Penguin Modern Classics

This volume contains some of Camus' most intimate writing, as he reflects on his identity and childhood in Algeria and celebrates the beauty of the Mediterranean. The Wrong Side and the Right Side, Camus' first book and most openly autobiographical work, describes his early years in a working-class neighbourhood in Algiers and includes memorable portraits of his mother, grandmother and uncle. Nuptials rejoices in the sun, landscape and sea, and the physical and spiritual freedom they offer to even the poorest. And in Summer Camus evocatively depicts the sunlit cities of Algiers and Oran.

Gerard Duluoz was born in 1917, 'a sickly little kid with a rheumatic heart'. Based on Jack Kerouac's memories of the beloved older brother who died when he was a boy, Visions of Gerard is unique among his novels for its dreamlike evocation of the sensations of childhood - wisdom, anguish, intensity, innocence, joy and pain. Described by Kerouac as 'my most serious sad and true book', it forms the first volume of his memoir cycle The Duluoz Legend, and is a haunting exploration of the precariousness of life.

'Called a "pain-tale" by Kerouac, it's the story of an almost divine, Buddha-like child racked with sickness and suffering' Guardian

Aesthetics offers a focused study on the philosophy, literature and art which informed Foucault's engagement with ethics and power, including brilliant commentaries on the work of de Sade, Rousseau, Marx, Nietzsche, Freud and Wagner.

The Essential Works of Michel Foucault offers the definitive collection of his articles, interviews and seminars from across thirty years of his extraordinary career. This first volume, Ethics, contains the summaries of Foucault's renowned courses at the Collège de France, as well as key writings and candid interviews on ethical matters: from the role of the intellectual and philosopher in society to friendship, sexuality and the care of the self and others.

The Foucault Reader is the ideal introduction to one the most stimulating and influential writers of the past century. It includes detailed excerpts from all his richly textured historical studies - including Discipline and Punish and The History of Sexuality - as well as many of his best interviews.

The self-destruction of a soccer goalie turned construction worker who wanders aimlessly around a stifling Austrian border town after pursuing and then murdering, almost unthinkingly, a female movie cashier is mirrored by Handke's use of direct, sometimes fractured prose that conveys the dislocation and déjà vu of modern twentieth-century life.

Set in London in 1965, The Housing Lark follows a group of West Indian friends as they attempt to buy a house together in the city they now call home, while also navigating racist attitudes, sexual politics, exploitative landlords and brushes with the law. Written with Selvon's characteristic exuberance and humour, this is a vivid and moving depiction of the migrant experience, peopled by a compelling cast of schemers, dreamers and hustlers.

One evening, when Marianne and her husband, Bruno, are dining out together to celebrate his return from a business trip, Marianne listens to him speak and realizes suddenly yet finally that Bruno will leave her. Whether at that moment, or in years to come, she will be deserted. And instinctively Marianne knows she must fend for herself and her young son now, before that time comes.

She sends Bruno away and settles down to a life alone, at first experiencing moments of panic, restlessly wandering in rooms grown stifling. The stillness of the house wears her down, and she starts taking long walks, or visiting with her close friend, Franziska.

Gradually, what began as a selfish escape from the prospects of the future becomes in fact liberation. The environment she'd always hated - a no man's land of identical houses, with all curtains drawn - recedes; her relationships with those dear to her become less threatening, less necessary; and Marianne finds a new pattern for her life and the strength to go on alone.

The third and final volume of the Essential Works of Foucault series, Power brings together his writings on the issues that he helped make the core agenda of Western political culture: medicine, prisons, psychiatry, government and sexuality, in particular showing his concerns with human rights, discrimination and exclusion. It also includes articles and open letters published directly in response to the issues of the time, calling for reform in abortion, asylum and the death penalty. All the pieces here bring a new sense of Foucault's huge influence on the politics of personal freedom.

We join the young Austrian teenager Filib Kobal's journey from his home in Carinthia to Slovenia on the trail of his older brother Gregor, whom he never knew. He is armed only with two of Gregor's books: a copy book from agricultural school, and a Slovenian-German dictionary, in which Gregor has marked certain words. To piece together an image of his brother, he pours over Gregor's notebook and marked dictionary. In the latter, he discovers new words which translate into timeless images of the earth and its people. Filip finds he can associate himself with this discovery. The resulting investigation of the laws of language and naming becomes a transformative investigation of himself and the world around him.

Society Must Be Defended is taken from a series of lectures given by Foucault at the Collége de France in 1975-76. Using war to analyse power relations, he contends that politics is ultimately a continuation of battlefield violence, and that ingrained ideas of sovereignty and individual rights are attempts to refute the fact that all power relations are based on domination. Coloured with brilliant historical examples, Foucault draws from many periods in both England and France, with wonderful digressions into subjects as diverse as classical French tragedy and the gothic novel.

'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham

Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is suffering from shell-shock and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Virginia Woolf's masterly novel, in which she perfected the interior monologue, brings past, present and future together on one momentous day in June 1923.

Orlando has always been an outsider...

His longing for passion, adventure and fulfilment takes him out of his own time. Chasing a dream through the centuries, he bounds from Elizabethan England amd imperial Turkey to the modern world.

Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey - a nobleman, traveller, writer? Man or... woman?

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Throughout his masterpiece, In Search of Lost Time, Proust repeatedly refers to colours as Tiepolo Pink or Tiepolo Red. Who exactly was the artist that he so memorable transformed into colour?

The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces and villas, creating frescoes that are among the glories of Western art. The life of an epoch swirled around him - but though his contemporaries admired him, they failed to understand him.

Few have attempted to tackle Tiepolo's series of bizarre and haunting etchings, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo's art. Blooming ephebes, Oriental sages, owls, snakes: we will find them all within the pages of this book, along with Venus, Time, Moses, angels, Cleopatra and Beatrice of Burgundy - a gypsyish company always on the go.

Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue sprezzatura, the art of not seeming artful.

'A groundbreaking, earthquaking vision, a story and a manifesto, and a literary performance so energetic it almost demands to be read aloud' Guardian

'To love, to sacrifice oneself, and to submit! Was this what all women were destined for?'

When her carefree, aspirational childhood in a seaside town is brought brutally to an end, the nameless narrator of Sibilla Aleramo's blazing autobiographical novel discovers the shocking reality of life for a woman in Italy at the dawn of the twentieth century. As she begins to recognize the similarities between her own predicament and the plight of her mother and the women around her, she becomes convinced that she must escape her fate. Unashamed and remarkably ahead of its time, A Woman is a landmark in European feminist writing.

'Aleramo was ahead of her time' Times Literary Supplement