Discover the Penguin books that shaped us

Penguin Modern Classics

1275 books in this series
Book cover of The Smell of Hay by Giorgio Bassani

The Smell of Hay

A new translation of Giorgio Bassani's haunting collection of short stories that evoke 1930s Ferrara, with an introduction by Ali Smith.

Isolated lives and a lost world are evoked in these memorable stories set in the Jewish-Italian community of 1930s Ferrara. A young man's unrequited love; a strange disappearance; a faded hotel; a lonely funfair; the smell of mown hay at the gates of the Jewish Cemetery - these vivid, impressionistic snapshots build a picture of life's brevity and intensity. Part of the sequence including The Gold-Rimmed Spectacles and The Garden of the Finzi-Continis, and featuring people and places from these novels, The Smell of Hay is told with a voice that is by turns intimate, ironic, elegiac and rueful.

This new translation contains two pieces, added by Bassani to his earlier collection, which have never appeared in English before.


'Powerful new translations . . . Bassani began as a poet, and McKendrick's redelivery of this taut uncompromising fiction reveals resonance and generosity' Ali Smith

'Giorgio Bassani is one of the great witnesses of this century, and one of its great artists' Guardian


Giorgio Bassani (1916-2000) was an Italian poet, novelist and editor. The Smell of Hay is the last in a series of six works collected together as Il romanzo di Ferrara. Other works in the cycle include The Garden of the Finzi-Continis, which received the Viareggio Prize and inspired an Academy Award-winning film adaptation by Vittorio de Sica, The Gold-Rimmed Spectacles, and Within the Walls (originally published as Five Stories of Ferrara), which won the Strega Prize.

Jamie McKendrick is a poet and translator. His translations of Bassani's The Garden of the Finzi-Continis and The Gold-Rimmed Spectacles are already available as Penguin Modern Classics, and he is in the process of translating the rest of the Romanzo di Ferrara cycle anew.
Book cover of Half a Lifelong Romance by Eileen Chang

Half a Lifelong Romance

From one of twentieth-century China's greatest writers and the author of Lust, Caution, this is an unforgettable story of a love affair set in 1930s Shanghai.

Manzhen is a young worker in a Shanghai factory, where she meets Shijun, the son of wealthy merchants. Despite family complications, they fall in love and begin to dream of a shared life together - until circumstances force them apart. When they are reunited after a separation of many years, can they start their relationship again? Or is it destined to be the romance of only half a lifetime? This affectionate and captivating novel tells the moving story of an enduring love affair, and offers a fascinating window onto Chinese life in the first half of the twentieth century.

Eileen Chang was born in Shanghai in 1920. She studied literature at the University of Hong Kong but returned to Shanghai in 1941 during the Japanese occupation, where she established her reputation as a literary star. She moved to America in 1955 and died in Los Angeles in 1995.

Karen S. Kingsbury taught and studied in Chinese-speaking cities for nearly two decades, and currently lives in Pennsylvania, USA. She has translated Love in a Fallen City for Penguin Classics, as well as other essays and stories by Chang.

'A giant of modern Chinese literature' The New York Times

'Eileen Chang is the fallen angel of Chinese literature' Ang Lee

'A dazzling and distinctive fiction writer' New York Times Book Review

'Chang's world is a stark and mysterious place where people strive to find their way in love but often fail under the pressures of family, tradition, and reputation' New Yorker
Book cover of Iron Gustav by Hans Fallada

Iron Gustav

A powerful story of the shattering effects of the First World War on both a family and a country - from Hans Fallada, bestselling author of Alone in Berlin

'This remarkable work, now complete after 76 years, could well be one of the finest novels any of us will ever read' Irish Times

Gustav Hackendahl's will is law. Known as 'Iron Gustav', he runs his family and his Berlin carriage business with stern, unyielding discipline. But his children have wills of their own, and soon they slip from his control - some to better lives, some towards disaster. As war breaks out and Gustav's beloved Germany is devastated by hardship and violence, he finds everything he believes in destroyed. Can the man of iron endure, or even change?

Brutal and moving, written with Hans Fallada's gift for capturing the small tragedies of ordinary lives, Iron Gustav is a heartbreaking family chronicle and an unflinching portrayal of the First World War and its aftermath.
Book cover of A Fire on the Moon by Norman Mailer

A Fire on the Moon

Mailer's superb account, written as it was happening, of the first attempt to land men on the moon

'Houston, Tranquility Base here. The Eagle has landed.'

A Fire on the Moon tells the scarcely credible story of the Apollo 11 mission. It is suffused with Mailer's obsession both with the astronauts themselves and with his own anxieties and terrors about the extremity of what they were trying to achieve. Mailer is both admiring and appalled and the result is a book which is both a gripping narrative and a brilliant depiction of the now-forgotten technical issues and uncertainties around the mission. A Fire on the Moon is also a matchless portrait of an America caught in a morass of introspection and misery, torn apart by the war in Vietnam. But for one, extraordinary week in the summer of 1969 all eyes were on the fates of three men in a rocket, travelling a quarter of a million miles away from Earth.

With an introduction by Geoff Dyer.
Book cover of The Cyberiad by Stanislaw Lem

The Cyberiad

A charming, mind-bending and anarchic book of imagined civilizations

'Most cosmic civilizations long for things, in the depths of their souls, they would never openly admit to...'

Trurl and Klapaucius are 'constructors' - they travel around the universe creating machines of astonishing inventiveness and power and visiting a bewildering variety of violent, peculiar and morose civilizations. The Cyberiad is oddly reminiscent of Gulliver's Travels, The Hitchhiker's Guide to the Galaxy, The Phantom Tollbooth and Alice in Wonderland. Charming, mind-bending and anarchic, it is perhaps Lem's greatest work. This edition includes all of Daniel Mroz's hallucinatory original illustrations.
Book cover of Letters 1941-1985 by Italo Calvino

Letters 1941-1985

The extraordinary letters of Italo Calvino, one of the great writers of the twentieth century, translated into English for the first time by Martin McLaughlin, with an introduction by Michael Wood.

Italo Calvino, novelist, literary critic and editor, was also a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal and Pier Paolo Pasolini. This collection of his extraordinary letters, the first in English, gives an illuminating insight into his work and life. They include correspondence with fellow authors, generous encouragement to young writers, responses to critics, thoughts on literary criticism and literature in general, as well as giving glimpses of Calvino's role in the antifascist Resistance, his disenchantment with Communism and his travels to America and Cuba. Together they reveal the searching intellect, clarity and passionate commitment of a great writer at work.

'This literally marvelous collection of letters shows him to have been gregarious, puckish, funny, combative, and, above all, wonderful company, and opens a new and fascinating perspective on one of the master writers of the twentieth century. Michael Wood and Martin McLaughlin have done Calvino, and us, a great and loving service.' John Banville

'A charming addition to the Planet Calvino - a place cluttered with sphinxes, chimeras, knights, spaceships and viscounts both cloven and whole' Guardian

Italo Calvino, one of Italy's finest postwar writers, was born in Cuba in 1923 and grew up in San Remo, Italy. Best known for his experimental masterpieces, Invisible Cities and If on a Winter's Night a Traveller, he was also a brilliant exponent of allegorical fantasy in works such as The Complete Cosmicomics. He died in Siena in 1985.
Book cover of The Mahé Circle by Georges Simenon

The Mahé Circle

'Powerful . . . unputdownably gripping' Guardian

'The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son's bed, the deafening sound of cicadas'


During his first holiday on the island of Porquerolles Dr Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence - or may destroy him. This is the first English translation of The Mahé Circle, Simenon's dark, malevolent depiction of an ordinary man trapped in mundanity and consumed by obsession.

'Extraordinary . . . Simenon is one of the most important writers of the 20th century' Independent
Book cover of Mind of an Outlaw by Norman Mailer

Mind of an Outlaw

The definitive Norman Mailer collection, as he writes on Marilyn Monroe, culture, ideology, boxing, Hemingway, politics, sex, celebrity and - of course - Norman Mailer

From his early 'A Credo for the Living', published in 1948, when the author was twenty-five, to his final writings in the year before his death, Mailer wrestled with the big themes of his times. He was one of the most astute cultural commentators of the postwar era, a swashbuckling intellectual provocateur who never pulled a punch and was rarely anything less than interesting. Mind of an Outlaw spans the full arc of Mailer's evolution as a writer, including such essential pieces as his acclaimed 1957 meditation on hipsters, 'The White Negro'; multiple selections from his wonderful Advertisements for Myself; and a never-before-published essay on Freud. The book is introduced by Jonathan Lethem.
Book cover of The Thin Red Line by James Jones

The Thin Red Line

The soldiers of C-for-Charlie Company are not cast from the heroic mold. The unit's captain is too intelligent and sensitive for the job, his first sergeant is psychotic, and the enlisted men begin the campaign gripped by cowardice. But they will all discover the thin red line that divides the sane from the mad - and the living from the dead - when they arrive on the island of Guadalcanal in the Pacific. Based on James Jones' experience in the Pacific Theatre during World War II, The Thin Red Line is a raw and unsparing depiction of the senselessness and brutalizing impact of war.
Book cover of As I Walked Out One Midsummer Morning by Laurie Lee

As I Walked Out One Midsummer Morning

'The stooping figure of my mother, waist-deep in the grass and caught there like a piece of sheep's wool, was the last I saw of my country home as I left it to discover the world'

Abandoning the Cotswolds village that raised him, the young Laurie Lee walks to London. There he makes a living labouring and playing the violin. But, deciding to travel further a field and knowing only the Spanish phrase for 'Will you please give me a glass of water?', he heads for Spain. With just a blanket to sleep under and his trusty violin, he spends a year crossing Spain, from Vigo in the north to the southern coast. Only the outbreak of the Spanish Civil War puts an end to his extraordinary peregrinations . . .
Book cover of A Moment of War by Laurie Lee

A Moment of War

'A Moment of War' is the magnificent conclusion to Laurie Lee's autobiographical trilogy begun in 'Cider with Rosie' and 'As I Walked Out One Midsummer Morning'.

It was December 1937 when the young Laurie Lee crossed the Pyrenees and walked into the bitter winter of the Spanish Civil War. With great vividness and poignancy, Lee portrays the brave defeat of youthful idealism in Auden's 'low dishonest decade'.

Writing in the Literary Review, John Sweeney praised the memoir as, 'A great, heart-stopping narrative of one young Englishman's part in the war in Spain ... crafted by a poet, stamping an indelible image of the boredom, random cruelty and stupidity of war'
Book cover of The Diary of a Provincial Lady by E.M. Delafield

The Diary of a Provincial Lady

'January 22nd - Robert startles me at breakfast by asking if my cold - which he has hitherto ignored - is better. I reply that it has gone. Then why, he asks, do I look like that? Feel that life is wholly unendurable, and decide madly to get a new hat'

It's not easy being a Provincial Lady in Devonshire in the 1920s, juggling a grumpy husband, mischievous children and a host of domestic dilemmas - from rice mould to a petulant cook. But this Provincial Lady will not be defeated; not by wayward flower bulbs, not by unexpected houseguests, not even by the Blitz. She will continue to preside over the W.I., endure rain-drenched family picnics and succeed as a published author, all the while tending to her strawberries.

The Diary of a Provincial Lady is a brilliantly observed comic novel, as funny and fresh today as when it was first written.

Widely regarded as one of the funniest English authors and an heir to Jane Austen, E.M. Delafield was born in Sussex in 1890. She took the name Delafield to distinguish herself from her mother (De la Pasture), also a novelist, and wrote over 30 books which could be 'as laugh-out-loud funny as PG Wodehouse' before her death in 1943.
Book cover of The Futurist Cookbook by Filippo Tommaso Marinetti

The Futurist Cookbook

Part manifesto, part artistic joke, Fillippo Marinetti's Futurist Cookbook is a provocative work about art disguised as an easy-to-read cookbook. Here are recipes for ice cream on the moon; candied atmospheric electricities; nocturnal love feasts; sculpted meats. Marinetti also sets out his argument for abolishing pasta as ill-suited to modernity, and advocates a style of cuisine that will increase creativity. Although at times betraying its author's nationalistic sympathies, The Futurist Cookbook is funny, provocative, whimsical, disdainful of sluggish traditions and delighted by the velocity and promise of modernity.

Filippo Tommaso Marinetti was born in 1876 to Italian parents and grew up in Alexandria, Egypt. He studied in Paris and obtained a law degree in Italy before turning to literature. In 1909 he wrote the infamous Futurist Manifesto, which championed violence, speed and war, and proclaimed the unity of art and life. Marinetti's life was fraught with controversy: he fought a duel with a hostile critic, was subject to an obscenity trial, and was a staunch supporter of Italian Fascism. Alongside his literary activities, he was a war correspondent during the Italo-Turkish War and served on the Eastern Front in World War II, despite being in his sixties. He died in 1944.
Lesley Chamberlain is a novelist and historian of ideas. Her thirteen books include Nietzsche in Turin, The Secret Artist: A Close Reading of Sigmund Freud and The Food and Cooking of Russia.

Suzanne Brill is an art historian and writer. She has translated several books for Italian art historians including Caro Pedretti's Leonardo: Architect, which was nominated for the John Florio prize.
'A paean to sensual freedom, optimism and childlike, amoral innocence ... it has only once been answered, by Aldous Huxley's Brave New World' Lesley Chamberlain
Book cover of Good-bye to All That by Robert Graves

Good-bye to All That

"There was no patriotism in the trenches. It was too remote a sentiment, and rejected as fit only for civilians. A new arrival who talked patriotism would soon be told to cut it out. As Blighty, Great Britain was a quiet, easy place to get back to out of the present foreign misery, but as a nation it was nothing."

This is the original version of Robert Graves's intense memoir of the First World War, restoring this raw, emotionally truthful, darkly comic work to the way it was first written, by a young man still reeling from the trenches.

'We see the dark heart of the book even more clearly, and hear it beating even more loudly, in this original edition than we do in the comparatively careful and considered terms of the later one' Andrew Motion


'One of the most candid self-portraits, warts and all, ever painted' TLS
Book cover of Liveforever by Andrés Caicedo

Liveforever

María del Carmen Huerta lives a respectable middle-class life in Colombia. One day she misses class, and discovers she cannot return to her ordinary existence but must pursue her passion for dancing across the city. We follow her from rumbas in car parks to concerts in shantytowns as she gives in to every desire - however dark.

Published in 1977, Liveforever was its young author's masterpiece - and final work. Andrés Caicedo took his life the day it was published, but it has been recognized as a landmark in Colombian literature ever since.
Book cover of Nova Express by William S. Burroughs

Nova Express

The diabolical Nova Criminals now include the nightmarish characters of Sammy the Butcher, Iron Claws, Izzy the Push and the Brown Artist, and are poised to wreak untold destruction on the world with their new-found control. Only Inspector Lee of the Nova Police has any chance of stopping them, by dismantling the word and image machine before it's too late.

The third book of Burroughs's linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.