 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

In Remembering Mr. Shawn's New Yorker, Ved Mehta provides an unparalleled glimpse into the inner workings of the one of world's most famous magazines. He portrays in detail the strange, nurturing atmosphere at the New Yorker, and he recounts the earthquakes that shook the magazine as it moved into the hands of more commercial ownership. At once a tribute to William Shawn - one of the longest serving editors in the New Yorker's history - Mehta's memoir is also a joyful tribute to the intricately linked arts of editing, writing, and reading.
Book cover of Haunted by Harvard by Ved Mehta

Haunted by Harvard

Book 8 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

Veritas continues Mehta's journey through education: this time as a Ph.D. student and Residential Fellow at Harvard. His experience illustrates the dramatic changes in institutional habits and behaviour that were to take places in the late 1960s, as well as how dramatically out-of-touch many senior lecturers were to the societal mood around them.
Book cover of Sound-Shadows of the New World by Ved Mehta

Sound-Shadows of the New World

Book 5 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

In 1949, fifteen-year-old Ved Mehta -- blind since the age of four -- left his native India and travelled alone to a school for the blind in Arkansas, USA. For the next three years he studied with over a hundred blind or partially sighted children at the school. Here, he would learn how to deal with Western teachers, date girls, and begin to perceive objects by means of 'sound-shadows'. Sound-Shadows of the New World brilliantly traces the emigrant experience amid the difficult transition from adolescence into adulthood.
Book cover of The Stolen Light by Ved Mehta

The Stolen Light

Book 6 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

The Stolen Light engages with the particular difficulties of Mehta's experience: he was blind in a college made for the seeing, he was an Indian in the United States, a Hindu in a Christian environment, a dark-skinned man surrounded by white people. With compelling honesty and humour, Mehta describes his struggles to live an ordinary university life - dating, riding a bicycle, keeping up with his studies - while dealing with incredible obstacles.
Book cover of Up at Oxford by Ved Mehta

Up at Oxford

Book 2 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

After studying in the United States, Mehta - blind since childhood - achieves his dream of enrolling at the University of Oxford: a place that has consumed his imagination ever since he was a small boy growing up under the British Raj. In Up at Oxford, Mehta recalls the nuances of his conversations, the range of his youthful emotions, and the sounds, smells, and tastes of university life. Along the way he draws memorable portraits of, among others, novelists, poets, scholars, and peers.
Book cover of Because They Wanted To by Mary Gaitskill

Because They Wanted To

First published in the late 1990s and a bestseller at the time, this incisive collection of short stories explores connection and disconnection in families, between ex-lovers and friends. From a father reflecting on the daughter whose lesbianism he cannot accept, to two people who were once young together stumbling over the foundations of their past, inside are twelve portraits of heart-rending emotional intimacy and the delicacy of relationships. Because They Wanted To is a perfectly formed set of stories about alienation in modern times.
Book cover of The Cancer Journals by Audre Lorde

The Cancer Journals

I would never have chosen this path, but I am very glad to be who I am, here.

The Cancer Journals is an intimate, poetic and invigorating account of the experience of breast cancer, from biopsy to mastectomy, told by the great feminist and activist Audre Lorde. Moving between journal entry, memoir, and essay, Lorde fuses the personal and political to reflect on the many questions breast cancer raises: questions of survival, sexuality, prosthesis and self-care. It is a journey of survival, friendship, and self-acceptance.

Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet. Adrienne Rich

This book teaches me that with one breast or none, I am still me Alice Walker
Book cover of Daddyji by Ved Mehta

Daddyji

Book 1 in Ved Mehta's Continents of Exile series. Nearly 50 years in the making, Continents of Exile is one of the great works of twentieth-century autobiography: the epic chronicle of an Indian family in the twentieth century. From 1930s India to 1950s Oxford and literary New York in the 1960s-80s, this is the story of the post-colonial twentieth century, as uniquely experienced and vividly recounted by Ved Mehta.

On its surface, Daddyji serves as a lucid biographical portrait of Amolak Ram Mehta, an esteemed Indian public servant, written by his son. But as Ved Mehta's story unwinds, it becomes apparent that something else is being recreated - the intricacies and intimacies of a lost world, of pre-Partition Lahore.